Are there other idols with 1 monolid and 1 double eyelid like Wyatt?

Intak won the majority vote for letter I!!! However… for this round, i’m limiting it down to a select few… for J, it’s a vote for just Jungwon, Jay, Jake from Enhypen 🙏🏼 submitted by /u/ProfessionalMaize596 [link] [comments]

I wasn't sure what the policy on "self-promotion" is on this subreddit, so I'm going to be upfront about it from the get go! This is not to promote my SubStack or ask for money for everyone — I simply want to get this out there because I want more people to talk about this with! So, everyone and their mothers have been talking about the similarities between 'Golden' and 'I Am' (amongst others) and just how similar they sound, lyrically and sonically. However, my literature-student ass has been sitting in just how different these two songs are on a lyrical level, and how important their key difference is: unlike 'I Am', 'Golden' lives not in the present but in a near yet unconfirmed future, and this is essential to understand when it comes to what the song means in the film. For those who are interested in a lyrical language analysis of both 'Golden' and 'I Am' in support of this claim (and yes, I tackle the Korean as well as the English!) I'd love if you would take a few minutes to read my SubStack essay I wrote about this at like 5am — considering my ADHD ass, I'm really proud of myself for completing this and getting it in the open!! I don't want your money and you're under no obligation to subscribe, but any comments and thoughts about the topic (and thinking more broadly!) would be really appreciated — either here in the comments (though this is a personal reddit account, not an official one!), in the SubStack comments, or a follow+DM on my Instagram would be amazing! For those who've read this far, thank you! Happy reading and I'd love to talk to more about you about this! And I'm a lyrical analysis fiend, so let me know if there's anything you'd like me to take a look at 😁 submitted by /u/gsc777_pkc [link] [comments]

Debut song from any gen and by anyone submitted by /u/_thatssofetch- [link] [comments]

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I want to give He Zhong Xin the benefit of my doubt. I know that MNET has had a LONG history of evil editing🫩. But… Episode 6 kinda focuses on his unwillingness to practice with his teammates, and him also not liking that he lost to another teammate. Again I'm not biased, what we get to see in the episodes is pretty much what MNET lets us see... Maybe he's misunderstood? We are most likely not seeing the full picture. What do you guys think about this conflict? submitted by /u/stars_rUnderus [link] [comments]

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previous thread 24 23 22 21 20 19 18 17 16 15 14 13 12 11 [10)(https://youtu.be/xFHAcsUXc-c?si=rQUZdECZL7-ocxgZ) order 1 lucifer - shinee (172) 2 run devil run - girls generation (100) 3 lupin - kara (30) RULES 📌 YOU CAN COMMENT A MAX OF 3 SONGS 📌 B-SIDES ARE ALLOWED 📌 OST will be allowed a list of every 2009 song in month order 📌 If anyone knows how to do that thing when you can put the song above the album cover in the photos please dm because I know people want me to put the song names but I cannot edit like that,I'm not that skilled :/ submitted by /u/winniecore [link] [comments]

These are some of my favourite voices in Kpop ever. Their voices have something that makes my ears feel heavenly whenever they sing. Voices, that are present in my before bed playlist. Of course there can be more but I only have them on top of my mind. What are yours? Do share. submitted by /u/Daddy1007a [link] [comments]

CHUU (SOLOIST) won for brown hair ! (comment had 23 upvotes) If you have more than one idol you’d like to mention , please separate the comments ! Comment with the highest amount of upvotes wins ! submitted by /u/Opening_Chemist_3730 [link] [comments]

I feel like this is kinda obvious but it seriously pisses me off so bad. People actively complain about how everyone lipsyncs but they're part of the problem. I mean it's been a thing for a long time but now you'll see even the best vocalists lipsyncing most of the time. And to be honest I don't really care if they do it once in a while as long as it's not a concert and they do sing live as much as they can. The people who always find the smallest things to bring down idols/groups they don't like just so they can uplift their faves and who talk like they're knowledgeable in the field they're judging them on are the reason why no one sings live. They're expected to be perfect from the start and there's no room for small human mistakes. You can't really say you want live vocals then start calling them the worst singer when they made a mistake in one performance. Valid criticism is good but a lot of the time it's not good "i hope to see them improve" criticism, its just malicious and used as an excuse to bully them. Obviously that's no excuse for mediocrity they're trained performers and it is their job to perform but it's kinda ridiculous to say you want real then get mad it isn't 100% perfect all the time. I don't think the hatemail ppl send to kpop idols for not being the best vocalist in the world is the sole reason (i do think the obsession with all-rounders also kinda ads to it as well as other stuff) but it's definitely a contributing factor imo. submitted by /u/periwinkle-grey [link] [comments]

