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Hello, I hope this is okay to post here! I re-imagined some huge KPop hits as banging UK Garage tracks, it was a lot of fun! https://youtu.be/aZuEvHx-7kg 00:00 Pentagon - Can You Feel It x Bump & Flex - Got Myself Together 03:03 Stray Kids - LALALALA x Bushbaby - Pumpin Jumpin 05:53 SHINee - Lucifer x Bill Bond - More Time 08:42 Taemin - Criminal x Hans Glader - Ghetto Strut 11:18 Girls' Generation - Into The New World x Taren Gopi - Sing For Me 13:53 BTS ft. Halsey - Boy With Luv x Salute - Feel The Same 16:42 Fifty Fifty - Cupid x Harry Hayes & Kelbin - MissU2 18:49 Girls' Generation - Genie x So Dope - Want You To Feel 20:56 Red Velvet - Red Flavor x Mar'One - Brilliant Mind Dub 23:16 aespa - Next Level x AC Slater & Chris Lorenzo - Fly Kicks 26:21 Kara - Step x Hans Glader - The Town 28:42 Infinite - The Chaser x Todd Edwards - Thank You (MPH Remix) 31:45 SHINee - View x Lockerz - Sunshine submitted by /u/LowHawk2194 [link] [comments]
submitted by /u/impeccabletim [link] [comments]
We've seen a rise in 4th-gen groups actively participating in music production, such as 3RACHA from Stray Kids or Hongjoong and Mingi from ATEEZ, which is an exciting shift in the industry. Recently, groups like CORTIS brought a new landscape in kpop scene, engaging not only in music creation but also in choreography, visual direction, and overall artistic planning. This kind of holistic involvement is relatively new in K-pop. While it's inspiring to see young idols take creative control, I do wonder about the potential long-term impact of such intense responsibility at a young age. It could lead to burnout or creative fatigue, especially if support systems aren't in place. I’m curious how sustainable this concept is, will it evolve over time, or might it fade as the group matures or industry demands change? Personally, I feel that while these artists bring fresh energy and new ideas, having input from more experienced professionals can really elevate their work. Experience often adds depth and perspective that takes time to develop, and a good balance between innovation and expertise could be key to long-term success. submitted by /u/Abitcommentfromme [link] [comments]
Song: Umbrella by JUNHEE my favourite track on the album🎶🤎 submitted by /u/fried_chicken03 [link] [comments]
Every time K-pop companies want to promote in the West they always go to shows; Today’s Show, GMA, The Kelly Clarkson show etc when known US acts don’t even promote on there as much. In Korea, shows like Music Bank, Inkigayo etc are known for promotions for Korea and it works but in the US it’s a whole different ball game. But K-pop companies are one of the main ones that treat the US as a secondary promotional base by adopting similar promotional strategies like they do in Korea (they also do it for Japan). When British acts pivot towards the western audience they do so when they hit big here, meanwhile K-pop companies think dropping a english song will work when in reality your only promoting to the K-pop fanbase that was there already, they also throw in random collabs in the midst of promoting the single as a promotional strategy as well. They need to approach it differently, TikTok is a gold mine for pushing a song to go viral in the west (ex: look at Zara Larson Midnight Sun going viral everywhere because of her opening for Tate Mcrae) , collabing with known brands and using it as promo to push the song is a great start, for example lsfm collabed with Overwatch and every time you log into the game Perfect Night played, while they performed in Korea for a short amount of time and then their viral moment at the Lakers game that’s when the song started to kick off fully then they promoted it in western shows. It pains me to see SM do old habits that just don’t work, marketing here is their weakest point, song choice and concept is a really good branding to start, they need to look at how Jennie and Rose promoted their solo albums here, even Katseye did their first roll out amazing, they did a mini concert to showcase their Debut mini and did perfs at malls. Idk to me companies are wasting lackluster promotional strategies instead of actually using their time and resources to fully study how acts promote in the west, because to me there only studying how other K-pop companies promote their groups in the US when they need to do their research on previous famous boy bands/girl bands. submitted by /u/Simmibrina00 [link] [comments]
