What was it that finally convinced you that you are, indeed, a true KPop fan?

I'm bored, so just give me a number between 1 & 1000 (!Not only kpop songs!) Just putting a photo of AleXa here cuz why not submitted by /u/Ada_luvs_U [link] [comments]

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Just out of curiosity, if you chose five member female only and male only group from any kpop group but it must only be restricted to just one member from that group. Then a five member group of both male and female in one group. Why do you choose those members and how they would compliment the group. submitted by /u/Accomplished-Car4075 [link] [comments]

Hey everyone :) I'm a native Korean and longtime K-pop fan, and I’ve always admired how passionate international fans are. But I’ve noticed that a lot of you struggle with writing comments in Korean, even when the message is heartfelt, it sometimes sounds too formal, robotic, or just slightly off from how native Koreans actually comment. So I built a small tool called Popsy to help with that. You just type in English, pick a tone like "Casual (반말) and Polite (존댓말)" and it turns your message into natural Korean, the kind Koreans really use online. It even understands fan-specific terms like "Bunnies (버니즈)" and doesn’t awkwardly turn them into "토끼" (Korean word for "actual" bunnies). Try it! 👉 https://www.popsyapp.com It also explains why it translated that way, so you can learn as you go. The goal is to help you feel more confident jumping into Korean fan spaces, commenting like a native, and connecting more closely with both idols and fellow fans. \ UPDATE: Just added a voice feature so you can hear the translated Korean too :)* It’s a personal mini side project and completely free, but I’d love for you to try it and share your thoughts If there’s a specific feature you’d like it to support, let me know. Thank you! submitted by /u/Puzzleheaded_Ad2237 [link] [comments]

06-06: RBW officially issues an apology about the situation: https://x.com/RBW_OfficialTwt/status/1931000296244932915 Time line 2025.06.05 Solar of MAMAMOO, Ji-ana (who is 19) from Young Posse and members of KARA, OHMYGIRL appear on an AI chat bot app, where users can pick between the regular and "spicy" content in selection. Information about the app was shared via RBW official company Japanese account, mamamoo official japanese account So far there has been noofficial statement from RBW if they knew about the tier options or not. , The apps advertisement posts on X do include the hashtags for the groups MAMAMOO, KARA, OHMYGIRL and YOUNGPOSSE. RBW Stop union is back and organizing actions against the app, in hopes to once again change RBW mind. According to fans online, it might be the same app again or repackaged version of it under a different name (the one that according to some large fan accounts was attempted and then all information via it disappeared in 2023) or etc. Link: https://x.com/RBWUNION_STOP/status/1930619119621345788 2025.06.06 update: Fans informed Solar about the app - Solar said on fromm that she will talk to the company about it. theqoo (korean forum) - has loads of negative reactions. https://theqoo.net/hot/3772396181?page=2 several feminist korean tw acc - retweeted the fans concerns condemning the app. OP left a review under the app and this was the developer's reply: https://x.com/lunaestreIIad0s/status/1930858678799974757 "We would like to inform you that our service provides videos produced through direct filming in official collaboration with the artist's agency and the artists. It seems there may have been some misunderstanding. Additionally, please be assured that strict measures have been taken to prevent any inappropriate conversations with the artist characters."" Fans claim that the young posse video, are from debut era, where some of the girls were underage. They also claim, that Jiana was added onto the sexualized chatbox option (not using the app so cant confirm), using her 17-year-old self as the selection. :https://x.com/doeunfy/status/1930718433097703773 The app post has been removed from both the official accounts of mamamoo japan and rbw japan. Almigo ai X post on may 29th with the member hashtags is still up. Major updates (1): The app removed the "spice option" and changed the 2nd tier into prime (tier) https://x.com/mooyongddal/status/1930937514946109759 Major update (2): They removed Solar and the Young Posse member from the app: https://x.com/lunaestreIIad0s/status/1930946560768032988 As of now, according to X - the app has removed the artist born in 2006 and on the desktop site, they have removed all members from that same group https://x.com/mooyongddal/status/1930944159562838024 According to users on X (can't 100% confirm the validity of their claims): "Both RBW Japan and Klleon (the company that developed almigo) shares the same address for their HQ/branch office in Japan. (The whole building which consists of 9 floors is under RBW Japan BLDG)": https://x.com/lunaestreIIad0s/status/1930967241283260436 RBW officially issues an apology about the situation: https://x.com/RBW_OfficialTwt/status/1931000296244932915 submitted by /u/MasterHospital [link] [comments]

