My K-Pop GG ranking 🫶 (re-upload but better now)

Gahyun (Dreamcatcher) won for rainbow ! (comment had 73 upvotes) thank you guys so much for playing ! 🫶 if anyone would like to re-do any of the colors — this is your chance to speak on it now ! ❤️red : Joy (Red Velvet) 🧡orange : Yunjin (LE SSERAFIM) 💛yellow : Joy (Red Velvet) 💚light green : Gowon (LOONA) 💚green : Joy (Red Velvet) 🩵light blue : Jeongyeon (TWICE) 💙blue : Ryujin (ITZY) 💜light purple : IU (SOLOIST) 💜purple : Jiu (Dreamcatcher) 🩷pink : Giselle (aespa) 🤎brown : CHUU (SOLOIST) 🖤black : Irene (Red Velvet) 🩶grey / silver : Moonbyul (MAMAMOO) 🤍white : Dahyun (TWICE) 🖤🤍oreo : Hongjoong (ATEEZ) 🌈rainbow : Gahyun (Dreamcatcher) submitted by /u/Opening_Chemist_3730 [link] [comments]

Song: Champagne Poppin’ by Kang Yuchan (soloist and member of A.C.E) Yuchan used to be a JYP trainee, where he met his bandmate Byeongkwan, who trained with TWICE submitted by /u/fried_chicken03 [link] [comments]

I notice that the first season of Produce 101 rarely gets that much attention in international spaces. I decided to document my thoughts on PD101 for entertainment purposes. This is also the first survival show I've watched in length. Warning: I am a massive hater Episode 1 The episode starts off with the classic "101 girls, 1 dream, who will debut?!??!" premise. The host, Jang Keunsuk, heavily emphasizes that the audience will be the show's producers. I find this extremely hilarious as we all know what happened to the Produce franchise after the first two seasons. Anyway, we got a JYP plastic pants jumpscare. Clearly the show's editors were proto-r/kpoopheads users. Proof for the skeptical For people who are unaware, the trainees introduce themselves by walking into this room with 101 seats, all numbered. At the very top is this giant #1 throne. Who chooses to sit on in it? None other than Heo Chanmi, who I'm convinced has a spiritual connection to Fu Yaning. Mnet's editing is super obvious. All the trainees are shown remaking how scary she is and how insane it is that she's already debuted. While not as ambitious as Chanmi, the Jellyfish Entertainment trainees chose to sit in the top 11 zone. Also, everyone's jaws collectively dropped as soon as they saw Somi was representing JYP Entertainment. After that, we got to see some of the auditions. First were the Starship Entertainment trainees. I'm absolutely in love with Yoo Yeonjung's voice. I can't believe she got just a B! It's shocking to see contestants receive comparatively low grades for performances that would be seen as extraordinary today. Then was Kim Sohye. To be honest, I felt bad for her. She clearly didn't want to be on the show, but man, what the hell was that performance. Sohye's performance was followed by another mid one. The DIA girls audition was pretty underwhelming, in my opinion. I do wish Dani debuted in T-ARA instead of Hwayoung though (fuck that bitch). The best audition in this episode was from Jellyfish Entertainment. Kim Sejeong and Kang Mina specifically caught my eye. Sejeong is such an amazing singer and Mina's dance is so eye catching. Another performance I liked was from Jeon Soyeon. Without the benefit of knowing about I-DLE's massive success, I would have voted for her back in the day. Bae Yunjeong, also known as the human incarnation of Satan, gave the DSP trainees a D grade for not shaking ass. Um, weird. I would've gave them a C personally. Park Hayi, the show's oldest contestant at 28, was basically called a hag by the host. At least the mentors all roasted the shit out of him. Even though I sympathize with her for facing ageism, I can't deny her singing was really bad. Next was the creme de la creme of flop performances: Yoon Seohyung's IU cover. I'm convinced it was a publicity stunt because I can't believe anyone would have the confidence to sing that song as their audition. This is also the moment of the show that I realized the PD101 set looks like the backrooms, like one of SM Entertainment's old box MV sets from hell. Thankfully, the remaining few auditions were good. I can't deny that Heo Chanmi is skilled, but who told her to turn Don't Stop The Music into a ballad? The Pledis trainees went off. As for Somi, I thought her performance was B quality. Her voice has this bright poppy quality that I like, but I don't think she performed to her full potential. The trainee who I think was done the most dirty was Kim Juna. Her voice is really, really good, but she only got a C because she couldn't dance on the spot. Personally, I don't give a shit if an idol is bad at something if they're extremely talented in another area. Just stick her in the back of all choreography and you'll be fine. Episode 2 First voting results! Ham Yeji going "wtf, I'm in 101th place" was really funny. Here, we got to see the remaining auditions. To be honest, I don't think this batch was as notable as the ones from the previous episode. I liked Han Hyeri's team even though the judges were hating. I found them super adorable. Choi Yoojung briefly mentioned learning sex ed, which really makes me remember this show is from 2016. I don't think today's trainees are even old enough to know how babies are made. I'm guessing the producers didn't know how else to reach the one hour mark, so we got another succession of bad auditions. I actually wasn't a fan of the 24 Hours performance, although Chungha saved it with her insane freestyle. I honestly thought she practiced it beforehand. Risa Ariyoshi's performance was a bit hilarious. They hyped up her jaw-dropping, earth-shattering visuals only for Bae Yunjeong to remark that she has the skill of an elementary schooler. After the auditions were over, the mentors sorted the girls into different letter grades. A for the best trainees, F for the worst, and so on. In 3 days, the girls would all have to perform "Pick Me," simultaneously the worst and the best Produce song. Yes, it's annoying as fuck and deserves to be in the CIA's special interrogation Spotify playlist, but the EDM beat drop is admittedly sick as fuck. The purpose of the letter grades was to sort the girls into training groups. To be honest, the training really annoyed me. I barely got to see the mentors give the girls actual vocal and dance lessons. There was a lot of emphasis on 'hard work' and very little on technique. I thought this was a missed opportunity and really shows what's wrong with the trainee system. It's like they value the appearance of perfection and grinding a ton without valuing the journey there. The trainees got to call their parents for the first time. I admit I felt a bit sad for the girls. Also, wow. The show pushed Sohye to an insane extent, which I thought was a disservice to the trainees without much screentime. One thing I liked was how the trainees appeared to be nice to each other despite the psychological struggles they faced. I honestly expected some anger from the trainees toward the ones who were falling behind. Anyway, at least they're all free from Produce hell now. Overall thoughts Just to get the negatives out the way, fuck the rigging (although this season was considerably less rigged than the later two). I also disliked the training system as you can tell. That said, I will definitely be tuning in for more Produce 101. I admit the editing makes it super addicting. If you asked me to vote at this point, these would be the trainees (not conclusive) that I would pick: Kim Chungha, Jeon Somi, Jeon Soyeon, Kim Nayoung, Kang Mina, Yoo Yeonjung, Kim Sejeong, Kim Juna, Han Hyeri submitted by /u/Aurelian369 [link] [comments]

