What song did your ult group release that got you out of the phase of blindly praising and defending their every song?
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- 2025-08-10 07:26 event
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If any of you don’t know the saturdays were a girl group from the UK popular during the late 2000s and early to mid 2010s they were known for their club ready mature but still teen-ish pop sound and colorful model like visuals and I had a thought the other day what K-pop group(s) would be able to do a cover of one of their songs. My group would have to be StayC their also known for their dance pop hits, fun lyrics, and youthful but sophisticated visuals I really think they’d do a really good cover of “what are you waiting for” or “ego” or “up” or “higher” Let me know What you guys think in the comments submitted by /u/TastyCookie23900 [link] [comments]
Check out my channel for more covers! 💗 submitted by /u/musicvibes-999 [link] [comments]
Can anyone give some suggestions for k-pop songs that are inspired by Eurodance? Either by the original 90s movement (tracks like What is Love, Rhythm is a Dancer or Scatman) or the 00s revival (like Mr. Saxobeat)? Some of the tracks I'm thinking of already in this style: Momoland - Bboom Bboom Orange Caramel - Lipstick EXID - Are You Hungry T-ARA - Number 9 These are obviously all pretty old tracks and I think this style is not so hip at the moment but I think it's quite fun. I would be interested to know if there are any more recent tracks that take it on, but also happy to know of other songs from previous gens that use it. Not limited to girl groups, boy groups or soloists, even though the examples I provided are all ggs. submitted by /u/LovesDevotee [link] [comments]
Fifty Fifty confirmed their comeback in October and an article about it came out. Quoting this news, a weblume Twitter user stated that the person listening to fiftyfifty was Israeli. "It is deeply insensitive and wrong to use historical and human tragedies such as genocide as an argument or joke in internet discussions or social media posts. Such events are among the darkest pages of human history, where millions of people have suffered and lost their lives. Linking a genocide to an unrelated issue, such as the comeback of a kpop group, is both an underestimation of the gravity of the event and disrespectful to the victims and their memory. Such comments, even digitally, are contrary to human dignity and the empathy and respect that should be shown to those who have suffered. Let us not forget that genocide is not a matter of debate, but a painful reality from which lessons must be learned." Weblumes are getting scarier and scarier. submitted by /u/GooseSignificant8293 [link] [comments]
This is specifically for enhypen, sorry. Reposting this because it was removed from of all the drama people caused under the comments. Intak won the majority vote for letter i!! 🎀 Make your comments but i’m not replying. Speak your opinion. Call me biased, that’s fine. This is a subreddit for all and any k-pop groups so i shouldn’t have to post this in a different subreddit because you guys don’t like how my round is. There are other voting games you could participate in. At the very least, if you don’t like it, then don’t engage. submitted by /u/ProfessionalMaize596 [link] [comments]
i remember blackpink was supposed to follow up with square 3 and square 4, both projects never came to be and we ended up with square up. i’m curious to know what other groups/soloists had albums that didn’t get to see the light of day! submitted by /u/nomyari [link] [comments]
Last post got deleted so I'm going to try again without the image. Any male idols with J at the start! Voting ends at 8PM EST. submitted by /u/AriesThatDontActLike [link] [comments]
This post serves as a companion piece to my earlier post on two of CORTIS' members. 1st EP: COLOR OUTSIDE THE LINES GO! Songwriters: Johnny Goldstein, Supreme Boi, MARTIN, Hiss Noise, JAMES, Mary Lou Mortimer, SEONGHYEON, KEONHO, JUHOON Producer: Johnny Goldstein Additional Producers: Hiss Noise, Supreme Boi What You Want (title track) Songwriters: Supreme Boi, Teezo Touchdown, Hiss Noise, Zach Fogarty, SEONGHYEON, Slush Puppy, "hitman" bang, MARTIN, KEONHO, JUHOON Producers: Supreme Boi, Hiss Noise, Zach Forgarty, Slush Puppy, "hitman" bang FaSHioN Songwriters: Supreme Boi, MARTIN, Hiss Noise, Slush Puppy, Gino The Ghost, Anthony Watts, KEONHO, SEONGHYEON, JUHOON Producers: Supreme Boi, Hiss Noise, Slush Puppy JoyRide Songwriters: Hiss Noise, MARTIN, Austin Corona, Wyatt Bernard, DCF, Kristin Carpenter, SEONGHYEON, Supreme Boi, JAMES, JUHOON, KEONHO Producers: Hiss Noise, Austin Corona, Wyatt Bernard, MARTIN, JAMES Lullaby Songwriters: MARTIN, JAMES, Supreme Boi, Hiss Noise, SEONGHYEON Producers: MARTIN, Supreme Boi, Hiss Noise submitted by /u/LLBird811 [link] [comments]
