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Will we see more western artists promote in korea?

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  • 2025-07-01 17:19 event
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I just saw D4VD on killing voice and to what i remember he performed on a mcountdown too for his cb and collaborated with hyunjin from SKZ. Katseye's gnarly promotion really sold the song and just their whole cb in general and they wouldn't have had that opportunity in the west We already know other none kpop groups have performed on music shows like XG, dearalice etc. I dont know how d4vd went about getting on mcontdown but honestly I dont think it's a bad idea submitted by /u/Dependent_Row_4280 [link] [comments]

2.309. ALL BTS MEMBERS BACK IN ONE FRAME

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I waited for this day😭 I’m so glad to see them all back!! submitted by /u/moonaspam [link] [comments]

2.310. The real ITZY member JYPE fumbled is Ryujin?

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I'm sorry, but you couldn't have told me in 2021 that Ryujin wouldn't be the most popular idol in 4th gen. She was literally being talked about everywhere, everything she did trended and went viral. Maybe ITZY as a whole wavered with success of their releases (even though they're still doing fine), but lets not pretend jype is holding back giving solo schedules to all the members anymore. People's reasoning behind the company's late decision to promote the girls individually was because of Suzy, but, hello? Any company would want another Suzy, they'd get more money AND recognition. JYPE's bad at capitalising on popularity in general, but with Ryujin they messed up particularly hard. A basic selfie of hers in 2021 would literally rake up 2 million likes in half a day. She used to have a few fancams with at LEAST a million views every comeback. Her shoulder dance went mega viral, but all the company did was make them perform it at random events for the next 5 years. People say the company don't like letting members 'shine' individually or give the girls opportunities when they make a bit of noise. But they DO. Only now, it's later and the noise isn't as loud as it would have been a few years back. When Chaeryeong started going viral on variety shows, it led to her hosting three (well deserved) variety shows, endorsing brands, appearing in commercials, guesting on popular variety shows solo even way before the other 4 members. After Yuna's viral (and absolutely iconic) U-go-girl stage, she got special stages almost every year. Eventually she got her own youtube channel, endorsments and FINALLY an acting role!!! (Miss Undercover Boss, i'm so excited 😭😭😭) Lia got her OSTs and Yeji (finally) got her solo debut with Air (which would have blown up massively if she released it in 2021/2022, especially after her River performance). But Ryujin had her studio choom performance and Mix and Max before disappearing individually behind other popular 4th gen idols, who are more talked about these days. You can't tell me she was never sought after. She has many directors (Jeon Tae-ho and the director of Tylenol) and Acting managers (Varo Entertainment staff, also currently Lee Yoomi's manager) and a staff member from Management MMM (which manages Kim Taeri and Esom) following her on instagram. She also has expressed wanting to act for 4/5 years now as well. Especially after the fighting scene that literally MADE MAMA 2021, how she used to become the most talked about guest in any fashion show she went to, it's weird how the company did nothing to expand or utilise the popularity after those events. Maybe Ryujin herself turns down these things now, but it's undeniable that if she was hypothetically given more opportunities around their biggest eras, she (and probably the rest of the girls if THEY were given more opportunities earlier to make them more recognised to the gp) would have been more popular today. JYPE just started promoting the girls individually too late :( Also, what's with the girls having no ot5 variety schedule this comeback? Anyway, I just wanted to put my thoughts out there because I was just thinking about this yesterday while looking through instagram lol submitted by /u/Gold_Meaning3688 [link] [comments]

2.311. ME:I Ran To Take Hiatus For Mental Health Reasons

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submitted by /u/hydranoid1996 [link] [comments]

2.312. Was Jeon Somi’s career just ruined by manner towards the YG artists or because of label

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She debuted solo with Birthday and I did not know how well it was received. ā€œDumb Dumbā€ was a viral TikTok bop song and she was praised, cared by people incl. YG family fandoms. Xo Xo performed a bit less well than Dumb Dumb but it was okay. Then Fast Forward came, no one cared. Infamously, her Twitter reply ā€œyay, they love meā€ was a bad decision and unprofessional behaviour. Did people ignore about her music because of that? I can tell she is talented but she lacks some management and behavioural skills? submitted by /u/leonardreignn [link] [comments]

2.313. Kep1er Hikaru - Faded Love (orig. Tinashe ft. Future) & Fly Girl (orig. FLO ft. Missy Elliott) @ REK (250701)

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submitted by /u/CronoDroid [link] [comments]

2.314. What are your favorite releases so far? - 2nd Quarter 2025

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Welcome to the curated favorite releases post for the 2nd quarter of 2025! These discussions happen on a quarterly basis every year to give the community a chance to gush over their favorite recent releases. You are free to discuss your favorite songs, albums, music videos, and performances from the previous three months. This can also be treated as a 1st half of the year marker, keeping everything from the start of the year in consideration. You can list, link, discuss, and generally celebrate the releases you've loved the most however you wish, just don't be mean about anyone else's taste! So r/kpop, what have you loved so far? For reference! The South Korean music 2nd Quarter section on Wikipedia - LINK r/kpop's own releases wikis: April (and Spotify Playlist) May (and Spotify Playlist) June (and Spotify Playlist) submitted by /u/KPOP_MOD [link] [comments]

2.315. Pretend the comments section is that of a kpop mv

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Who will support x forever? šŸ‘‡āœØ submitted by /u/cat_blurr [link] [comments]

2.316. Which female idols has the most iconic PINK look?

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Ryujin Wannabe era won the most iconic blue look! Comment your favorite PINK look that one female idols has had. The one with most upvotes will win! submitted by /u/ConnectionOk8413 [link] [comments]