I used KIOF (2023) and Babymonster (2024) for comparison as newer groups. I heard about Katseye’s breakout on Bloomberg, Gnarly and Gabriela are taking off. I had no idea they were getting that big until checking Google trends. That’s when I realized Bang PD was validated. I was still thinking he’s so right about big trends in Kpop, but wrong on how to react. He called the peak of Kpop and the need to reduce reliance on superfans and grow casual fans. This last part still isn’t really happening in Kpop because of declining music revenue. The fear is whether superfans pockets are deep enough if the economy weakens. It cost a lot, taking Hybe’s profit below JYP’s. it took a while, but it’s finally paying off. This explains why Hybe and Geffen are working together again on a Japanese group. I noticed how well trained Katseye is for Tiktok. That’s working for them too: Bloomberg data puts them at 3rd for new Tiktok follows among the top 50 artists this month, with 1.4m new followers in previous 30 days. There’s a lot of obviously planned and even choreographed videos. Viewers like the a capella singing Katseye sometimes posts too, tying it all back to their core role as musicians, and showing off their talent. I wish my fav Hyeran had this kind of opportunity and camera quality during Brave Girls, to show off things like her popping talent. I get the idea to diversify from BTS, but I wonder about the Ithaca and Quality Control acquisitions. submitted by /u/hyeran_jainros_fc [link] [comments]