Because original OP wants to be biased, this J idol can be any idol! submitted by /u/AriesThatDontActLike [link] [comments]
I am a ONCE and for me the song was Moonlight Sunrise. Not because it is a bad song per say, but just because it made me realize not every title track/promoted b-side TWICE makes is going to be super deep, special, or peak (When I heard this song, I only have had heard TWICE's best most iconic songs up to that point) Also the line "I hope this song's on your playlist" was certainly a lyric, I'll just say that. Your reason does not have to be because the song is bad, it could be any reason. I actually prefer hearing the other reasons. It can also have nothing to really do with the actual song. submitted by /u/SnooOranges829 [link] [comments]
Ice cream-BP feat Selena Gómez I cant stop me- Twice Taste- Dance racha(Skz) Red lights-Banchan y Hyunjin(Skz) las ultimas 2 son las que mas vergüenza me dan. submitted by /u/K-PHOEN1X [link] [comments]
I know that it's common for K-pop idols and idols in the making to sing demos of eventual releases (e.g. PURPLE KISS's Swan singing the demo for Chungha's "Snapping" or SNSD singing the demo for f(x)'s "Hot Summer") or even for idols to contribute to other idols' songs (e.g. Jonghyun writing "Pretty Boy" and "Already" for Taemin or CNBLUE's Yonghwa writing and composing parts of AMPERS&ONE's "He + She = We"). Have there been any instances where idols themselves (not dancers like Baek Koo Young or LA CHICA's Gabee) choreographed for other idols? submitted by /u/julianah819 [link] [comments]
Day 33 Results: EXID win by 31 votes! Vote for your favorite and as always poll closes in 24 hours! If you're unsure of who to vote for, here's a couple songs to help your decision: Red Velvet - #CookieJar Red Velvet - Feel My Rhythm Red Velvet - Peek A Boo LE SSERAFIM - Smart LE SSERAFIM - 1-800 Hot n Fun LE SSERAFIM - CRAZY First Half Second Half Disclaimer: This tournament is not a “comparison”. The seeds were randomized and I didn’t pick the matchups. The songs picked are amongst their most popular because they’re easy to recognize. If you have another song suggestion you may leave it in the comments but please refrain from complaining about the song not being included. View Poll submitted by /u/PushOffTheGround [link] [comments]
Intak won the majority vote for letter i!! 🎀 Ima say this now and ima say it ONCE. This round is SPECIFICALLY for the three J’s in ENHYPEN hence the “engene edition”. If you don’t like that and can’t accept it’s for ONE round until tomorrow, that’s on you. Don’t comment if you don’t like it because i ain’t replying. Anyway~ engenes let me know! submitted by /u/ProfessionalMaize596 [link] [comments]
Recently, I've seen a lot of comments criticizing Hwasa's performance in LA KCon. There's only a limited number of seats and most people don't live in LA, so naturally most people talking about Hwasa at KCon didn't actually see her in person. They saw her through clips on Youtube or TikTok or Instagram, or through other comments talking about her performance. So now people form ideas and conceptions based on those comments which were made by other people who only saw comments which were based on people who only saw clips or videos. I suppose I'm the same. I didn't go to KCon, but I did hear from friends who went in person and I saw the video of her performance. I also went to Hwasa's North American tour earlier this year, so I'm familiar with her stages. I've only heard positive things from people who were actually at KCon LA. Maybe this was just my friend group, but they all said that her stage was full of energy, the cheers were overwhelmingly loud, and they didn't notice or mind the moments when Hwasa was focusing on dancing instead of singing. I feel like in KCon, Hwasa did sing slightly less than usual, but that seemed natural given her current list of injuries. On her North American tour, because the cheers were so loud, Hwasa was constantly turning up her in-ears to the maximum volume and they actually exploded. She burst her eardrums, and now she is constantly hearing ringing in her ears and things are muffled in her left ear. And, because of this, now she has to turn her in-ears up even higher to hear past the ringing. Amongst other injuries, she also fractured her toe. Despite all this, she pushed through and completed her tour. When I saw her, I didn't even realize she was injured because she delivered such fantastic performances, singing live and dancing