Are there any KPOP idols who have drastically changed for the worse?

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I'm sorry but there's no way you can convince me Babymonster's hot sauce has more organic views on youtube than aespa's dirty work and ADP's Famous and... Whatever else it is they released (sorry I genuinely don't remember the title, just lyrics about a photoshoot). I know the girls are very famous, but the number of ads and/or bought views being used looks so uncanny and unreasonable next to other artists who are a lot more popular. I thought the same about izna as well because the like to view ratio is actually embarassing. How are you having 63 million views (izna's, 'IZNA') with not even 400k likes? For example, even Itzy's GWBG MV (that has like 40 million less views) has more likes. Not only that, but ads and/or bought views on instagram reels and shorts? Like what are they even helping 😭 (An example is that one Itzy reel from a few weeks ago with nearly 100 million). Actually, it makes me kind of get using paid views on MVs because more effort is put into those... I get people might disagree, I don't really know anyone's opinion on this. Just wanted to share a random thought :) submitted by /u/Gold_Meaning3688 [link] [comments]

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Two different members of BTS, Two huge crowds, two different continents… what else can you say other than legendary First pic is from Jin’s sold out concert at Kyocera dome in Osaka and the second pic is the crowd for J-Hope’s performance at Lollapalooza Berlin submitted by /u/Wide-Cardiologist-15 [link] [comments]

G-Dragon has been spoiling all over his concerts that Big Bang will be making music again as a group by next year. However, to my knowledge, BB is currently Daesung, Taeyand and him. Though, during his last concert the fans were chanting BB comeback and he raised his 4 fingers. Kinda signaling TOP as well? I dont want to get my hopes up. I am a 2nd gen fan so I have been through all the scandals regarding TOP and Seungri (including the rest of the members). But! Can TOP really REALLY be included again in BB activities without much Korean scrutiny after what happened? Excluding his acting (Squid Games) ofc, he has not been active at all. What do you guys know for sure or think? submitted by /u/nikkei-tzu-2404 [link] [comments]

In a world that often demands speed, perfection, and silence in the face of struggle, BTS stands as a powerful reminder that vulnerability is strength, kindness is boldness, and music can be a lighthouse for millions. More than a K-pop group, BTS has become a global emotional support system. seven souls who have taught a generation how to feel deeply, live honestly, and love fiercely, including themselves. For most ARMY, BTS is not just about catchy beats or synchronized dance moves, though those are undeniably brilliant. Their impact runs much deeper through their lyrics, music videos, and even unscripted reality content, they’ve gently and powerfully redefined what it means to be a celebrity, an artist, and a leader in the modern world. When life becomes overwhelming, I turn to BTS for comfort. Their music has have themes that are often considered taboo in entertainment: depression, anxiety, burnout, self-hatred, generational pressure, and identity. Songs like “The Last” by Agust D (SUGA) , “Epiphany” by Jin, “Magic Shop”, and “Zero O’Clock” speak directly to those quietly struggling. Rather than hiding behind curated perfection, BTS chose to show their scars, and in doing so they helped fans feel less alone in theirs. They reflect on themselves. They ask questions like: “Who am I?”, “What’s my worth if I stop performing?”, “Can I still love myself even when I fail?” These questions made impact when people are expected to have it all figured out. BTS functions as a unit of seven equals. each member leads in their own way with empathy, humor, creativity, wisdom, or quiet strength. Jin teaches us to laugh at ourselves loving ourselves, J-Hope reminds us hope but also it's okay to not be cheerful all the time, SUGA speaks to the broken parts we try to hide (our shadows) and embrace it overcome it, Jimin embodies care and gentleness in elegant way, V celebrates artistic individuality also teaches us not to be afraid of being judged by other people, Jungkook inspires artistry, growth and effort, and RM leads with boldness honesty, intellect and sincerity. And they all together model what harmony, healthy masculinity, vulnerability, and unity can look like. They are proof that strength can come in tears, hugs laughter, and words. BTS changed the very definition of what it means to be an artist for the world in our generation. For them, it’s not just about breaking records or selling out stadiums (though they’ve done both repeatedly). It’s about impact. Their artistry is intentional, it's art with a purpose. with symbolism, psychology, literature, and social commentary. Their albums are not just collections of songs; they are narratives from The Most Beautiful Moment In Life series ( which explores youth and pain) to Map of the Soul ( inspired by Jungian psychology) and Be (born out of the isolation and grief of the COVID-19 pandemic.). EACH MV is rich with metaphor. EACH stage is a performance of emotion. EACH speech (such as their historic one at the UN) is a call to action: to speak yourself, to love yourself, to live fully. They never settle down for bare minimum. Perhaps one of the most revolutionary aspects of BTS is the way they treat their fans. We ARMY is not just an audience, it's like a family. We're not getting girlfriend-boyfriend treatment like in traditional Kpop idols. There’s mutual respect and love.( except very small toxic percentage we despise) They talk to ARMY like old friends, with sincerity. breaking the fourth wall and showing their most human sides: eating, hurting, laughing, playing games, crying, failing, being silly. Their reality shows, like Run BTS or Bon Voyage show us who they are off-stage, and it's there fans fall even more in love. Not with the idol, but with the person. BTS taught a generation that it’s okay to be soft in a hard world. They made self-love a mission, not a trend. They reminded millions that healing takes time and that our flaws don’t make us unworthy of love, they make us human. They said in their own words: “You gave me the best of me, so you’ll give you the best of you.” and they always work hard to give back. Their legacy measured in charts and trophies for sure but also in changed lives. They are my quiet comfort on sleepless nights, my loud cheerleaders when I feel down, the silent teachers guiding us back to ourselves. BTS didn’t just change music. They changed us. And we will never be the same, in the most beautiful way. submitted by /u/Pinkymelii666 [link] [comments]

