I think some songs do HAVE to be longer.
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- 2025-09-03 18:16 event
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!!! THIS ISN'T HATE TOWARDS THE GIRLS OR ANYONE !!! i tried to post this elsewhere but it didn't allow me so i'm posting it here As Jellyous promotions come to an end, i see loads of content showing the girls at the end of performances, how tired and worn out they are and things of the sort. i know this is common generally because every idol is singing and dancing and trying to look good while doing it, while also jumping between promos and just tight schedules that they have to face, but you have to admit the taxing choreography plays a big role in making this a bit problematic. I notice nowadays, and it was an especially big trend earlier in the 2020s (eg with NMIXX and PIXY and other girl groups debuted around that time) that how the choreo LOOKS and appeals is kind of overshadowing other aspects that go into a performance. i am not the best at wording things so this might not make sense but i hope you get what im trying to say. It was ALWAYS common for Kpop to have eyecatching moves and cool parts of the choreo like the wheel move (?) in that one SF9 song , lots of Gfriend intros to their choreos and stuff, but it mainly tended to remain restricted to a specific part, like in a dance break near the end of the song, at the end of the song or at the very beginning. The 'cool' or at least captivating moves like this that are coming nowadays seem to be present through the entirety of the song, in recurring areas such as pre choruses or the choruses, like the viral legwork in Jellyous currently, ***some of the moves in Plot Twist by AtHeart, the chrous move in O.O by NMIXX, that twist in Wings by PIXY and so on and so forth. Like i said earlier. These were things that you would probably have to do once in a choreo and a few times across various promotions, because even though, yes, you perform them a lot, it's not going to be a repetitive move unless you literally perform the same song back to back over and over again. F(x) had the part in Chu~ where Victoria does the walkover, and recently Billlie had the move in Ring X Ring that Tsuki does, only appearing once in the choreography at the peak moments or dance breaks. (Also since i mentioned Chu~, i wanna say i know they have the jumping arm swing move twice in the song but you can admit in comparison to some nowadays, it's not having the same effect as what i mean with Jellyous). Songs still do have dance breaks nowadays like Oops by ILLIT and Body, Hands up, Meow etc by MEOVV just to name a few, and these are fine and theyre really integral to how kpop performances have always been and i like them! The issue i am trying to convey here is generally the fact that the big moves are shifting to choruses and prechoruses that will have to be performed twice maybe three times in the same choreo, that they'll then be doing again and again and again and again. One major issue I am having with this happening is how i mentioned that it in some ways overshadows other parts of performances, most importantly the vocal abilities of the artists. I know it's a tale as old as time that recent kpop generations don't value vocals as much as they were valued in the past, but even at that, when you have a dance like Jellyous, where you are expected to sing prolonged continued notes ("back oooooooofff, back ooooooooofff") while jumping up and down, twisting, kicking, punching, so much, then it becomes impossible to keep stamina while trying to sing live as well. this could translate into them trying to lipsync, which will cause issues with people who take lipsyncing very seriously, or they could try keep the notes while doing the dance and struggle (i think illit are good vocalists, obviously not AS strong as other groups but i disagree with people who say they can't sing at all, sooo untrue), and then toxic fandoms can come along with their evidence to discredit a groups vocal talent because of it ... because their voices are tired from jumping and yelling into a mic !!!! ILLIT isn't the only group that this has and will apply for, they were just my prompt to making this post so they're my example, there are other examples from groups that you can probably also think of. I'd also want to say, this is in no way me saying that groups should simplify their choreographies to where theyre just standing in one place shifting feet and shoulders every now and again, of course kpop thrives off of the visual appeal of the singing AND the dancing in performances, and i really love that. Legwork /jumping/hairography isn't even the issue alone, once again very integral to kpop since all of history. NewJeans was always noted for their impressive footwork in their songs that still allow room to keep being able to sing well, Triple S has always had cool captivating moves that also allow them to sing well. This isnt said to compare groups negatively to one another, but rather to say that the