[Moon Jong Up - Stuck] the director and the editor were COOKING🔥🔥

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WARNING : SPOILERS FROM KPOPPED. This is coming from my reaction to watching the first season of the show kpopped and how some western artists act like kpop idols are not worthy of respect. I've only watched a few episodes, really the ones with the groups that interested me, but so far there have been two incidences where there was disrespect. For the most part the western artist totally respected the idols and fully engaged with what they had for there segment of the show, but you had artist like J balvin absolutely disrespecting the hell out of ATEEZ and Vanilla Ice disrespecting Kepler. I'm not fully familiar with what happens with Kepler, but with Ateez they were trying to get j balvin to do a small dance for their performance and he had the audacity to be on his phone and act uninterested. It got to a point where the members had to ask if he was ok multiple times. When their episode ended and they sang bouncy, only Kylie minogue sang along with them and tried to engage while j balvin stood around half smiling and once again not engaging. Ateez took the time to even learn Spanish for HIS song but he couldn't have the energy to do a simple dance or pretend to sing their song. When ATINY were talking about his rudeness online you had a lot of Spanish speaking defenders making excuses for him saying " oh well he's 40 " , " he hasn't danced before " , " oh his type of music doesn't require dancing like Ateez does " , and " maybe he has anxiety and didn't know how to act " yet all the other western artist who came put in at least SOME effort, some who are even older than him. Some western artist truly think that just because they're kpop idols that they aren't actually true artist and don't deserve to be in the same music sphere as them. Especially if the idol doesn't speak English that well. submitted by /u/MochaMilku [link] [comments]

Won't talk about talent bcz that's beyond us.. but boy I felt like a unambitious soul after watching those kids. It was motivational... Respect. I realised a lot go behind three minute song we listen. Like I would think twice before before criticising a release. I remember feeling the same when I watched iland... That jay scene of part distribution.. and the TXT ++line series.. Also somewhere my life felt a lot easier somehow idk .. submitted by /u/_Lilac_Swan_ [link] [comments]

wednesday just put boombayah by blackpink, it was so funny spoilerr! So basically enid and wed changed bodies and because enid was hidden that she might die she got angry and wore the most rainbow stuff embarassing wed and it was playing boombayah in the background XDD submitted by /u/raeskiii [link] [comments]

With the news of Yujin and co host leaving there SBS Inkigayo MCs it seems the ZEROBASEONE batch of MCs is being replaced with only Gyuvin left (for now but by the trend likely to leave as well). Who do you think will replace them? submitted by /u/ARG_obesessed [link] [comments]

What are your thoughts? submitted by /u/Toast_powered_2096 [link] [comments]