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I never really understood why it flopped in the first place, I think it’s a good song with a strong, catchy chorus. The only big flaw that I can see is the overuse of autotune and subpar production, but many other songs have been successful despite those same shortcomings. I think the song suits NMIXX quite well and could be a big hit for them, if re-recorded with better production. submitted by /u/Elegant_Fishing_7952 [link] [comments]

i’ll start first!! i actually like mismatched foundation on female idols😭😭 i have no idea why but i think it looks really good submitted by /u/avairaa [link] [comments]

I’ve been a solo stan of different idols across multiple groups for years now, and I don't even know how it keeps happening. I just naturally end up drawn to one member and staying focused on them. I’ve never really been able to stan an entire group ,like , how is that even possible? But I’ve never hated on the other members, and I don't wish for the group to disband or anything like that. In fact, I enjoy seeing my fav interact with their groupmates, and I respect the team as a whole. Some might say, “That’s just having a bias,” but nah if I’m being real, I don’t care much for the others outside of group content. I’m not going out of my way to follow their solo stuff or keep up with their updates. Still, if I see someone dragging the group my fav is in, I’ll jump in to defend the whole team like I’m a full group stan. No one even knows I’m a solo stan, because I don’t act like a bitter one. I believe being a solo is fine as long as you're respectful. Not caring much for the other members isn't hating them. I don’t drag anyone, I just quietly support my fav and that’s okay because not everyone connects with entire group. And let’s be honest, some of y’all who claim to "love all members equally" still clearly favor one member in your edits, tweets, playlists, and everything else. So what’s the difference? At least I’m being honest with myself lol. I feel like the term "solo stan" has gotten such a bad rep because of the toxic ones who actively hate on other members or start fanwars. But not all of solo stans are like that. submitted by /u/Narrow_Start_5340 [link] [comments]

