the overproduction problem in kpop
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- 2025-08-09 12:08 event
- 2 weeks ago schedule
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submitted by /u/CherryBlossomEnding [link] [comments]
I don’t know if it’s just me, but Golden K-pop cover videos have been everywhere lately. Not just casual uploads either — I’m talking about full-on, pro-level performances with insane vocals and gorgeous arrangements. After watching way too many of these (no regrets 😂), I started noticing a few things: - Some singers pull huge view counts but surprisingly low fan ratings. - Others with smaller audiences get massive boosts if their arrangement is unique. - The covers that feel the most emotional often stick with me more than the ones topping the algorithm. It made me wonder — what if there was a way to actually track all this? So I ended up making a little project: Cover Arena. It’s basically a place where Golden covers “compete”: - Fans can rate them anonymously on vocals, emotion, arrangement, and video quality. - Rankings update daily with YouTube data + fan votes. - You can see which covers are suddenly trending. It’s been fascinating to watch how the rankings shift every day. Sometimes a new upload will jump 20+ spots overnight because a fandom rallies behind it. Other times, a super polished cover will quietly climb thanks to steady fan votes. What do you think matters more — fan ratings or the algorithm? And if you’ve been into Golden covers lately, which ones stand out to you? If you’re curious, the daily-updated rankings are here: Cover Arena Would love to hear your thoughts and maybe discover a few hidden gems from you all. submitted by /u/khanyong [link] [comments]
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Pretty happy with how this one turned out. Hope you enjoy 😊 submitted by /u/LastOfGiants [link] [comments]
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submitted by /u/SapphireHeaven [link] [comments]
I just saw the lollapalooza twice concert and let me tell you how grateful I was to have Jihyo's tanned visuals!! ITS A BLESSING AGHHHHHH! Can't get over it 😭 she's so pretty oml submitted by /u/Legal_Avocado9264 [link] [comments]
I'm not a fan of tattoos but Zb1 Hanbin's chest tattoos is my favorite... submitted by /u/GuideOk7067 [link] [comments]
i’ve been into kpop since around 2017-18, and sometimes i dont know if it's the nostalgia or what but I really miss how it used to feel. back then, a comeback felt like a huge deal. you’d get one or maybe two a year from your favorite group, and you could enjoy every stage, every concept photo, and every b-side without feeling rushed. it was something you could look forward to for months. now, it feels like the industry is stuck in a “more is better” cycle. groups finish promoting one song and are already moving on to the next. on paper, it sounds great because more music, more content, more to enjoy. but in reality, it often feels rushed, and the songs don’t always leave a lasting impression. for example, enhypen’s schedule (it's just an example there's MANY other groups i could've mentioned) enhypen debuted in late 2020, and since then their release pace has been incredibly fast. in just 2022 alone, they released dimension: answer in january, manifesto: day 1 in july, and a japanese single in between, all while being on tours and other schedules. that’s three major releases in less than a year. while the group has a lot of talent and some really good tracks (i've been a fan since debut), the quick turnaround makes it harder for each comeback to fully shine. songs barely get time to settle before the next one is announced. smaller groups have it even harder, groups like Rocket Punch or AB6IX sometimes have three or four comebacks in one year. that’s a lot for fans to keep up with, but even more for the idols to handle. it’s endless rehearsals, recording, music videos, and promotions... all while trying to stay healthy and motivated. and for groups that aren’t as popular internationally, that kind of schedule doesn’t always pay off. the blackpink contrast.. I know people complain about blackpink having HUGE GAPS between comebacks, but honestly, it’s the opposite problem... they make each release feel like an event. you might wait a long time, but when they finally drop a song, it’s usually polished and memorable for the fans or the public in general. there’s a sense of anticipation that’s hard to get when a group is releasing new music every few months. the bigger problem is when there’s so little time between releases, the music itself can start to feel repetitive. producers might reuse the same structure or sound just to meet a deadline. that’s why we’re seeing more “noise music” drops or safe, generic tracks because they’re faster and easier to make. i’m not saying groups should only release once a year, but I wish companies would focus less on flooding the calendar and more on giving idols time to create something meaningful. kpop is special because it’s more than just music... it’s the choreography, the visuals, the story, the whole experience. submitted by /u/jungwonistaa [link] [comments]