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I don't know how or when I discovered this song, but I discovered this song a few years ago, just like that. Dahye - Bad Blood And it's just so good? The instrumental is amazing and the performance? She's such a good performer and vocalist. I leaned that she was a former BESTIE member, and while I never followed the group, her song just came up on my recommended and it was not a disappointment. Another song that I think is an underrated great song is this one. Kang Xiwon - Passionate Love It has no MV unfortunately, but she's a great performer too and this song is catchy as hell. Unfortunately, Kang Xiwon hasn't released music since 2019, but I'm still obsessed with this song. submitted by /u/Moonbunny120 [link] [comments]

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previous thread 24 23 22 21 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 1 Rising Sun - TVXQ (80) RULES 📌 don't spam the same song 📌 B-SIDES and OST will be allowed a list of SOME 2004 song in month order/some songs are missing here so you might need to double check on your own submitted by /u/winniecore [link] [comments]

Sometimes it feels like some of stuff in the past wouldn't fly now. Exemple: ● Kpop Male/Female friendship. We barely see people interact anymore. I miss the type of friendships 2ne1 & Big Bang had. Now we barely get to see friendship, we rely on scraps of our favorite idols interacting. I think it's all due to the constant shipping. ● Choreography. So much choreography has been under fire for absolutely no reason, back then I feel like all it would have happen was Korean broadcasting channels censoring the choreography and causing it to be changed like Up and Down by EXID was. ● Outfits. There's a lot of outfits that people criticize but back then it was very common to have uniforms type of stage outfits like the Oh! by Girls Gen and Hello Venus. Now the slightest top and skirt gets flamed by netizens, remember when Idles Klaxon lifeguard fits got criticized because of the hotpants they were using, almost the same ones the Girls Gen use. I agree idols bellow 18 shouldn't use clothes like this but the adults one shouldn't be shamed. ● The songs. Songs like Miniskirt, ADTOY, 24hours, Full Moon, Abacadraba are all very highly regarded by 2nd gen kpop stans and even praised. Now we've got a bunch of choreography getting slammed for moves like twerking or stupid ass shit that is not even that deep. Iam crazy or Kpop stans is getting more uptight by the second? submitted by /u/-strawberrypizza [link] [comments]

That's the Google translation, but what a headline. Thanks for making me laugh again at business headlines. English version of full report is on YG's IR Disclosures page, the Report on Business Performance posted 2025.08.11. Babymonster and Treasure tours helped get them back to profitability. Blackpink's should help in latter half of the year. YG's net income is surprisingly low compared to peers, even in earlier years, given Blackpink is the biggest female group and their luxury deals are the most prominent in Kpop. Maybe Blackpink members themselves get a bigger cut of those? Or their other groups hadn't taken off as much, and there was no other girl group until Babymonster last year. Report shows YG's net income of 8 billion won For context, JYP posted 69 billion won last quarter when I started writing this, and just reported 36.3b Hybe: 15b won SM: 30.9b won Hybe has the biggest revenue, about 3x JYP and the two most profitable years among Big 4. Hybe's sales are bigger because of acquisition. The streaming revenue of Ithaca holding labels is roughly on par with Hybe's Kpop the past 4 years. But past two years JYP's been the net income leader. I got the impression Hybe's spending on Katseye hurt their profit last year. It's starting to pay off now (7 day link). I'll focus on Hybe later. JYP mature groups. Lower costs, higher profit I think JYP benefits from two mature girl groups; another mature group, Stray Kids fills the BTS enlistment vacuum. The name recognition lowers 'customer acquisition cost' for tours, which have become more profitable in recent years for the top groups. Little YG investor relations info I notice on YG's site, they don't have any kind of presentation breaking down any details. Even their peers' earnings presentations aren't as anywhere near the detail of the 10-Qs required by the US from publicly traded companies. YG just links straight to the income statement KRX (Korea Exchange) site. Is there some Korean version I'm not seeing, as far as conference call notes, etc? (The site in Korean just seems to be the same.) There's only the minimum required disclosures on Korea's DART site run by the government financial regulator, their SEC. Anyone notice the interesting SM report? SM does have a much higher net income in their last quarter, that seems to be related to accounting for their purchase of DearU shares. I have seen it and will break it down separately. The music business net income is lower than JYP's. There seem to be noncash investment gains of the consolidated SM-DearU. submitted by /u/hyeran_jainros_fc [link] [comments]