2.317. i-dle Miyeon (Guest: fromis_9) - Instead of air conditioner, Peuna's live? Miyeon x Peuna playlist that makes you want to go to the beach as soon as you hear it @ Miyeon.zip (250701)

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submitted by /u/SapphireHeaven [link] [comments]

2.318. Will we see more western artists promote in korea?

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I just saw D4VD on killing voice and to what i remember he performed on a mcountdown too for his cb and collaborated with hyunjin from SKZ. Katseye's gnarly promotion really sold the song and just their whole cb in general and they wouldn't have had that opportunity in the west We already know other none kpop groups have performed on music shows like XG, dearalice etc. I dont know how d4vd went about getting on mcontdown but honestly I dont think it's a bad idea submitted by /u/Dependent_Row_4280 [link] [comments]

2.319. fromis_9 Jiwon (with i-dle Miyeon) - LIKE YOU BETTER (Dance Challenge) (250701)

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submitted by /u/SapphireHeaven [link] [comments]

2.320. Let's make 2nd gen all-stars supergroup (male and female separate)

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As a title says, let's make a supergroup, which will be made only from 2nd gen idols. Male and female one, separate. Let's do some restriction: *7 members max *Only two members max from same group (for example you are allow use only two members from SNSD, two members from BIGBANG, etc.) What would be your dreamy supergroups from 2nd gen? submitted by /u/Eastern_Return_1710 [link] [comments]

2.321. DIRTY WORK and PINK VENOM mashup (aespa&blackpink)

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submitted by /u/jennierosexoxo [link] [comments]

2.322. Do you care about albums being cohesive?

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I’ve seen a lot of albums get criticized for not being cohesive but I personally don’t really care about cohesiveness. Sometimes it’s nice but not being cohesive doesn’t hinder my enjoyment of the album if I like most of the songs. I usually listen to playlists instead of just the albums so that plays a factor for me. I’m interested in hearing what others think about this. submitted by /u/Winter-Net-2669 [link] [comments]

2.323. The International K-Pop Streaming Slump.

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Just to clarify: I know that charts don’t really matter, I’m simply pointing out a trend I’ve noticed. I know that album sales are also a measure of success but they tend to increase regardless of a group’s success. Streams-wise, it seems like a number of 4th gen groups have already peaked which is unsurprising considering that many of them have been active for 4+ years at this point and had explosive debut eras. But strangely enough, 5th gen groups haven’t really filled the gap. It seems to be a more general trend of weak international performance, rather than 4th gen groups losing relevancy. Not a single 5th gen girl group has debuted with more than 450k streams on their most recent release apart from BabyMonster. For reference, Stereotype by STAYC outstreamed ILLIT, MEOVV and Hearts2Hearts when comparing first day streams of their latest comebacks. I don’t keep up with 5th gen boy groups but they seem to be in the same boat with 100k-500k per release, not a big gap surprisingly and RIIZE is doing better than their female peers apart from BaeMon. Groups that used to chart on Spotify global semi-consistently or at least had good performance now often debut with less than 800k streams or in several recent cases, less than 500k. IVE is the craziest to me. ELEVEN, LOVE DIVE, AFTER LIKE and I AM was an insane title track run both sonically and success-wise. Kitsch and Baddie performed quite well but Attitude wasn’t nearly as strong. I also can’t believe that Know About Me by NMIXX didn’t become much more popular internationally considering that some of their more experimental releases did better. It’s worse considering how much K-Pop companies appeal to the West now. Friday releases, multiple versions for Billboard, American festivals, SNL performances, fluent English-speaking members yet the decline continues. I can’t tell if this is necessarily reflective of K-Pop becoming less popular globally. From what I’ve seen, a group releases one song that doesn’t quite resonate with the international audience and they don’t recover. On the other hand, there may be less genuine interest now. I did see a claim that K-Pop reached peak global interest in 2023 but I can’t find a source or article that goes with it. I also don’t know much about how K-Pop groups are selling in their global tours so feel free to add any statistics on that. AFAIK, no group is selling that poorly. I also suspect that this might be coming from a decline in popularity in Southeast Asia? The region is typically K-Pop’s biggest stronghold so maybe the decline stems from there but I’m not sure. BTS, BP, Aespa, SKZ and LSFM seem to be the last ones standing. submitted by /u/DowntownFee1 [link] [comments]

2.324. Is there a song you initially didn't like but then the MV changed it for you?

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Do you have a song that at first didn't vibe with you at all, but after watching the MV It kind of changed perspective and now you like it also when just listening to it? For me it's Work by ATEEZ, musically speaking it's not my genre at all and also the lyrics (English parts) sounded a bit "meh" to me, but then I watched the MV and It was so non sense and funny that now the song became one of my "boost my mood" favs. submitted by /u/vibe2code [link] [comments]

2.325. "Golden" by HUNTR/X, EJAE, AUDREY NUNA & REI AMI from the KPop Demon Hunters OST debuts at #81 on the Billboard Hot 100

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submitted by /u/impeccabletim [link] [comments]

2.326. "Your Idol" by Saja Boys, Andrew Choi, Neckwav, Danny Chung, KEVIN WOO & samUIL Lee from the KPop Demon Hunters OST debuts at #77 on the Billboard Hot 100

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submitted by /u/impeccabletim [link] [comments]

2.327. IVE - Japan 3rd EP: Be Alright (Concept Photo 3 - Wonyoung, Rei)

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submitted by /u/CherryBlossomEnding [link] [comments]

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