so this one kpop group "A"—who i will not name for obvious reasons—recently made some tiktoks with western artist "B". it seems that fans didn't like B's vibes, facial expressions, dancing, and/or appearance so they bashed on them in the comments, saying mean things about them and making it seem as if their precious idols were being held at gunpoint to even just breathe next to B. example comments - "why is it [B] doing that" - "someone save [A] from [B]" - "[B] ruined it" - "[member of A] looks scared" - "[B] makes me cringe" - also made fun of B's dancing, when B has never gone through any rigorous dance training like kpop idols have all these negative stuff about western artists but i know damn well if it was their idol, they would've said more positive or joking words like "does XXX know they exist" "XXX is so unserious", maybe even put it into a thread: XXX being very weird and not in a fanservice way, that idol is genuinely strange and this is only one incident. i've seen many more examples of fans criticizing the western artist but compliment the idol. kpop idols are human. western artists are human. so what's up with the double standards? infantilization? it could possibly be asian fetish/superiority but fans do this to non-asian kpop idols too, so maybe just all kpop idols in general? submitted by /u/Witty-Ad2825 [link] [comments]
A - Ateez 🏆 submitted by /u/Mystic_bhumiverse [link] [comments]
2025 - XLOV 🏆 2024 - ILLIT 🏆 2023 - ZB1 ( ZeroBaseOne) 🏆 2022 - Lesserafim 🏆 2021 - IVE 🏆 2020 - Aespa 🏆 2019 - ITZY 🏆 2018 - I-DLE 🏆 2017 - Dreamcatcher 🏆 2016 - BlackPink 🏆 2015 - Twice 🏆 2014 - Red velvet 🏆 submitted by /u/Mystic_bhumiverse [link] [comments]
Ailee 🏆 Baek-Hyun 🏆 Chen 🏆 D.O 🏆 Eunkwang 🏆 Fei 🏆 Goeun 🏆 Hyolyn 🏆 IU 🏆 Jonghyun 🏆 Kyunhyun 🏆 Lily 🏆 Max Changmin 🏆 NingNing 🏆 Onew 🏆 submitted by /u/Mystic_bhumiverse [link] [comments]
me personally, i would probably remove survival shows. yes, they created legendary groups, but at what cost? so many innocent peoples’ mental health was ruined all to form just a kpop group? submitted by /u/richadoptmeplayer [link] [comments]
I have Xiaojun! I used to have Giselle. I don't even stan aespa, but that girl is INSANELY beautiful submitted by /u/NeighborhoodTiny1431 [link] [comments]
I saw this today appreciated the sentiment, although not fully about kpop but I think physical media is also really important in this hobby, you don't have to fall into consumerism I think second hand copies are great and I buy a lot of kpop stuff secondhand for personal archiving and it keeps things from entering the landfill as well. There's so many broadcast variety shows I would have loved to have physical copies of especially from 2nd gen. I also don't like how Hybe is only releasing some concert and video content in stuff like LSFM's on/off through qr codes that are stuck on weverse. I don't trust companies to preserve stuff that fans care about and I'm surprised about how some fans would be fine without a cd and say stuff like no one owns a cd/dvd player anymore when you can go to thrift stores and buy them easily for a few dollars or use their old ps3 or ps4's. I just want more fans to know about ripping dvd's/cds, self hosting your own streaming server, digital audio players there so many cool things you can do to curate and improve your experience with your hobbies. submitted by /u/Temporary_Potato_254 [link] [comments]
so we don't exactly know when HUNTR/X debuted since the movie never really explained that. We can assume the Saja Boys are a 5th Gen group though. Though the question still remains, what generation do we think HUNTR/X and the Saja Boys are? Are they a 4th Gen group? Or a 5th Gen group? exmaples of 4th Gen Group (Groups debuted between 2018 and 2022) Stray Kids LOONA K/DA (League of Legends) ATEEZ WayV ITZY TXT examples of 5th Gen Groups (Groups debuted since 2023) tripleS BOYNEXTDOOR KISS OF LIFE ZEROBASEONE ILLIT KATSEYE MEOVV submitted by /u/Limp_Fig6236 [link] [comments]
I've been a kpop stan for a very long time and shinee was the group that got me into it with their variety shows. I remember watching hello baby, and all of world date with shinee 🥺. When Jonghyun passed it was just so devastating and tbh I just stopped following them in general because it was hard. But I've started following them again recently and I just love seeing how far they've come, esp Taemin. And I love seeing how they still never forget him but they've kept growing too. Poet Artist warms my heart so much hearing them as five again. submitted by /u/xlov_mother_muti [link] [comments]