Here's the context. MNET just dropped the new season of SWF called WORLD OF STREET WOMAN FIGHTER. Instead of sticking with mostly Korean crews, they’ve invited teams from all over the world. On the Korean team, you still have the big names like Leejung, Aiki, Gabee, and the rest of the original leaders from the viral first season. But then you also get crews like AGSquad (former members of Royal Family), the current Royal Family, RHTokyo (led by the incredible Rie Hata), and more. Basically, they brought in some of the best dancers on the planet, so naturally everyone was hyped for the Class Mission, especially for the leader class. In past seasons, the leader class always stole the show. NOZE’s “Hey Mama” routine went viral, Vata’s “New Thing” (produced by ZICO) was a massive hit, and Bada Lee’s “SMOKE” (Dynamic Duo ft. Lee Young Ji) blew up. With world class talents like these, fans were expecting another hype track and choreography. But things went sideways when Woozi from SEVENTEEN dropped the leader class song called “ECHO!” Viewers have been super vocal about disliking it. The consensus is that it simply doesn’t measure up to previous leader class tracks, and it’s being slammed as the weakest of the three songs this season (compared to Rookie Class’s “FLIP FLOP” by Gummy ft. Since and Middle Class’s “Ridin’” by Lily, Jiwoo, and Kyujin of NMIXX). On top of that, fans of the show are finding it cheesy that Woozi threw their names, “HoshiWoozi”, into the chorus. To give more context, the song samples a famous Korean folklore song, but they swapped out the original storyline and dropped their own names "HoshiWoozi" which most viewers thought was corny and tacky. A lot of fans showed disappointment that Hoshi and Woozi overlooked the fact that the dancers should’ve been focal point and instead made themselves out to be the main characters. They feel that the track leans too heavily on artist ego and shifts attention away from the dancers. I’ll also point out that this show is very popular with the GP, many of whom aren’t K-pop fans. Unlike the international K-pop fans who follow the show, a lot of the people voicing discontent don’t even know who Hoshi or Woozi are. This is the clip that introduces the songs. Leader class competition will be airing next week but here are the selected choreographies to "Flip Flop" - Gummy ft. Since (Rookie Class) and "Ridin'" - Lily, Jiwoo, and Kyujin of NMIXX (Middle Class) What are your thoughts on this situation? submitted by /u/AggravatingFlow398 [link] [comments]

Kpop industry has tons of shows where they interview kpop celebrities, so this supposition might seem a bit strange for all of you. But the thing is, I kinda wanted to see more nardwuar style journalism in kpop. The thing is kpop has been so commericalized(well right fully so because its all about the money baby), and so structaulized (the only ones ive seen close to being somewhat similar to nardwuar was that journalist from the show mmtg from sbs)that sometimes most questions are so similar when I see these interview shows? So when I see a lot of I would say independent journalists(well nardwuar is technically part of a radio crew, but you would see what I mean by that) in hollywood who just happen to meet celebrities in hollywood just walking by and ask questions that is so astonishing to me. I feel like this is just not seen in kpop overall, because I feel like they always should have like pre planned schedules and everything. Also the reason why I do think that this needs to be more of a thing is because I feel like the questions should represent what the fans are curious about instead of the same rhetoric questions(kinda similar to the first point I made.). Without the backup or funding of big broadcasting institutions and companies with economic objectives, I feel like it would convey the honesty more for celebrities. Though I personally think it might be hard considering how controlled the kpop industry is and the existence of stalkers and sasaengs(like it might be hard for independent journalists to be born in here also cause companies would need some kind of verificaiton to make sure they are not ill intentioned people hoping to get a chance with them), I do hope that we have some kind of freedom that is enjoyed in the United States. Well I am saying it again, but I think this is just me. submitted by /u/xalxary2 [link] [comments]