I've recently been seeing so much debate over celebrities (both kpop and non-kpop) and problematic stuff they've said or done and it's kinda getting frustrating at this point. I'm gonna start off by saying this isn't about any specific event, it's more general because i've seen this multiple times, I just want to share my own take. It's not crazy to want the people you stan to be decent people. Every post I see on every platform whenever someone gets "cancelled" is "celebrities aren't politicians" , "not everyone is perfect" or "you're holding them to an impossible moral standard so you can hate". All this stuff is true to some extent, people do make mistakes, people are ignorant sometimes and yeah they're not politicians, I don't expect them to end every world or social issue. But at the end of the day they're humans before being a celebrity and I will treat them as such. That means having empathy for them but also expecting basic decency from them. How is it ridiculous to say you want the people you support to have basic decency and align with your morals? It's okay to hold celebrities to your moral standards (as long as you're not a hypocrite about it and not even holding yourself accountable to those same standards) Also it's not absurd to want a celebrity with a big platform to use it for good. Of course that's not their job but idk about you, if I had a big platform and could use it to spread awareness about whatever I wanted to millions of fans I would. Sure they're always people who're hypocrites and don't care, they only want to join a hate train or have a "valid" reason to send hate to someone they dislike, that's like pretty much half of cancel culture. I noticed this a while ago that most people don't care about what xzy did or said, they just enjoyed banding together to drag them and/or make jokes about it only to act like it never happened 6 months later. Or they only drag others but find a way to excuse it when it's their favorite group or themselves. However that doesn't invalidate the genuine criticism others make, you can criticize that first group of people but if using that to excuse whatever an idol did or said is just really unfair And yeah sometimes people do need backlash (keyword: backlash, not hate, not death threats) because that's how you grow. Like I said before people make mistakes, sometimes you don't know that something is bad or why it's bad but someone calls you out on it, you acknowledge that you did something wrong, educate yourself and change. But that's really not gonna happen if fans are defending you like you're an angel and act like the people criticizing you are all trying to sabotage you out of jealousy. I'm not acting like I'm a saint who's never made a mistake and who's better than everyone but I'm just really tired of people acting like not wanting to support a person who has views you don't agree with or has done bad things is crazy to me. Once again kpop idols are people just like us so why should they be exempt from basic human decency. Obviously every public figure, even normal people, show a curated version of themselves to everybody and hide whatever they want to hide but I'll assume they're a decent person unless they give me a reason to believe otherwise. However, you'd never catch me posting "xyz would never" because once again I don't really know them and if they do or say something that doesn't align with my morals I'm obviously not gonna blindly defend them and act like they're somehow deserve some kind of pass because i idolize them so much or because "their music has nothing to do with it". submitted by /u/periwinkle-grey [link] [comments]