Alright, fellow K-Pop enthusiasts, let's pull back the curtain and talk about something that's been nagging at me, and I'm sure, at many of you who, like me, try to navigate the tumultuous waters of multiple fandoms. I'm talking about the recent spectacle orchestrated by the "Big 3" – well, two of them in particular: YG Entertainment and JYP Entertainment. And yes, we'll even touch on Big Hit Entertainment (now HYBE) because their shadow looms large over this entire "competition" narrative. As a multi-stan, someone who genuinely loves the music and the artists from different groups, my K-Pop experience often feels less like a joyous celebration and more like a never-ending warzone. And the recent release schedule? It was a declaration of war, whether intended or not. Let's rewind to BLACKPINK. For years, the Blinks have been subjected to what feels like a constant drought. Whispers of comebacks, elusive teasers, and then… radio silence. It's a running joke in the fandom, this "YG Dungeon" phenomenon. So, when the "Deadline" World Tour was announced, and with it, the promise of new music, there was an almost palpable sense of relief. And true to their word, "Jump" was unveiled on July 5, 2025, during the tour's two-day opening show in Goyang. The energy, the excitement – it was electrifying! Blinks finally had new music, a taste of what's to come. But here's where the YG playbook truly came into play, and where my multi-stan heart started to ache. Despite the live debut, despite the clear demand, there was no immediate digital release, no music video to satiate the global fanbase. Instead, what happened? YG announced the official digital release and music video drop for "Jump" on July 11, 2025. Now, what else was happening on July 11, 2025? Oh, just TWICE's highly anticipated 4th full album, "This Is For." Coincidence? My fellow K-Pop truth-seekers, please. This was a masterclass in strategic timing, a subtle yet undeniably aggressive move. It's the kind of move that screams, "We're not just releasing music; we're making a statement." It's almost as if YG thrives on this perceived competition, feeding into the rivalry that often simmers between fandoms. This is where my Filipino cultural lens kicks in. YG's approach to BLACKPINK's promotions often feels like that classic "Bahala na sila" or "Kaya na nila 'yan" attitude. It's a deep-seated cultural trait that, in certain contexts, can be admirable – a belief in self-reliance, in overcoming challenges. But when it comes to managing a global phenomenon like BLACKPINK, it can translate into a hands-off, almost indifferent approach to direct promotion. It's like YG is saying, "You Blinks are powerful enough. You made them the biggest girl group, so you can certainly promote this song on your own. Your loyalty is enough." It's a testament to the sheer dedication of Blinks that, despite the often-frustrating lack of consistent content and promotion, BLACKPINK continues to break records. But at what cost to fan satisfaction? On the other side of the fence, we have JYP Entertainment and TWICE. JYP, in contrast, seems to follow a more traditional K-Pop promotional model: regular comebacks, extensive teasers, meticulous schedules. They consistently deliver content, keeping Onces fed and happy. Yet, paradoxically, Onces often express dissatisfaction with JYP's "poor" or "lacking" promotions. It's a curious dilemma. Perhaps it's the sheer volume of content that leads to a higher expectation, or perhaps it's a perceived lack of global push compared to YG. Regardless, both fandoms, despite vastly different promotional strategies from their respective companies, find reasons to be frustrated. Now, let's address the elephant in the room that no one in the industry wants to acknowledge directly: the toxic fan culture that erupts from these perceived rivalries. It's heartbreaking as a multi-stan to see groups, whose members genuinely share friendships, being pitted against each other. We've seen the sweet interactions: Nayeon and Jennie, friends since their trainee days, often exchanging glances and smiles at award shows. Lisa and Mina, two of the most beloved dancers, sharing a mutual respect. Jihyo, the powerhouse leader of TWICE, even has friendships with idols outside her company, like Minnie from (G)I-DLE. These are real, human connections that get completely overshadowed by the vitriol online. The moment a new song drops from either side, the comments section becomes a war zone. "Copying! Plagiarism! Who's better? Who sold more? Who charted higher?" It's relentless, and it completely misses the point. These talented women, who have dedicated their lives to their craft, are reduced to pawns in a fan-driven game of one-upmanship. Which brings me to the recent interview with TWICE's Nayeon, Jeongyeon, and Jihyo. Jihyo's words resonated with me on such a deep level: “At this point instead of focusing on competition or constantly trying to stay popular I really just want to enjoy it all a lot more and I strongly hope our fans will continue having a genuinely fun time with us moving forward.” This isn't just a casual statement. This is the raw, unvarnished truth from a leader who has been in the K-Pop industry for almost a decade. Let's be precise: TWICE debuted in October 2015 with "Like OOH-AHH." Before that, many of the members, including Jihyo, endured years of rigorous training. Jihyo herself was a JYP trainee for over 10 years before TWICE even formed through the survival show "Sixteen." So, when she speaks of being "tired" of the competition, it carries immense weight. TWICE was, for a long time, unequivocally "the Nation's Girl Group." They dominated charts, won countless awards, and cemented their place in Korean pop culture. But as new groups emerge and older ones reach new global heights, that "Nation's Girl Group" title is constantly being challenged, particularly by BLACKPINK's global dominance. The constant dragging, the endless debates on who is "bigger" or "better," it's clearly taken a toll. Jihyo's statement is a testament to a group that has transcended the need for validation through competition. They are now focusing on creating music for their fans, the ONCEs, and embarking on their own tour. It's a pivot from external validation to internal fulfillment, and it's something truly admirable. submitted by /u/No_Shirt_3037 [link] [comments]

https://open.spotify.com/playlist/7CrFhjQFLk7WEErawpbrtg?si=mUTvOU3XR5SnEQWdkCw87Q&pi=DN7Sb-N8SNulV submitted by /u/beansings [link] [comments]