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Probably everyone notice recent nagging about that k-pop doesn't sound the same like in the past. From what I notice generally there are two schools: one which claim it's not truth and these opinions are effect of nostalgia of older fans and second which blame "westernization". I personally agree that something has started to change in the k-pop sound but I see reasons behind that somewhere else. Simply "western" sounding song show more clearly change in recording and production philosophy in k-pop. That's why people think it's because of "westernization"despite fact that foreign producers were working for k-pop companies pretty much from the beginning of genre. I would start from good change: average quality of production rose. Thanks to k-pop boom in late 2010s (which probably peaked around 2022-2023) many smaller companies got investment letting them to work with good producers and music engineers. We can say that symbol of that should be Cupid's success but already debutant EP of Fifty fifty was shockingly well produced what many people spotted before their song went viral. But despite rise of quality there was something significant which started to disappear from k-pop productions. And that is artistic input of idols during recording. It's pretty ironical because we hear non-stop about more deep involvement of idols into production. There are much more self-producing, being involved into writing lyrics by idols etc.,etc. But when you listen to groups albums, you hear something contrary: it's very hard (especially to non fans) to distinguish who sing/rap what. Okay someone would say that it was always a thing of some groups. And that's truth but still in the past even such groups had few pretty characteristic whatever artistic or tone wise members who were clearly core of their production and where reason behind their "sound". Right now many younger groups don't have it and some seniors group sound like they lost it this characteristic element. So what caused this change? Well, simple answer is shortcuts on many levels of producting. Longer: Frstly change in planning group. In recent years we had multiple debuts and many come from big companies. There is no way that you can make k-pop group without shortcuts if you cut time of making group from let's say from 5 years to 3 something has to be sacrificed. Especially that pool of trainees naturally become smaller because of enormous competition between companies. And what is sacrificed is firstly tone balance between members and probably their artistic individuality (in case of groups bigger than 4-5). BigBang Daeaung said once that when 2nd generation idols debuted they thought that they would be in the groups for few years and go solo. But today in case of big companies it is financially lucrative for both sides to keep going beyond 7 years. So from perspective of business logic: does k-pop group really need member with big solo potential? Does someone like that become a bit more threat than lacking element to their business model? It's easy to scout Korean teenager who wants to solo artist to be a idol right now? And today everyone is touring definitely more than in the past (especially in case of GG change is drastic), some groups tour almost non stop. Do idols have time to spend more time in studio than simply recording finale version of song what we often see in this bts of recording videos? I don't think so, they don't work much directly with producers apart pre-debut. It's already pretty hard to make well tailored album for absent solo singer (still not impossible what best proof is Britney Spears Blackout) but for the group when you have to take into account couple of individuals? And k-pop groups already release albums much more often than average artist. But there is good shortcuts which is called in colloquial speech: autotune. You can adjust voices to sound similar. You can as well force idols to sing in the style which producers want and not necessary suit tone or artistic temperament of idol. Because it's better for company to bend song to producers' will than do many different takes with idols who could do cfs at that time. This way songs are much more approachable for general listeners. Because the beat is trendy and everything sounds like done by one person and familiar. But what disappear is uniqueness and distinguishable of sound of the group. And today taking shortcuts is much more practical choice because live singing has been minimalized in k-pop industry. Pretty much for rookies the only serious threat are encores which become rarer as again touring. So producers can less care whatever idols would be ever capable to sound the same live like in the recording. As they can never perform it live in reality. So why it's more obvious in songs with more English. Because non English natives are often more "autotuned" to make their pronunciations sound more "English" like. That's why mentioned by me changes become easier to spot in such productions. But there are still few groups in the market which has luxury to actually work in the studio with often in house producers. And you can clearly hear that their even fully English songs don't necessary sound so "western". Because even song with English can be well adjusted to members if their English pronunciation is not bad. submitted by /u/mio26 [link] [comments]

KARDI(카디)_Burning My Heart submitted by /u/Efficient_Summer [link] [comments]

From bullying and shaming someone’s appearance, these so-called moralistic fans somehow have more energy for hate trains against Fifty Fifty — disguised as “we hate Attrakt, not the girls” — than for getting their faves’ current company to book them a single gig. 🤷🏻‍♀️ submitted by /u/Imaginary_Bad_1815 [link] [comments]

Here are the results of the redditor voted underrated 4th/5th Gen Boy Group! Vocalist: Seoho Oneus Dancer: Soul P1Harmony Rapper: Yechan Xikers Center: Wumuti XLOVE Leader: Sangyeon TheBoyz Visual: Jinwoo Ghost9 FOTG: Zhang Hao ZB1 ACE: ON:N All(h)ours Maknae: Harry June DKB I also thought it would be fun if I put what I would pick together so that is the third slide! Thank you everyone for participating! submitted by /u/MegaGlaceon22 [link] [comments]

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After watching some videos of him dancing, he seems to excel in three things I associate with great dancers. Energy - evident in pretty much any performance of TWS. Guys hair is always flipping around from how much emphasis he puts on his moves. Technique - evident in videos like the ones showcasing his "jellyfish" style. Emotion - evident in videos like this cover of JVKE. Since I haven't taken the time to explore all of the notable dancers of 5th gen, how does Jihoon stack up to ya'll? Because I'm really ready to give this guy his flowers. submitted by /u/Lotus-Vale [link] [comments]