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I wasted an afternoon using Google Trends to find the most searched-for fourth-gen idols worldwide in the last year. I also broke down the data by country and time to find out which idols were more searched-for in certain regions and time periods. Note: In this post, I use "most popular" in place of "most searched-for." However, most searched-for doesn’t necessarily = most liked. Also, Google is not the dominant search engine everywhere, including in South Korea, though it still accounts for a significant portion of search traffic there. Note 2: This is not a scientific study. While I tried to be as accurate as possible, I may have made a small error here or there, and I couldn’t include the results from every country for every idol. 4th Gen It Boys Felix Hyunjin Bangchan Ni-ki Lee Know Yeonjun Note: Some have argued that Felix’s numbers may be inflated due to users searching for Felixes other than Felix of Stray Kids. However, Google Trends segregates results for Felix the kpop idol vs. the general search term Felix. Felix Currently the no.1 fourth-gen idol in the highest number of countries. Started far behind Bangchan and Hyunjin in 2019, then caught up to Bangchan in 2020, and then to Hyunjin in 2022. He started consistently trending above Hyunjin in April 2024 and has only continued to rise. Far ahead of all other it boys in the US, UK, Canada, and most of Europe. Also ahead in Australia, but not by as much as I expected. Either just a little ahead of or behind Hyunjin for #1 in most South American and East Asian countries (other than South Korea, where Yeonjun dominates, or in Indonesia, Japan, and the Philippines, where Ni-ki dominates). The only country where he falls all the way down to no. 5 is Indonesia. Hyunjin King of the it boys in 2019-2021. Remains very in demand since peaking in 2023. Wildly popular in Indonesia and West Asia. Also popular in Latin American countries like Brazil, Peru, Chile, and Venezuela, and in several European countries where he’s just a little behind Felix. Still popular in the US, UK, Canada, and Australia, even though Felix is clearly ahead. Popular throughout SEA, even when he’s getting crushed by Ni-ki. Way more popular than Bangchan in South Korea and Japan, though still getting crushed by Yeonjun and Ni-ki respectively. There is no country where he is unpopular. Bangchan Not the most popular anywhere, but incredibly stable in third place almost everywhere. The only places where he is tragically unpopular (in last place by a vast margin) are South Korea and Japan. Ni-ki Crushes everyone in Japan, Indonesia, and the Philippines. Also popular in some other SEA countries, including Malaysia and Singapore, and South Asian countries, including India and Pakistan. More popular than Yeonjun in Europe, Australia, and the US, but not in Latin America. Lee Know Started well behind the others in 2019, but steadily rose through 2023 and has since remained stable. Popular in Latin America (Chile, Peru, Argentina) and Europe (Finland, Ireland, Portugal, Belarus, Italy). Less popular in SEA - Vietnam, Thailand, Philippines, Indonesia, Malaysia. Despite claims of Japan's special love for him, he trends far behind everyone there except Bangchan. Yeonjun Third-place it boy behind Hyunjin and Felix in 2021-2022, but has been on a moderate decline since the end of 2022. Currently the no.1 boy only in South Korea. Popular in SE/East Asian countries like Taiwan, Bangladesh, Indonesia, Hong Kong, Vietnam, and Japan. The least popular boy in Europe and Latin America, as well as in Australia and the US. 4th Gen It Girls Karina Wonyoung Winter Hanni Chaewon Ningning Note: While I originally intended to only research 5 it girls, Hanni’s trajectory over the past year has been unusual, so I added the sixth most searched-for girl (Ningning) as a wildcard. Karina Karina was far behind Wonyoung in 2022-2023, but following her dating “scandal” in early 2024, interest in her has skyrocketed, and she has remained ahead of Wonyoung ever since. Crushing everyone in South Korea, Taiwan, Hong Kong, Indonesia, Thailand, and Malaysia. In places where neither she nor Wonyoung is crushing everyone, the two of them are usually pretty close to equal. Wonyoung Queen of the it girls from 2022-2023, but has slightly declined while Karina skyrocketed. Crushing everyone in Latin American countries like Peru, Chile, Argentina, Colombia, and Mexico. Also in Central, South, and West Asian countries like Russia, Kazakhstan, Pakistan, India, Iran, and UAE. Shockingly behind Karina in East Asia (South Korea, Taiwan, Hong Kong) excl. Japan. Exactly 50/50 with Karina in the US and Australia. Winter Solid third place in South Korea and other East/SE Asian countries. Trails further behind in Western countries (US/Canada, Australia/New Zealand, Europe) as well as in Singapore and the Philippines. Usually far behind Karina, but comes closest to catching up to her in Latin America. Hanni As you may have guessed, Hanni has the most interesting trajectory of any of the girls. In 2023, she trended third or fourth worldwide among it girls. She had multiple spikes in interest throughout 2024, but since April of this year, she has trended well below the others in the top 5. She places second or third behind Karina and/or