Mention a group/soloist and I'll rate their most streamed b-side on Spotify

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AHOF - WHO WE ARE Release Date: 1 July 2025 Track Lyrics by Composed by Arranged by 01. 소년, 무대 위로 넘어지다 (The Little Star) (Intro) / Audio Vendors (KELSI, bodega cat), Kwon Si Ha, Lee Kyung (wavecloud) EL CAPITXN, Vendors (Arte, Abim, Coll!n), Didrik Thott, Robbie Jay EL CAPITXN, Vendors (Arte, Abim) 02. 파랑 학교, 초록 잔디, 빨간 운동화 (The Universe) Vendors (KELSI, bodega cat), Kwon Si Ha EL CAPITXN, Andy Love, Vendors (Louis, NARA, Coll!n, CHILLER) EL CAPITXN, Vendors (Louis, NARA) 03. 그곳에서 다시 만나기로 해 (Rendezvous) / Audio EL CAPITXN, Vendors (Coll!n, BEL, KELSI, CHILLER, Owl), Woongki, wavecloud (Doyeon, Lee Kyung) EL CAPITXN, Vendors (Zenur, Louis, BEL), Kwon, Rence, Alex Schwoebel, Lukas Costas, Ninos Hanna, Ebenezer EL CAPITXN, Vendors (Zenur, Louis) 04. 미완성은 아닐꺼야 (Incompleted) EL CAPITXN, Vendors (Coll!n, TOOD, SEØRIN, bodega cat), Doyeon (wavecloud) EL CAPITXN, Vendors (Louis, NARA), Rence, Lukas Costas, Kwon, Alex Schwoebel, G06 Beatz, Cube EL CAPITXN, Vendors (Louis, NARA), G06 Beatz, Cube 05. 우주 최고의 꼴찌 (Cosmic Underdog) Vendors (NASON, KELSI, SEØRIN, CHILLER), Kwon Si Ha, Doyeon (wavecloud) EL CAPITXN, Vendors (NASON, Arte, Revin) EL CAPITXN, Vendors (Arte, Revin) 06. 아홉 우리가 빛나는 승자 (AHOF) (Outro) Vendors (KELSI), Kwon Si Ha EL CAPITXN, Vendors (Zenur) EL CAPITXN, Vendors (Zenur) STREAM ON Spotify / Apple Music / YouTube Music submitted by /u/perochan [link] [comments]

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Now that all seven BTS members have completed their military service, we’re officially entering the post-enlistment era. For years, we’ve been imagining what “BTS in 2025” would look like. Well, we’re here now. And honestly, it raises a lot of questions about what comes next. There’s no doubt that the anticipation is massive. Some fans are expecting a full album drop, a world tour, maybe even a return to their chart-topping momentum. But others (myself included) are wondering if things might look different this time more reflective, more careful, maybe even slower than we’re used to. During enlistment, every member carved out a distinct solo identity. We saw a huge range in style, message, and personality across their projects. They didn’t just experiment musically, they grew up, in real time, in front of us. So when they reunite as a group, the question is: will BTS pick up where they left off… or will they redefine themselves yet again? And then there’s the industry. The K-pop landscape is not what it was in 2022. Newer groups are dominating global conversations, music consumption has shifted even more toward virality and short-form content, and competition is more intense than ever. But BTS doesn’t need to compete like that anymore; they’re in a different category now. The question is whether they see it that way. I also keep thinking about tone. Will their comeback be explosive, like a declaration of power? Or will it be understated, a quiet but intentional return that prioritizes reconnection over spectacle? I wouldn’t be surprised if their first move is something simple but deeply symbolic, rather than loud. And as excited as I am, I also wonder how fans will respond if BTS chooses a softer or slower path. Are we ready for a more mature BTS, one that doesn’t necessarily chase hits, but focuses on meaning and longevity? Or are expectations already too high for anything less than another “Dynamite” or “Butter”-level rollout? All that said: it’s an incredibly emotional moment. They've completed a major chapter as individuals and as a group. Whatever they do next is going to carry weight, even if it’s not what everyone expects. What are your thoughts? submitted by /u/Seesawey [link] [comments]

Not just kpop but in general, I’ve seen a lot of discourse about how stadiums are just not fit for the full concert experience and I completely understand. Sound issues, terrible views, crowd control and what not. All those issues are valid but it gets to a point where some people that complain and demand for arenas instead of stadiums come off as selfish and entitled, especially for really huge artists. For these artists, stadiums may be the only venues that can accommodate the amount of people who want to see them and if they were to do arenas, it would mean having to do several nights. I can imagine what a logistical nightmare that would be. On top of that, I think what a lot of people don’t take into account is the fact that these artists would have to perform for 3-5 nights in a row, performing the same set lists over and over again which can take a toll on their health, especially for kpop idols who have to dance almost constantly, when they could instead book stadiums and only have to do 1-2 days give or take. And yes, the tickets are expensive and it earns you a certain level of entitlement to the type of service expected but if you don’t like stadium shows, no one is forcing you to buy those tickets. And also, I think stadiums allow more fans to have a chance at seeing their favorite artists. I’d imagine there’d be the same people buying tickets to multiple stops if they were to do arenas over several days, which may take away the chance of another fan who can only see them for one night. All in all, nothing too serious. It’s just something that irks me every time it’s brought up. Yes, some stadiums could be really shitty but instead of calling for arena stops, I think it’s better to demand quality set ups and organization from these stadiums because there are instances where a stadium show is really well done and everyone leaves with a good experience. What do you guys think? submitted by /u/SomewhereOnEarth37 [link] [comments]

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In a constantly evolving industry filled with countless debuts and comebacks, many incredibly talented artists often go unnoticed by the mainstream audience. Whether it’s due to limited promotion, smaller agencies, or simply being overshadowed by bigger names, their artistry deserves more appreciation. Which K-pop group or soloist do you believe is truly underrated but consistently delivers in terms of vocals, performance, or creativity? submitted by /u/Own_Environment_640 [link] [comments]

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