You know, when you like a song but there comes a certain part that for some reason you don't like or it irritates you, in my case (I know they are not considered Kpop but I don't care and I'm going to mention them), contrary to many, I did like Gnarly, however, when Megan says "OMG is this reaaaaal?" it irritates me a lot, I imagine it's because of the effect they put on it but I don't like it. On the other hand, I love the beginning of Fast forward by Somi, but the chorus when the chorus comes it's like it drains all the emotion because it feels very simple. submitted by /u/Someonehihi [link] [comments]

February 4, 2024 Min Hee-jin: “In the end, we’ll have to use the media. We need to prepare how we’ll pull ourselves out when HYBE gets dragged down as a whole.” March 15, 2024 Min Hee-jin: “Would HYBE really sell NewJeans for 800 billion won? If we had a really powerful bargaining chip, that might work—like some damned skeleton in the closet or a bizarre condition that forces them to negotiate.” April 20, 2024 Min Hee-jin: “Let’s tank ILLIT’s or HYBE’s reputation by making it public. That way, coming up with alternatives about whether to sell ADOR or not will speed up. Even if quiet discussions start inside, we’ll be the ones getting sold off, unable to take the lead.” submitted by /u/ajjanaajjana [link] [comments]

I've had the privilege of attending j-hope's concerts in Thailand, Macao, and soon in Berlin at Lollapalooza. It's disheartening to see claims that he's the least popular member. Metrics like photocard and fancam streams don't define an artist's popularity. j-hope's live performances showcase his exceptional talent, charisma, and professionalism. Every review highlights his ability to engage and entertain the audience. As a fan, I'm excited to see his future projects. Compared to other artists, j-hope's shows stand out – he's a true performer who knows how to captivate his audience. Even casual music listeners had a blast at his concerts. It's time to appreciate j-hope's hard work and dedication rather than perpetuating misconceptions about his popularity. I understand a lot of people mean well and they are proud of j-hope but keep dragging him down with unjust comments. submitted by /u/Fit-Guitar-4274 [link] [comments]

Don’t know how many of you are in illit spaces but the fans have been begging them to try a horror concept pretty since much forever. Their recent mv is less “illitcore” (think of mvs like magnetic and tick tack that are pure illitcore) and more “spooky”. At least more spooky adjacent. It talks about creating a monster,it shows the girls in monster costumes and at the start they’re throwing a bunch of their magic wands at a huge track to be tossed off. Plus it says the magic is gone and they should bring it back. I’m aware the lyrics are talking abt anxiety but I’m curious about the concept So is the recent comeback going to give fans that horror concept?? Personally I love illitcore and think they should stick to it but at the same time an artist has to experiment at some point and can’t stick to the same stuff forever. Tho the most characteristic elements of their concept are definitely there ngl. So what do you think? Is illit headed to a slight concept change? submitted by /u/Alive-Pitch-9180 [link] [comments]

Knowing how attached and parasocially possessive some kpop fans can be, in your opinion, which idols could trigger a completely unnecessary national crisis when/if they get married? Ones that come to mind for me: BTS’s entire vocal line; TWICE Nayeon, Sana, and Dahyun; G-Dragon; Taeyeon; EXO Kai and Baekhyun; Taemin. Who else? submitted by /u/Royal_Law_3130 [link] [comments]

During the Karina scandal, I’ve seen so many AI generated pictures of Karina wearing MAGA hats, with Trump, etc. These posts have been going viral getting ridiculous levels of engagement. Despite how terrible that in itself is, Karina was one of the most deepfaked idols last year in Korea. Just now SM released a statement revealing some people have already been prosecuted and jailed for deepfake crimes related to the aespa members. So to see western K-Pop stans freely feed her face to AI engines for their stupid fanwars is… crazy. Like, western K-Pop stans are no better than the “knetz” they criticize for creating deepfakes of idols. What’s the difference here? Stop feeding idols’ faces to AI. The consequences are criminal and they’re not worth winning some random fanwar. submitted by /u/randomgirl852007 [link] [comments]

