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Is BTS’s global success a turning point for K-pop, or a once-in-a-generation phenomenon?

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  • 2025-08-31 21:32 event
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I’ve been stanning BTS since 2016, and even now, I sometimes forget just how massive they’ve become. Their rise from a smaller company to one of the biggest acts in the world feels very unique compared to what we usually see in the K-pop industry. I listen to other groups and keep up with the scene, so I know there’s incredible talent all around. Still, BTS stands out for their creative involvement in their music, their storytelling, and the strong bond they’ve built with fans. ARMY’s role in their success also seems like something that hasn’t been seen often in K-pop — more like a global movement than a traditional fandom. What do you think? Are BTS and ARMY truly one-of-a-kind, or is their success a sign that the industry is shifting in a way that could create more groups with this level of influence? submitted by /u/totaliebroken [link] [comments]

586. aespa - The 6th Mini Album: Rich Man (Concept Film - BURST ver.)

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submitted by /u/SapphireHeaven [link] [comments]

587. BADVILLAIN - Digital Single: THRILLER (Coming Soon Teaser - Floor it)

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submitted by /u/CherryBlossomEnding [link] [comments]

588. CHAEYOUNG (TWICE) - AVOCADO (feat.Gliiico) (1st Solo Album: LIL FANTASY Vol.1 - Welcome to LIL FANTASY CHAEYOUNG)

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submitted by /u/impeccabletim [link] [comments]

589. Happy 21st Anniversary to Younha!

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submitted by /u/CherryBlossomEnding [link] [comments]

590. i-dle Yuqi - 1st Single 'Motivation' (Teaser Poster)

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submitted by /u/forwonjihoon [link] [comments]

591. WENDY (Red Velvet) - The 3rd Mini Album: Cerulean Verge (Concept Film 2 - Color Walk)

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submitted by /u/SapphireHeaven [link] [comments]

592. People look down on producing skills and it's annoying

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This is brought on by all the people complaining about Stay Kids' comeback, both on reddit, X and YouTube. I usually don't pay attention to that kind of things but I noticed they all say the same thing : the chorus is empty, they didn't bother writing anything, it's lazy. And like, I'm sorry, were you hearing complete silence between the hip hip hoorays? To be clear, I love good lyricism and choruses with singing, and if that song isn't your cup of tea, that's totally fine. But people act like instrumentals are worthless. Like it didn't take time, effort and skills to make it. Like it's just something that should stay hidden behind the singing, something that can't exist on its own. I think it's pretty insulting, to be honest. It's a skill and an art, just like lyricism. If you prefer one over the other, that's fine, but acting like one is superior to the other is in bad taste. Not everyone can create a beatdrop that works or an instrumental that makes people want to dance, just like not everyone can write something that makes people emotional. Stop acting like they just pressed a button and boom, the chorus is made. It's not lazy just because it's not what you like. It's not that deep etc etc but it was bothering me submitted by /u/silly_baguette [link] [comments]

593. I’ve been a K-Pop fan for roughly 20 years. Here’s my GG/female soloist rank!

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I felt a few are missing and they’re still worth mentioning for me: Lee Hyori as a solo, Rania (or maybe I didn’t recognize their logo), Lee Jung Hyun, Roo’Ra, CoEd School, Uhm Jung Hwa, Yu Chae Young and Younha. submitted by /u/guict302 [link] [comments]

594. Is anyone else tired of Kpop groups faking ending thier concerts?

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I went to a Stray Kids concert recently and they faked ending the concert, I kid you not, SIX different times. All just to say "haha we got you" or "Actually, we love you too much, were gonna continue" just for a cheap reaction. Then, I went to a Babymonster concert recently (which was amazing btw they really impressed me), and this isn't a fake ending but they talked about the show ending really soon, an hour and fifteen minutes into the show. The show was nearly two and a half hours. It also included three fake endings. Ik this is the biggest first world problem ever and not that deep but this has got to be considered excessive and a bit weird, right? submitted by /u/SnooOranges829 [link] [comments]