choreography doesn't have to be so intense to the point that the idols are struggling to breathe or can not even get a proper note out to look good or look cool and be impressive. I think it should not be a priority for there to be this stand out part all throughout the entire choreography, to where theyre unable to properly even catch their breaths by the end of it. IYKYK by ILLIT is a b-side with a choreo, but unlike Jellyous which is a promotional b-side, theyre not performing it ALL the time at multiple stages, and while the choreography for IYKYK isnt a taxing as the one for Jellyous, it would be a bit better even if the IYKYK choreo was just as or even more taxing than Jellyous, because it's not the song they're adamant on promoting so they wouldnt have to be popping their backs out nearly as often as they are now. Sorry if this came off as rantish, obviously i know Jellyous isn't the hardest Kpop dance in the world, and some people are probably more able to keep stamina while doing harder dances, everyone has different abilities, and this is not just girl group but kpop wide thing that i've noticed and it can be a bit worrying to see, especially with groups that have super tight schedules, little rest, and strict diets. ***edit for sense submitted by /u/midnightdancing12 [link] [comments]
Song: Stuck by Moon Jong Up what a bop🤌🕺🕺 submitted by /u/fried_chicken03 [link] [comments]
~ Name any Maknae idols, that fits into the category ~ After 24 hours the voting is closed and I'll post for the next category ~ Today category: FOTG ~ Vocalist: Ningning ~ Dancer: Iroha ~ Rapper: Cocona ~ Leader: Seohyun ~ Center: Wonyoung ~ Visual: Tzuyu ~ Ace: Kyujin submitted by /u/Ok-Database9509 [link] [comments]
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submitted by /u/SapphireHeaven [link] [comments]
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Lately it feels like songs under 3 minutes have become the norm, around 2:30–2:40 seems standard now. And honestly, I don’t think that’s necessarily a bad thing. A song doesn’t have to be longer than 3 minutes to be good. But sometimes the shortness is just… too much. Like, the song can be amazing, but it still feels incomplete, something’s missing. And that’s frustrating because it kind of wastes the full potential of what could’ve been even greater. This year I felt that with Hot by Lesserafim, This is for by TWICE and especially Beautiful Strangers by TXT. These are some of my favorite songs this year, but if they were just a bit longer, with a bridge, one more chorus, or even an outro they could have been on a whole other level. They’re already incredible, but it almost feels like a crime that they’re that short. For me, the biggest loss is definitely Beautiful Strangers. How is that song only 2:18?? TXT are my ults, so I’m extra picky with them (just because I love their music so much 💙). Beautiful Strangers has everything I adore in a TXT title track: meaningful lyrics, a melodic yet powerful chorus, and that beat during the dance break is perfect. It’s basically flawless but then it suddenly ends, right at the moment where it should’ve built into a climax. You can’t build a full song with a proper structure in just 2 minutes, you can tell something’s missing. This track needed a bridge, another chorus, and maybe even an outro. And don’t get me started on that piano + choir from the teaser… if they had used that for a bridge, it would’ve been legendary. After Love Language I really thought BigHit would stop releasing songs this short (even shorter that Over the moon !?), so it was a bit disappointing. And I still don’t understand the tactic of making title tracks so short. Like, this is the promoted track, the one even non-fans are going to hear. Wouldn’t it make more sense to polish it and make it feel as complete and perfect as possible? Cutting it short feels like such a strange choice. I just hope producers/agencies stop doing this “unfinished song” thing, because it really can hold back a track’s full potential. I hesitated to write this because I don’t want to sound like I’m just complaining or being negative, but I had to get it off my chest 😮💨. submitted by /u/Technical_Walrus9158 [link] [comments]
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So I frequent film photography, piracy and kpop subreddits the most and this was a post I saw on the analogcirclejerk subreddit and found it funny and agree that there's so many people unaware of how search works or how to search for keywords relevant to what they're looking for. I've seen people just post cameras and ask what camera is this with the entire name of the camera on the face of the camera or they post a picture of someone who has direct flash on them and ask how they get the effect when it's literally just direct flash on someone as if it's something special??? Or if it's kpop subreddits people who ask if there's any safe kpop stores they can order from but don't indicate what country they're from or if they're fine with international stores with free shipping