Ailee - 2025 Concert ‘Last Christmas’ (Poster)

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Not him meeting the Lebron and Luka lookalikes LMAO submitted by /u/Conscious-Cap-7250 [link] [comments]

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I'm relatively new to kpop, also I'm not from Korea. Should I ask the idol is it okay to upload live streaming clips beforehand, when they don't release the clips afterwards? submitted by /u/Idealismus_2001 [link] [comments]

I know its a snark sub but a lot of people do call it “badly aging” any time an idol no longer looks like a teenager. Idk much about BTS so i had to look up jungkook’s age and he’s literally 28……….. ‘Badly aging’ is like half of Super junior members especially Siwon. Not someone in their fucking 20’s submitted by /u/Which_Mammoth9402 [link] [comments]

I think some people in the K-pop community forget that idols are just regular men and women. They’re not perfect, not royalty, not untouchable — just normal people who happen to be famous. Extreme idolising can be really unhealthy, both for fans and idols. It creates this false image where people act like their bias can do no wrong, or treat them like they’re above everyone else. But at the end of the day, these are human beings with flaws, emotions, and private lives — the same as any of us. It’s okay to support and love your idols, but putting them on a pedestal isn’t healthy. Admire them, don’t worship them. submitted by /u/Desperate-Gur-6776 [link] [comments]

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Since the success kpop demon hunters, EJAE haas been getting a lot of recognition, and one thing I have notied is that all her demos and OST songs over the past several years are coming back to light. For example, she sang the Red Velvet demo version of "Psycho", among several others. Now that the songwriters themselves are getting more credit, are the songwriters themselves going to be a bigger part of an artist's promotion cycle going forward? For example, EJAE says she wants to work with BTS, do you think if EJAE writes their next single, the promotion is going to involve active involvement with the actual songwriter? It seems now there is no interaction at all, and you have to look for the writing credits if you wnat to know, but now will it be much more publicized ? submitted by /u/AccurateInflation167 [link] [comments]

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I know this has been a recurring topic in a lot of fandom spaces for the last few years, not just the Kpop space, but I really think we don’t talk enough about the fact that along with a whole load of crap, one of the biggest factors in the toxicity getting so out of control in the kpop space (and all more niche fandom spaces) in the last few years, is that all the normie, popular, school bully types who used to make fun of stuff like kpop, anime etc, joined these fandom spaces during the pandemic when they were bored with nothing to do and they never bothered to learn fandom etiquette, and in a lot of cases just disrespectfully steamrolled over it and brought all the behaviour they’ve displayed in other aspects of their lives and social situations to these fandoms. It’s not like the kpop space was ever perfect. There’s always been bullying and toxicity whether it’s between fans or fans hating on idols, but there’s just this specific brand of toxicity that’s observably consistent across most fandom spaces rn, in or out of kpop, that’s characterised by the same behaviour that a lot of us have been mocked or bullied with for being ourselves and having certain hobbies. It’s kinda wild as an adult in their late 20s because it feels like being thrust back into a concentrated mess of everyone and everything being attacked by popular kid, high school bullies all day every day. It’s really sad. Before I go, I feel like I have to make the disclaimer again: I am well aware this isn’t the only issue in the kpop fan space. I’m aware that the kpop fandom was never perfect. It’s merely observation and a continuation of a popular topic that’s been prevalent across a lot of fandom spaces for the past few years. submitted by /u/Known_Introduction72 [link] [comments]

I listen to a few kpop groups and I really want to check out more kpop groups to see if there are more I would like. I already listen to groups like: -BTS -Stray Kids -Astro -Enhypen -Wei Blackpink -Twice •Aespa -G idle -Red Velvet -IVE -Le Sserafim -baby monster -NMIXX What should I check out? Please let me know! submitted by /u/Excellent-Let5 [link] [comments]

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Winners of day 6: Marilyn Monroe (100 upvotes) Miss Piggy (86 upvotes) Princess Diana (39 upvotes) well this has been a rollercoaster.. submitted by /u/DaGayEnby [link] [comments]

There's been a few topics that have had a sudden influx of posts. If you develop a burning desire to share your opinion on one of the following topics comment on an existing post. No new posts about these topics for one week. And yes - anything to do with these topics. Posts dumping on NMIXX Kpop Demon Hunters Generations - which one we are in, when each one started etc. submitted by /u/KpopThoughtsmodteam [link] [comments]

So I have been listening to Kpop for about eight years very consistently. But even before Kpop took a lot of my listening time when I was younger I listened to Hyuna and Loveholic (that likely dates me lol) Lately I've been concerned because I feel a very big disconnect between my perception of music and that of other listeners. This couldn't be more obvious to me than from the kpop subreddit threads regarding Itzy's latest Japanese EP and Twice's TEN the story continues even Gidle's Japanese release or earlier Katseye (I Liked Gnarly fine I felt everything else was mid or lower) All the threads were incredibly positive and heaping praise on every single song as well as the performances themselves. I find myself alarmed because I found zero enjoyment in either while so many other fans loved it One thing I noticed is that lots of the comments focused specifically on vocals and vocal techniques and textures. I will never take away that these girls all have lovely and perfectly marketable voices but if song structure and composition are not of a certain level I can't get into it. It's especially difficult with so much more English being used to where I am much more critical of the lyrics as opposed to Korean where I'm not going to hold the lyricist accountable when I do not natively speak their language So that brings the question, Am I approaching Kpop in the wrong way? Is taking songs in as a whole instead of isolating elements such as the vocals hurting my enjoyment of releases? For what it's worth here's the releases I have really enjoyed this past year or so Nmixx FE304 Twice Enemy AtHeart Plot Twist Kiss of Life 224 Twice With Youth Twice Strategy Red Velvet Cosmic submitted by /u/axrevolutionai [link] [comments]

I just finished reading an article about french artist Yseult calling out R.Tee's "Damdadi" MV featuring Soyeon of I-DLE for allegedly plagiarizing her music video "Bitch You Could Never". The similarities they pointed out, from the choreography to the collapsing shelves and visual motifs, are seriously undeniable. Plagiarism has always been an issue in kpop. What's driving me insane is that this keeps happening, and what makes me feel genuinely awful is that Soyeon is getting dragged into the worst of the toxic online discourse. The article clearly shows (and her behind-the-scenes comments confirm) that she was a feature artist on the track, providing her vocal and folowing the direction given. The MV's director, Hong Minho, even released a statement taking full responsibility and clarifying that both R.Tee and Soyeon had no involvement in the creative direction or selecting references. Yet, she's the one getting attacked online. It's so disheartening to see an artist, who was hired for a feature, and Yseult who simply stood up for herself, get all the racist and hateful backlash when the actual production team and director were responsible for this mess. submitted by /u/_berrystrawberry [link] [comments]