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!!! THIS ISN'T HATE TOWARDS THE GIRLS OR ANYONE !!! i tried to post this elsewhere but it didn't allow me so i'm posting it here As Jellyous promotions come to an end, i see loads of content showing the girls at the end of performances, how tired and worn out they are and things of the sort. i know this is common generally because every idol is singing and dancing and trying to look good while doing it, while also jumping between promos and just tight schedules that they have to face, but you have to admit the taxing choreography plays a big role in making this a bit problematic. I notice nowadays, and it was an especially big trend earlier in the 2020s (eg with NMIXX and PIXY and other girl groups debuted around that time) that how the choreo LOOKS and appeals is kind of overshadowing other aspects that go into a performance. i am not the best at wording things so this might not make sense but i hope you get what im trying to say. It was ALWAYS common for Kpop to have eyecatching moves and cool parts of the choreo like the wheel move (?) in that one SF9 song , lots of Gfriend intros to their choreos and stuff, but it mainly tended to remain restricted to a specific part, like in a dance break near the end of the song, at the end of the song or at the very beginning. The 'cool' or at least captivating moves like this that are coming nowadays seem to be present through the entirety of the song, in recurring areas such as pre choruses or the choruses, like the viral legwork in Jellyous currently, ***some of the moves in Plot Twist by AtHeart, the chrous move in O.O by NMIXX, that twist in Wings by PIXY and so on and so forth. Like i said earlier. These were things that you would probably have to do once in a choreo and a few times across various promotions, because even though, yes, you perform them a lot, it's not going to be a repetitive move unless you literally perform the same song back to back over and over again. F(x) had the part in Chu~ where Victoria does the walkover, and recently Billlie had the move in Ring X Ring that Tsuki does, only appearing once in the choreography at the peak moments or dance breaks. (Also since i mentioned Chu~, i wanna say i know they have the jumping arm swing move twice in the song but you can admit in comparison to some nowadays, it's not having the same effect as what i mean with Jellyous). Songs still do have dance breaks nowadays like Oops by ILLIT and Body, Hands up, Meow etc by MEOVV just to name a few, and these are fine and theyre really integral to how kpop performances have always been and i like them! The issue i am trying to convey here is generally the fact that the big moves are shifting to choruses and prechoruses that will have to be performed twice maybe three times in the same choreo, that they'll then be doing again and again and again and again. One major issue I am having with this happening is how i mentioned that it in some ways overshadows other parts of performances, most importantly the vocal abilities of the artists. I know it's a tale as old as time that recent kpop generations don't value vocals as much as they were valued in the past, but even at that, when you have a dance like Jellyous, where you are expected to sing prolonged continued notes ("back oooooooofff, back ooooooooofff") while jumping up and down, twisting, kicking, punching, so much, then it becomes impossible to keep stamina while trying to sing live as well. this could translate into them trying to lipsync, which will cause issues with people who take lipsyncing very seriously, or they could try keep the notes while doing the dance and struggle (i think illit are good vocalists, obviously not AS strong as other groups but i disagree with people who say they can't sing at all, sooo untrue), and then toxic fandoms can come along with their evidence to discredit a groups vocal talent because of it ... because their voices are tired from jumping and yelling into a mic !!!! ILLIT isn't the only group that this has and will apply for, they were just my prompt to making this post so they're my example, there are other examples from groups that you can probably also think of. I'd also want to say, this is in no way me saying that groups should simplify their choreographies to where theyre just standing in one place shifting feet and shoulders every now and again, of course kpop thrives off of the visual appeal of the singing AND the dancing in performances, and i really love that. Legwork /jumping/hairography isn't even the issue alone, once again very integral to kpop since all of history. NewJeans was always noted for their impressive footwork in their songs that still allow room to keep being able to sing well, Triple S has always had cool captivating moves that also allow them to sing well. This isnt said to compare groups negatively to one another, but rather to say that the choreography doesn't have to be so intense to the point that the idols are struggling to breathe or can not even get a proper note out to look good or look cool and be impressive. I think it should not be a priority for there to be this stand out part all throughout the entire choreography, to where theyre unable to properly even catch their breaths by the end of it. IYKYK by ILLIT is a b-side with a choreo, but unlike Jellyous which is a promotional b-side, theyre not performing it ALL the time at multiple stages, and while the choreography for IYKYK isnt a taxing as the one for Jellyous, it would be a bit better even if the IYKYK choreo was just as or even more taxing than Jellyous, because it's not the song they're adamant on promoting so they wouldnt have to be popping their backs out nearly as often as they are now. Sorry if this came off as rantish, obviously i know Jellyous isn't the hardest Kpop dance in the world, and some people are probably more able to keep stamina while doing harder dances, everyone has different abilities, and this is not just girl group but kpop wide thing that i've noticed and it can be a bit worrying to see, especially with groups that have super tight schedules, little rest, and strict diets. ***edit for sense submitted by /u/midnightdancing12 [link] [comments]

~ Name any Maknae idols, that fits into the category ~ After 24 hours the voting is closed and I'll post for the next category ~ Today category: FOTG ~ Vocalist: Ningning ~ Dancer: Iroha ~ Rapper: Cocona ~ Leader: Seohyun ~ Center: Wonyoung ~ Visual: Tzuyu ~ Ace: Kyujin submitted by /u/Ok-Database9509 [link] [comments]

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submitted by /u/SapphireHeaven [link] [comments]

submitted by /u/SapphireHeaven [link] [comments]