over a certain amount or what the general budget is. There's also questions about group members on their activities and solo projects or asking about on a groups subreddit about lore/history or earlier content even though you could look to the right and see an archive list or member profile page linked. meanwhile the piracy and datahoarder subreddit have people asking what they should pirate or save not even just how like ?????? why are you asking other people what you should download or save are you ok??? Like I get it if they want to get subjective answers and just talk to people about a topic but there's an insane amount of people asking about the same objective questions everyday or ask questions that have been answered before and it would be quicker to make an effort to search for things rather than make a post and wait for someone to maybe answer but nah lemme post another one. Something something this one is mine and shiny. Is this like a UI thing like people just miss the search function up top, tech or like website navigation literacy? Do people just not bother to look for hobby wikis, blogs or old forum posts about their interests anymore? Anyways please start using that bar above it’s really useful and you don’t really need spam your own thread to something that has decades of news articles and conversations around it. You can also find a lot of fascinating conversations that were held in the past. That’s what makes forums so fascinating. This is my attempt to get it out there begging people to use their brains lmao submitted by /u/moomoomilky1 [link] [comments]
Let’s take a break from all the heavy discussions—drop any random number (1–100) in the comments, and I’ll suggest a K-pop song for you to check out! Or, if you’d rather, tell me the last K-pop song you listened to and I’ll recommend one based on that. Just for fun, no bias or fandom wars—let’s spread some good music today! 💿💖 submitted by /u/Anonymousdepresser [link] [comments]
submitted by /u/SapphireHeaven [link] [comments]
There’s been a big shift in K-pop recently—shorter songs, more English lyrics than Korean, and groups with more foreign members than ever. We’re even seeing “global groups” from big companies like HYBE. Do you think this is just natural evolution as K-pop goes global, or is it losing the charm that made it stand out in the first place? submitted by /u/Anonymousdepresser [link] [comments]
I'm so scared to to write this cause I feel like I'm gonna get down voted or something but this is just what I've observed from where I live (Australia) and my own personal experiences. I have been a fan of kpop since I was very young, but I started getting really into it around 2020 and the first kpop group I stanned was BTS. Now, at that time, in Australia, being called a kpop Stan was not a good thing. Like I remember listening to kpop and people asking me "Oh, is that BTS?, but not in a curious way, but more like they were mocking me. Like seriously, at that time, kpop was really looked down on, at least from what I experienced, and my friend agreed with me saying it was the same at her school. I took a break from kpop in 2021 and came back around end of 2023 to start of 2024 and I was so shocked to see just how respected kpop had become in about 2 years. I saw so many people, who were not kpop fans before, all suddenly kpop fans. They were literally wearing merch and everything. However, none of them were BTS fans. They were all fans of Seventeen, Enhypen, Ive, Twice, TXT and Stray Kids. That was kind of when I realised that there were so many more kpop groups than just BTS that spread kpop internationally and I feel like people might not realise that. I agree that BTS spread the idea of kpop but it wasn't like they were necessarily viewed positively. It's through other groups, particularly 4th gen groups, that spread a positive idea of kpop rather than the idea that kpop fans are weird. I think it's because of them that kpop started being viewed as an actual music genre worth listening to. I'd also like to point out that, although BTS spread kpop internationally, it didn't really boost kpop popularity of other groups. I'm an NCT fan and I remember that video of them having to explain to people that they were not BTS in the US and it was really heartbreaking to see. BTS paved the way for kpop but it's hard to make it big internationally when you're always overshadowed by a more successful group. It's almost impossible to get your name out there when you're competing with a group like BTS. I'm glad that so many kpop groups have been able to spread internationally now and I'm grateful that BTS did what they did. Kpop wouldn't have been able to grow outside of Korea without them, but I don't think people should undermine the contributions that other kpop groups, like TXT, Stray Kids and Twice have made that allows for smaller groups to have a little bit more of a fighting chance outside of Korea. submitted by /u/CookieFar1807 [link] [comments]
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