595. Is BTS’s global success a turning point for K-pop, or a once-in-a-generation phenomenon?

  • 5 days ago schedule
  • reddit.com language

I’ve been stanning BTS since 2016, and even now, I sometimes forget just how massive they’ve become. Their rise from a smaller company to one of the biggest acts in the world feels very unique compared to what we usually see in the K-pop industry. I listen to other groups and keep up with the scene, so I know there’s incredible talent all around. Still, BTS stands out for their creative involvement in their music, their storytelling, and the strong bond they’ve built with fans. ARMY’s role in their success also seems like something that hasn’t been seen often in K-pop — more like a global movement than a traditional fandom. What do you think? Are BTS and ARMY truly one-of-a-kind, or is their success a sign that the industry is shifting in a way that could create more groups with this level of influence? submitted by /u/totaliebroken [link] [comments]

596. Stray Kids: How 8 ‘too loud’ rookies reshaped the industry

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Today I want to share a reflection of mine about Skz and their trajectory throughout the years. English is not my first language,so I apologise for any mistakes. Feel free to debate about my opinion,respectfully! I first shared this elsewhere, but I thought this sub might be a better place for it. Here’s my perspective- Wether you like Stray Kids or not,there is one thing that should be clear to everyone:Stray kids changed the kpop industry. Rookies writing their own songs:too noisy,too loud,too different,too…real. 8 literal teenagers who were discovering life,writing about their own stories and experiences,daring to share their paths with honesty. Something that in 2018-2019 wasn’t common. In that time,the main theme of kpop was love songs and softer beats,such as “What is love?” By TWICE. But then,out of nowhere,a group of rookies debuts with an odd song called “District 9”. Annoying sirens blaring,chaos,messy energy. And that approach made people…confused,I’d say. Self-production wasn’t common.BTS and BigBang had their producers inside their groups,such as BTS’s rap-line members and G-Dragon,but they weren’t the norm. They were an exception. And suddenly,what people used to hate as too noisy and too raw,too honest,became what people crave now-truth. They never showed us nothing but the truth in their lyrics. They showed us immaturity in the beggining,with fears and doubts.And then,their whole trajectory as people. Stray kids made a huge difference in the industry,and I can sense that despite that,JYP seemed to be sure about it. Giving rookies such a enormous power of self writing was…risky,to say the least. But in the end,it became what people desire the most. I absolutely love how we can see their growth trough their music,because they weren’t just given songs that they were supposed to perform perfectly. They ripped their hearts open,flooded papers with their feelings,and got up on stages to change the world they lived in. Yes,Stray kids of 2018/2019 isn’t the same as now. They made many mistakes,they were immature. But something from that time never died inside them-that truthfulness and honesty. They never stopped being raw,loud and different. Because their songs are their weapons.Their hearts are their army. And for me,it’s incredibly beautiful to watch them grow. Past the mistakes,past the tears. Finally witnessing 8 flowers who bloomed brightly,and now,are claiming the good karma they deserve. It’s just…so incredibly bold. For 2018,that kind of approach was absolutely jarring. But now,that’s why so many people love them. And I’m fucking proud of that. Of them. Of this. I do acknowledge their mistakes. I do see the messed up things they did. But that only makes them more real. They aren’t perfect. Far from it, actually.They are 8 men who stepped onto a steady ground only to make it shake with sincerity. And seeing who and where they are now? Makes me feel like we’ve both won. What do you think? submitted by /u/Duda_1823 [link] [comments]