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I recently got into a K-pop group and quickly found myself drawn to one particular member — super talented, charismatic, everything I usually love in an idol. But then I encountered their agkaes… and it’s honestly been such a draining experience. These toxic solo stans constantly play the victim, complaining about how "mistreated" their fave is, even in situations where it’s clear the treatment is fair or balanced. They act like they're their idol’s personal savior, jumping into every conversation just to defend or uplift them, even if it means tearing down the other members in the process. It’s this constant superiority complex: "If it weren’t for ___, the group wouldn’t be popular." "They carry the team." I've even seen posts and comments where they accuse other members of stealing the spotlight. What makes it worse is that they’re always pushing for this idol to leave the group and go solo, as if the rest of the members are beneath them. Their energy is so negative and aggressive, it’s genuinely affecting the way I see the idol. I hate that I feel this way, but now when I see the idol on my feed, I can’t help but associate them with the toxicity of their fanbase. It’s gotten to the point where I avoid clips or posts just to protect my peace. And honestly… I wish idols would say something about it. Even a simple, “Please don’t put down the other members in my name,” or “Support all members” would go a long way. Just something to make it clear that they don’t condone the toxic behavior. When they stay silent, it almost feels like they’re allowing it, even if unintentionally. On top of that, these toxic agkaes aren’t just hurting the idol’s image — they’re damaging their image and fandom as well. The constant negativity and “my fave is the only one that matters” attitude creates such a hostile environment. Longtime fans quietly leave the fandom because they’re tired of the drama, and new fans are hesitant to get involved because they don’t want to deal with all the negativity. It stops being about music or enjoyment and starts feeling like a battleground. Have any of you experienced this? Have you lost interest in an idol or stopped supporting them because of their insufferable agkaes? How do you deal with it — or do you just move on entirely? I’d love to hear your thoughts. submitted by /u/ResponsibleUsual7536 [link] [comments]

songs by K-pop acts to reach #1 on the Global Spotify Chart BTS – Dynamite BP – Pink Venom BP – Shut Down Jimin – Like Crazy BTS – Take Two Jungkook – Seven Jungkook – 3D Jungkook – Standing Next To You Jimin – Who Rosé – APT. Jin – Don’t Say You Love Me Huntrix – Golden BP – JUMP 🆕 it's genuinely wild how only BTS and BP (plus a few solo efforts from their members and netflix movie song) have managed to reach #1 on the Global Spotify Chart. Meanwhile, groups like TWICE, SEVENTEEN and Stray Kids are pulling insane numbers—multi-million album sales, global tours, sold-out stadiums, strong presence on YouTube and physical charts—yet they can’t seem to crack that Spotify #1. Is it a fandom streaming issue? Platform bias? Lack of casual listeners? Or is Spotify just not reflecting the actual influence some of these groups have? submitted by /u/Xchosenz [link] [comments]

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I started following K-pop during 3rd gen, and back then GOT7 was huge. They were easily one of the top 10 most popular groups internationally, maybe even top 5 at one point. The biggest names at the time were BTS, BLACKPINK, TWICE, EXO, GOT7, NCT, SEVENTEEN, Red Velvet, MONSTA X, and iKON. But now? I rarely see anyone mentioning GOT7. I could name over 20 groups more popular than them: BTS, BLACKPINK, Stray Kids, TXT, TWICE, ATEEZ, ENHYPEN, SEVENTEEN, LE SSERAFIM, NCT, aespa, IVE, i-dle, NewJeans, BABYMONSTER, ITZY, EXO, ZEROBASEONE, NMIXX, TREASURE, ILLIT. Do they still have an active fandom and presence that I’m just not seeing, or are they considered an older group that fell off? Do K-pop fans now even know who they are? submitted by /u/Standard_Basil_5269 [link] [comments]

I was just cleaning my Tiktok followed accounts and saw an unfamiliar account named pocket music, then i clicked on it only to found out that it was Tribe's tiktok account. I also checked their IG and poof, also changed. I guess the fate of that group is completely sealed. It just hurt to witness it. submitted by /u/Shinjosh13 [link] [comments]