Which danc got you into the song?

I've been following this group purely because Kim In-hye is in the group and she absolutely killed it in MY TEENAGE GIRL (Seen here). I wasn't a fan of their debut song BADVILLAIN but oh my goodness Thriller seems to have the same kind of magic KOL's Igloo has. That feeling of nostalic 2000s club and Y2K if it had a baby. I don't know sonically if that's the right way to describe it, but I especially want to say how addictive that last chorus/outro is especially with the dance on the knees (purely on a visually satisfying way). submitted by /u/PoyuPoyuTetris [link] [comments]

Knowing that they’re Fifty Fifty 2.0 makes me want to support them even more. submitted by /u/Bubbly-Wolverine-396 [link] [comments]

I may change the flair on this (if I need to) because I’m not sure if this would be considered a “game,” but I don’t think it’s really a discussion question either. 😭 it’s just something I thought would be fun lol submitted by /u/CeCeAlexus [link] [comments]

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I feel like most kpop fans care more about visuals and the music itself than live performance. Plenty of groups lipsync often and still build successful careers. I’ve even seen groups lipsync at their own concerts and fans still pay good money to fill up the venues. Lipsynced performances still rack up millions of views and fans still show great appreciation for them. To give a recent example, Izna’s golden cover at KCON comes to mind. Many fans didn’t care if it was fully lipsynced. They were still praising their voices and calling it the best cover ever. To me, singing live doesn’t really seem to be a top priority in kpop these days. What do you guys think? Is all the outrage over lipsyncing just performative? submitted by /u/GainImpressive8183 [link] [comments]

This is something that is always on my mind since I used to be a fan newjeans’ music and concept, and it is very upsetting to me that we’ll never get to here what music they would have released and how their concept would have evolved. Not only that, I also wonder how much bigger they could have gotten. Like they were doing very well domestically and globally and had soooo much potential to become even bigger. I want to know what a full album from newjeans would have been like and what more could they have achieved. submitted by /u/M0us3Cheezz [link] [comments]

Yesterday I saw Jungwon, Heeseung, and Jay’s ENHYPEN WORLD posters and I’m still dizzy from it, and now the rest are out too 😭 I screamed! The visuals are lethal. how can anyone look like this… they don’t even seem human. Their faces are literally heavenly 😭 the vampire concept is gorgeous, they nailed it 🧛🔥😭 (anyone wanna donate blood for the boys lol) october feels way too far.. are we even ready? I’m not https://x.com/ENHYPENWORLD_X/status/1968239044955119879 submitted by /u/WashDowntown4539 [link] [comments]

I just realized that KION is an AI artist created by Higgsfield, and it's actually giving viiiibees submitted by /u/AnyCut8086 [link] [comments]

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I don't know if it's because of nostalgia, but from the first time I saw this MV and heard the song, I fell in love forever. I also love Call Me Baby, Overdose was a song I always listened to, but it seems like I'll never stop liking Love Me Right. submitted by /u/Separate-Comedian-25 [link] [comments]

why calling it a freebie if youre expecting something in return? submitted by /u/withinyourheart [link] [comments]

The message was that the girls don’t need to marry a rich man, and they are enough by themselves. The pressure to marry a rich dude is reductive of their characters and dismissive of their abilities. This was accentuated by the capitalistic nature of the American imagery, specifically american football (that’s a band, idk them tho) and NASCAR, as well as a bit of the “American dream” where Winter toiled as a mechanic. This was concluded and solidified in the rebellion in the end. The girls are themselves and can handle their shit, even a whole fucking revolution (the irony and timing of this imagery as an actual American is really fun too lmfao, but we’re not here for politics). I think it was actually very sophisticated and intentional. Like, I’m not trying to sound pretentious but I truly don’t think a lot of fans understood the context of the lyrics with the imagery. I think it was one of the better stories/ideas that AESPA has told/communicated in their music videos. And obviously, it’s camp. It’s so exaggerated and off the wall and intentionally too much, in order to communicate an idea. I think it was artfully done and I stand by it as a comeback. (Sonically, it’s not on my playlists, but neither are most of my favorite musicals and I rank this with them.) This really is an appreciation post, but I’m flairing it as a discussion because I want to know what people think of the song besides “it doesn’t sound as cool as their last comebacks” lol. I think there was a really interesting story here! submitted by /u/Radiant-Actuary2870 [link] [comments]

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Rules: - any gender, generation and group is fine - if an idol wins twice, theyre just in the group twice. There’s a clone of them. They don’t have two roles - global group idols (I. E. Xg, Katseye) don’t count - dead/disbanded idols and survival show contestants count, as well as ai/digital idols - the comment with the most upvotes wins - roughly every 24 the next vote starts! - try to make the most cursed lineup anyone has ever seen Now, who will our leader be? submitted by /u/DaGayEnby [link] [comments]

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