597. I don't understand the logic behind Cortis' 'GO' still not being on Spotify

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Maybe I'm missing context here and it was a mistake by the company that it's not on Spotify yet but not cashing in on the hype that the song is getting on Tiktok and stuff by putting it on the most used music streaming platform in the world seems... not so smart to say the least? I mean I assume you would want your new boy group to get as much hype as they possibly could, so why would you not put the song that is currently getting them the most publicity out? They are promoting it like crazy on Tiktok, I'm pretty sure they've made like 30 tiktoks dancing to it, all for it to not be on Spotify? I'm sorry that I sound like a broken record right now, I don't have any degree in marketing whatsoever, but still I'm pretty sure this is not the way to go about it. In the fast paced market we have today where trends die in the matter of a week sometimes, it seems awfully risky to try to push this very catchy but repetitive song in our face and yet wait to actually release it. I remember the same instance happening with (not kpop) Alex Warren not releasing 'Eternity' when the song was going viral on Tiktok. And now... it obviously is getting a good amount of hype, but I do feel like the song could have been at double the amount of streams right now if he would have cashed in on the hype immediately and just released the song. If people are talking about it... then release it I hope this doesn't sound like a hate post towards Cortis lol, I don't know much about them but from what I've seen I really like their concept and I do like the song GO, which is why I'm so frustrated here, it just seems like a stupid decision from the company to do this submitted by /u/Due_Improvement_5699 [link] [comments]

598. If you could mix your ult group concepts/comebacks to create the ultimate comeback, which one would you choose?

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So TXT are my ult and if I could do it, I would mix Freeze and Fight or escape with temptation. For Freeze and Fight or escape it's mostly for the sound, like a comeback with a pop-rock sound since I really like this genre from TXT, it suit them so much. And also because a rock band concept could be so cool since some members know how to play instrument. I actually think Kai and Beomgyu would love this idea 😆. And about temptation it's more about the visual and aesthetic. So the comeback will have an ethereal and dreamy vibe with some feminity. Txt does this concept so well and I think their visual will really suit it. In short the comeback as a whole would have an ethereal rock band concept. (Please BigHit feel free to take note 🙏🏾🙏🏾🙏🏾) I even made a little mood board on canva using pinterest pic to show the aesthetic of the comeback. Do other MOA have the vision? I'm curious about other fans too. submitted by /u/Technical_Walrus9158 [link] [comments]

599. Rolling Quartz have cancelled their appearance at the 1st Spanglish Party Cruise in Florida

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submitted by /u/CherryBlossomEnding [link] [comments]

600. The reactions to Jimin's video and women in BG fandoms, were concerning.

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As soon as the video went viral, women, mind you, not entirely BTS fans, just women on the internet, rightfully expressed concern about his private video being aired. But people brushed it off as these women “coping,” or were waiting for them to "crash out." I’m sure you’d find toxic fans in every fandom, but dismissing a predominantly female fanbase, or women in general, as “deranged stalkers” or “jealous” is wildly misogynistic. Of course, such fans exist and should be criticized, sued, and called out. But attacking an entire fandom full of women just reads as… misogyny, to be honest. I didn’t see much outrage about dating, mostly just concern for both parties involved. As for the rumor that she was dealing with his saesangs. I’ll give her the benefit of the doubt and assume it was because saesangs harassed her, but there’s are laws to sue hate commenters and put stalkers behind bars. People in the entertainment industry are constantly cyberbullied, and nothing is more satisfying than watching their haters get taken to court (e.g., Wonyoung and IU). However, posting his video without his consent is concerning. She had reportedly previously stirred the pot about relationships with two male celebrities and then denied it. If she wants to go the all press is good press route (I don't think that was her intent this time), more power to her, but this behaviour puts her and the male celebrity at risk. Instead, take a leaf out of IU, Heechul or Wonyoung and put the saesang fans on full blast, they have no business meddling in anyone's relationship. submitted by /u/Wooyoungsmole [link] [comments]

601. TWICE - ENEMY (Making movie about JIHYO's direction)

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submitted by /u/SapphireHeaven [link] [comments]

602. Vote for your favorite female idol based on their birthday (24th)

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Rules: • ⁠You can comment on the same idol more than once, but only the comment with the most upvotes will count. For example, if there are many comments for Idol A with 1 upvote each, but one comment for Idol B has more upvotes, then Idol B wins. • ⁠Comments that mention more than one idol will be disqualified submitted by /u/ConnectionOk8413 [link] [comments]

603. MONSTA X - 13th Mini Album: THE X (Album Preview / Highlight Medley)

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submitted by /u/CherryBlossomEnding [link] [comments]

604. did 2 boygroup tier-lists what do you think?

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submitted by /u/Beautiful_Yellow_682 [link] [comments]

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