1991: 🥇Irene (Red Velvet) - 59 upvotes 🥈Solar (Mamamoo) - 35 upvotes 🥉Seohyun (SNSD) - 17 upvotes 1992: 🥇Moonbyul (Mamamoo) - 31 upvotes 🥈Hani (EXID) - 17 upvotes 🥉Sunmi (Soloist/Ex Wonder Girls) - 16 upvotes 1993: 🥇IU (Soloist) - 45 upvotes 🥈Eunji (Apink) - 11 upvotes 🥉Luna (f(x)) - 8 upvotes 1994: 🥇Seulgi (Red Velvet) - 102 upvotes 🥈Wendy (Red Velvet) - 55 upvotes 🥉Bae Suzy (Ex miss A/Soloist) - 42 upvotes 1995: 🥇Nayeon (TWICE) - 73 upvotes 🥈Wheein and Hwasa (Mamamoo) - 18 upvotes TIE 🥉Kwon Eunbi (Soloist) - 17 upvotes 1996: 🥇Sana (TWICE) - 78 upvotes 🥈Jeongyeon (TWICE) - 40 upvotes 🥉Momo (TWICE) - 33 upvotes 1997: 🥇Jihyo (TWICE) - 80 upvotes 🥈Mina (TWICE) - 52 upvotes 🥉Miyeon (i-dle) - 22 upvotes 1998: 🥇Dahyun (TWICE) - 37 upvotes 🥈Sakura (LE SSERAFIM) - 31 upvotes 🥉Soyeon (i-dle) - 19 upvotes 1999: 🥇Tzuyu (TWICE) - 76 upvotes 🥈Chaeyoung (TWICE) - 50 upvotes 🥉Yuqi (i-dle) - 30 upvotes 2000: 🥇Yeji (ITZY) - 80 upvotes 🥈Chaewon (LE SSERAFIM) - 71 upvotes 🥉Shuhua (i-dle) - 48 upvotes 2001: 🥇Winter (Aespa) - 70 upvotes 🥈Ryujin (ITZY) - 55 upvotes 🥉Chaeryeong (ITZY) - 38 upvotes 2002: 🥇Ningning (Aespa) - 67 upvotes 🥈Lily (NMIXX) - 36 upvotes 🥉Gaeul (IVE) - 35 upvotes 2003: 🥇An Yujin (IVE) - 62 upvotes 🥈Haewon (NMIXX) and Yuna (ITZY) - 59 upvotes TIE 🥉Kazuha (LE SSERAFIM) - 47 upvotes 2004: 🥇Wonyoung (IVE) - 92 upvotes 🥈Bae (NMIXX) - 44 upvotes 🥉Sullyoon (NMIXX) - 42 upvotes 2005: 🥇Jiwoo (NMIXX) - 62 upvotes 🥈Pharita (Babymonster) - 21 upvotes 🥉Cocona (XG) - 18 upvotes 2006: 🥇Eunchae (LE SSERAFIM) - 66 upvotes 🥈Kyujin (NMIXX) - 51 upvotes 🥉Asa (Babymonster) - 5 upvotes 2007: 🥇Leeseo (IVE) - 28 upvotes 🥈Wonhee (ILLIT) - 27 upvotes 🥉Kim Soomin (tripleS) - 12 upvotes Rules: You can comment on the same idol more than once, but only the comment with the most upvotes will count. For example, if there are many comments for Idol A with 1 upvote each, but one comment for Idol B has more upvotes, then Idol B wins. Comments that mention more than one idol will be disqualified. The second and third most upvoted idols will be given honourable mentions in the post. Please write the name of the group or add “soloist” if she’s a soloist. Reminder: Please read the title and follow the rules properly. There is a male version on another account. Please don’t ask me to add male idols. submitted by /u/mirroway [link] [comments]

Lately it feels like songs under 3 minutes have become the norm, around 2:30–2:40 seems standard now. And honestly, I don’t think that’s necessarily a bad thing. A song doesn’t have to be longer than 3 minutes to be good. But sometimes the shortness is just… too much. Like, the song can be amazing, but it still feels incomplete, something’s missing. And that’s frustrating because it kind of wastes the full potential of what could’ve been even greater. This year I felt that with Hot by Lesserafim, This is for by TWICE and especially Beautiful Strangers by TXT. These are some of my favorite songs this year, but if they were just a bit longer, with a bridge, one more chorus, or even an outro they could have been on a whole other level. They’re already incredible, but it almost feels like a crime that they’re that short. For me, the biggest loss is definitely Beautiful Strangers. How is that song only 2:18?? TXT are my ults, so I’m extra picky with them (just because I love their music so much 💙). Beautiful Strangers has everything I adore in a TXT title track: meaningful lyrics, a melodic yet powerful chorus, and that beat during the dance break is perfect. It’s basically flawless but then it suddenly ends, right at the moment where it should’ve built into a climax. You can’t build a full song with a proper structure in just 2 minutes, you can tell something’s missing. This track needed a bridge, another chorus, and maybe even an outro. And don’t get me started on that piano + choir from the teaser… if they had used that for a bridge, it would’ve been legendary. After Love Language I really thought BigHit would stop releasing songs this short (even shorter that Over the moon !?), so it was a bit disappointing. And I still don’t understand the tactic of making title tracks so short. Like, this is the promoted track, the one even non-fans are going to hear. Wouldn’t it make more sense to polish it and make it feel as complete and perfect as possible? Cutting it short feels like such a strange choice. I just hope producers/agencies stop doing this “unfinished song” thing, because it really can hold back a track’s full potential. I hesitated to write this because I don’t want to sound like I’m just complaining or being negative, but I had to get it off my chest 😮‍💨. submitted by /u/Technical_Walrus9158 [link] [comments]

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