Wonyoung in Australia, most of Latin America, the Philippines, and Japan. She was second in Vietnam prior to 2024, but now places fourth. Contrary to my expectations, she hasn't placed higher than fourth in South Korea, either before or after 2024. Chaewon While Sakura got all the attention at Le Sserafim’s debut in 2022, Sakura has since declined out of the top 6 while interest in Chaewon has remained slightly more stable. Chaewon was in second place from Nov 22 - Apr 23 and in third place from May 23 - Mar 24, but all 5 members of Le Sserafim experienced a precipitous decline immediately following their April 2024 Coachella performance that none of them have since recovered from. Chaewon is ahead of Winter and/or Hanni in: US, Canada, Australia, New Zealand, and Western Europe. Peru, Chile, Argentina, Mexico, and Colombia. Japan, Singapore, and the Philippines. She’s less popular in other SE/East Asian countries - South Korea, China, Taiwan, Thailand, Indonesia, and Vietnam. Ningning In most places, she is very close to 50/50 with Winter. What’s really killing her ranking is the severe lack of interest for her in South Korea, and to a lesser extent in Taiwan and Japan. Winter is twice as popular as Ningning in Taiwan and Japan and almost 4x more popular than her in South Korea. Boys vs. Girls Stray Kids Round - Felix / Hyunjin vs. Karina / Wonyoung The girls are crushing the boys to an almost comical degree (92% v. 8%) in South Korea and to a less extreme but still embarrassing extent in Indonesia, Thailand, Vietnam, Hong Kong, and Taiwan. Outside of East and SEA countries, the reverse is true, with Felix & Hyunjin occupying a combined 70-90% of searches in most places. The only places that are somewhat more equal are Australia, New Zealand, Canada, and India, though F & H still win out. Non-Skz Round - Ni-ki / Yeonjun vs. Karina / Wonyoung The girls again dominate in East/SE Asia. Elsewhere, the girls and the boys are pretty close to equal, though Australia, Canada, and New Zealand still lean toward the girls. Combined Fourth Gen Top 15 Felix Karina Hyunjin Wonyoung Bangchan Ni-ki Winter Lee Know Hanni Yeonjun Han Sunghoon Chaewon Seungmin Ningning Yes, Karina had a spike in interest at the end of May, but she still normally trends just above or below Hyunjin, so second place wouldn't be unexpected anyway. There are significant gaps between Felix < > Karina/Hyunjin < > Wonyoung < > Bangchan < > the rest, but from Ni-ki down, the gaps are very small. Most Interesting Findings In summary, here are the trends I personally found most interesting: Karina’s dating “scandal” did nothing but boost her career. While she trended well below Wonyoung in 2023, she started consistently trending ahead of Wonyoung after early 2024 and is now indisputably the fourth-gen it girl. Chaewon was in second or third among it girls from late 2022-early 2024 but permanently fell off along with the other Le Sserafim members immediately following Coachella in 2024. Felix has risen in popularity consistently since Stray Kids’ debut, and he is the only member continuing to rise while the others have remained static or seen a slight decline since 2023. Yeonjun has significantly declined since his peak in 2021-2022, and even his first solo release in 2024 didn’t provide a sustained bump. It's also interesting that he's more popular in East/SE Asian countries than in Western countries, given the perception that HYBE is best at promoting in the West. South Korea is commonly said to only care about girls, and that held true. With the incredible disparity in popularity between Karina/Winter and Ningning/Giselle, the conventional wisdom that South Korea only cares about Koreans also held true. Europe's and Latin America's preferences were almost always in tandem. Maybe because they are the two biggest markets to be consistently shafted by certain companies (SM and HYBE)? Outside East/SE Asia, it’s less of a boy group domination and more of a Stray Kids domination. Skz members are crushing everyone, everywhere, all around the world, whether male or female. Other male idols are on about the same level of popularity as the biggest female idols in non-East Asian countries. submitted by /u/eveningsnewestetoile [link] [comments]

Day 37 Results: ITZY win by 61 votes! Vote for your favorite and as always poll closes in 24 hours! If you're unsure of who to vote for, here's a couple songs to help your decision: MAMAMOO - Piano man MAMAMOO - Egotistic MAMAMOO - Taller Than You I-DLE - HANN (Alone) I-DLE - LION I-DLE - LATATA First Half Second Half Disclaimer: This tournament is not a “comparison”. The seeds were randomized and I didn’t pick the matchups. The songs picked are amongst their most popular because they’re easy to recognize. If you have another song suggestion you may leave it in the comments but please refrain from complaining about the song not being included. View Poll submitted by /u/PushOffTheGround [link] [comments]

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I was just going through clips on YT Shorts and found this. Like I knew BLACKPINK team cheer was unique but didn’t knew it was that different from every other group lol. Everyone cheer with hype and loudness, and here is BLACKPINK with the most saddest cheer lol. submitted by /u/Daddy1007a [link] [comments]