I want to start by saying that I’m not entirely sure if this belongs here, but I feel like it is the only place I can talk about it. Kpop fans in social media treat sexualization very lightly. They just don’t know when to stop when it comes to tweet or speak about an idol and their body. I have seen posts that borderline on harassment. I am genuinely uncomfortable being in these spaces because I cannot scroll for 5 minutes without seeing fans saying some really disgusting things. But then they have the nerve to be mad and offended by other things, that may also be offensive! Do they really not see how hypocritical that is? It is genuinely sad to witness. And their reasoning is that idols will probably not see those tweets, but that is not very convincing because they simply just can, if they wanted to. Idols use their bodies and show skin, specially men, but they take it to extremes and I don’t think they’d be ok with that. submitted by /u/sameoldrussianstan [link] [comments]

I don’t usually make rants, stay as far away from controversies as I can, and really just reside in subreddits meant for specific groups, but I’ve heard this statement too many times to not say anything. Let me preface everything by saying that I am a blackvelvet (BLACKPINK & Red Velvet) ult, so I will mainly be referencing solo releases from those two groups. (Also, I only listen to girl groups, so I’m not sure if this is a thing in the boy group fandom either, anyone who is can add to the discussion as they see fit.) We’ve been getting a lot of solo releases from members of 3rd gen and early 4th gen girl groups lately, and with this has come a certain group of people who have assumed that they should have the right to dictate which members of a group have a solo. They have targeted certain members of these groups that they deem are too “untalented” or “undeserving” of a solo; being a blackvelvet ult, I have unfortunately seen Jisoo and Irene targeted by these people. To be frank, I find their argument really… unintelligent for a plethora of reasons. Proponents of this stance argue that some idols don’t “deserve to go solo.” But… since when was being a solo artist something you can only do if you’re high up enough on a YouTube short ranking? I, as an absolute nobody with 0 vocal skills, can record a solo album right now. But idols part of a kpop group that aren’t enough of an “ace,” according to you, should be barred from entering the recording room alone forever? It makes no sense. You may say that it’s different because said idols are under a company and will be invited to popular performance stages, but if the aforementioned company and popular performance stages consent to having said idol on there (which they do 100% of the time, otherwise they wouldn’t be there), then it really makes no difference. Proponents of this stance argue that some idols just can’t carry the stage as a solo artist. Which is… purely subjective? Some people grew up watching legendary artists like Beyoncé perform, and have an extremely high standard for solo artists. And some people, like me, are happy to watch anyone perform. Just because a certain idol doesn’t meet your standard doesn’t mean they don’t meet anyone’s— and clearly, if you look at the numbers, enough people are happy to watch them perform. (Jisoo and Irene’s debut, as well as Jisoo’s comeback, has been very successful. You don’t have to like their songs to acknowledge that!) Proponents of this stance argue that some idols work better in a group than solo. Again, this is purely subjective, and also a matter of “you never know until you try.” How are we supposed to know who can work well as a solo artist unless we actually see them as a solo artist? Proponents of this stance are usually not even fans of the idols they critique for having a solo. And I think it’s important that we all acknowledge that not everything is made for you. You may not like a solo artist, for many reasons; you could find their music boring, their vocal tone unlistenable, or find their performances underwhelming. And that’s okay! We’re all allowed to dislike something. But we also have to admit that one man’s trash is another man’s treasure, and just because you don’t like something doesn’t mean it shouldn’t exist. You’re not going to like a solo debut sometimes, but there’s someone out there that has been waiting for years to see this and is beyond excited, so let them have their happiness and look for things that will bring yours. Honestly, I find it kind of pretentious to say that an album doesn’t even deserve to exist when you can literally hear their entire album and watch their entire music video (which is weeks, if not months, of work!) for free. But that’s just my take. If there’s someone else that can explain this argument for me past the aspects I already discussed, I’d love to hear it. submitted by /u/cant_think3 [link] [comments]

How does everyone organise their kpop playlists? By genres? Artists? Trying to get inspiration as I currently have just one GIANT playlist and I really need to categorise it somehow hahaha Curious how different people do it! :) submitted by /u/Message-Agitated [link] [comments]