and interacting with the audience. People were cheering and chanting the whole time through. Similarly, it seems like people enjoyed her performances at KCon, so all the comments about "people wasted money to see her" seems a little out of touch, especially considering how most people go to KCon to see multiple performers anyways. If they enjoyed their time, who are we to tell them that they wasted their money? Mamamoo debuted 11 years ago, and they've delivered countless lively performances with spectacular live vocals through and through. If Hwasa is singing a little less in this stage because she is suffering a burst eardrum and hearing loss, then perhaps we should wish her a healthy recovery instead of nitpicking at her performance. But that's just my two cents :) submitted by /u/AlwaysNeedsMoreSleep [link] [comments]
Especially if they’re often the only ones or have few co-lyricists/composers/producers. There are a lot of idols who contribute to lyrics and composition but it seems fairly common for them to be last in the credits or have a lot of co-writers - or both! I’m interested in learning about individual idols that have their own recognisable writing style. This is easier to pick up on when it’s just them on the credits. So through this post, I was hoping to learn about idols whose name is usually listed first in credits for lyrics or composition when they write songs. So yeah, give me idols who are usually credited first, and if possible tell me a bit about their writing style if they have one! I already know about some obvious ones: Stray Kids - 3racha ofc but all the other members too - Hyunjin and Felix especially fairly regularly write lyrics alone or are first in credits for lyrics. I think it’d be uncontroversial to say that Han has the most recognisable style. I-dle - Soyeon ofc but I often see Minnie and Yuqi credited first on songs for both lyrics and composition. Additionally, I’m a once so I know the Twice members that write lyrics regularly are usually credited alone on Korean songs. I also know that Jihyo has been credited first for composition on all the songs she has a composer credit for. I think Jihyo and Chaeyoung’s lyrics have a distinct style that’s recognisable but I don’t feel that way about the others tbh. I also love BP so I know that they’ve all been credited first as writers on a lot of their post-YG solo tracks. For Huh Yunjin’s solo tracks, she’s usually first in the credits. Even if I’ve already mentioned the artist that came to mind for you, I would love to hear thoughts about how you interpret their songwriting styles! submitted by /u/spooky_biscuit [link] [comments]
Intak won the majority vote for letter I!!! However… for this round, i’m limiting it down to a select few… for J, it’s a vote for just Jungwon, Jay, Jake from Enhypen 🙏🏼 submitted by /u/ProfessionalMaize596 [link] [comments]
I wasn't sure what the policy on "self-promotion" is on this subreddit, so I'm going to be upfront about it from the get go! This is not to promote my SubStack or ask for money for everyone — I simply want to get this out there because I want more people to talk about this with! So, everyone and their mothers have been talking about the similarities between 'Golden' and 'I Am' (amongst others) and just how similar they sound, lyrically and sonically. However, my literature-student ass has been sitting in just how different these two songs are on a lyrical level, and how important their key difference is: unlike 'I Am', 'Golden' lives not in the present but in a near yet unconfirmed future, and this is essential to understand when it comes to what the song means in the film. For those who are interested in a lyrical language analysis of both 'Golden' and 'I Am' in support of this claim (and yes, I tackle the Korean as well as the English!) I'd love if you would take a few minutes to read my SubStack essay I wrote about this at like 5am — considering my ADHD ass, I'm really proud of myself for completing this and getting it in the open!! I don't want your money and you're under no obligation to subscribe, but any comments and thoughts about the topic (and thinking more broadly!) would be really appreciated — either here in the comments (though this is a personal reddit account, not an official one!), in the SubStack comments, or a follow+DM on my Instagram would be amazing! For those who've read this far, thank you! Happy reading and I'd love to talk to more about you about this! And I'm a lyrical analysis fiend, so let me know if there's anything you'd like me to take a look at 😁 submitted by /u/gsc777_pkc [link] [comments]
Debut song from any gen and by anyone submitted by /u/_thatssofetch- [link] [comments]