Hello! If you like UK Garage as well as KPop, please check out my KPop Garage mashup mix! KPop hits as you've never heard them - mashed up with some nice garage. 00:00 Pentagon - Can You Feel It x Bump & Flex - Got Myself Together 03:03 Stray Kids - LALALALA x Bushbaby - Pumpin Jumpin 05:53 SHINee - Lucifer x Bill Bond - More Time 08:42 Taemin - Criminal x Hans Glader - Ghetto Strut 11:18 Girls' Generation - Into The New World x Taren Gopi - Sing For Me 13:53 BTS ft. Halsey - Boy With Luv x Salute - Feel The Same 16:42 Fifty Fifty - Cupid x Harry Hayes & Kelbin - MissU2 18:49 Girls' Generation - Genie x So Dope - Want You To Feel 20:56 Red Velvet - Red Flavor x Mar'One - Brilliant Mind Dub 23:16 aespa - Next Level x AC Slater & Chris Lorenzo - Fly Kicks 26:21 Kara - Step x Hans Glader - The Town 28:42 Infinite - The Chaser x Todd Edwards - Thank You (MPH Remix) 31:45 SHINee - View x Lockerz - Sunshine submitted by /u/LowHawk2194 [link] [comments]
Can someone please explain to me why it’s suddenly normal, especially on X, to refer to male idols using terms like “lesbian,” “babygirl,”, "my girlfriend", “mother” etc.? People usually respond with, “It’s just a Gen Z thing,” but that doesn’t make it okay to me. I believe it happens in many other fandoms but I'll use Stray Kids as an example (And please believe me I don't think the whole fandom is like that!) If this behavior were directed toward Felix — who’s openly expressed appreciation for his androgynous side (which I fully support, by the way) — maybe it would at least make more sense. Instead, people are going after Changbin and Bang Chan, and it’s getting weird. I constantly see comments about their "breasts", “boobs” and how they “need a bra,” followed by people calling them “my babygirl.” Am I really the only one who finds that incredibly uncomfortable? If these are jokes how is that funny? Take someone like Changbin — he’s a great example of anti toxic masculinity. He’s never been ashamed of liking things like the color pink or doing gg choreos, he clearly loves and respect women in a healthy way. So why can’t people just let him be a man who enjoys so-called “girly” things without labeling him as a woman? Being a woman isn’t bad, obviously, but Changbin is a 26-year-old man who’s never said otherwise. When I try to explain my perspective in the comments, I get called a transphobe, misogynist, or told I hate women. But these idols aren’t trans, and they’re not women — so why are we calling them that? And when I say I don’t like seeing people call them “lesbians,” somehow that makes me homophobic? As someone in the LGBTQ+ community myself, that logic just doesn’t hold up. I’m an empath. I imagine what it must feel like to go on X and see thousands of people zooming in on your body, calling you a different gender, and making weird jokes about it. It honestly makes me nauseous. I’ve tried to avoid these kinds of people, but it’s impossible now. And if idols want to stay connected to fans, they can’t avoid it either — they’re being forced to read this stuff. I'm open for discussion, maybe you will be able to change my mind or at least make me less emotional about it. Also does it happen in your fandom too? Thanks for reading! submitted by /u/egggrandpa [link] [comments]
What songs can you think of that do this? Inspired by this video. It lists the count as 219 of the single word, but since the title consists of the single word two times, the "real count" of the number of times the title is repeated would be 109 (and a half). submitted by /u/DizzyLead [link] [comments]
It’s either drama aespa and famous adp vibe or cool with you newjeans vibe submitted by /u/whoarre [link] [comments]
submitted by /u/CherryBlossomEnding [link] [comments]
submitted by /u/CherryBlossomEnding [link] [comments]
Thank you to u/Forsaken_127 I saw them make another one (after they added more songs) and I got inspired and made one myself ( ´ ▽ ` ).｡ｏ♡ submitted by /u/c0nniee [link] [comments]
submitted by /u/Something-Somewhere_ [link] [comments]
submitted by /u/SaltyPoppy [link] [comments]
As I said. Yes, many kpop stans have parasocial illness. (I just made this up idk if it's a real word) First off I just wanna say I've been in a lot of fandoms all over the world. Before you start saying "this isn't only an issue in K-pop!" Yes it's not only in K-pop, but it's A LOT MORE common in K-pop than other fandoms. I'm just genuinely curious. Do people not care about music anymore? Genuinely, why is everyone so curious about idols and their lives? It's crazy how much that matters to K-pop stans it's almost like they wanna date them. Turns out they probably do. Like honestly if you look at Beyoncé. Her life is so private to the point that she doesn't even do interviews anymore, it's probably been more than 10 years since her last one. She drops a music video drops an album and goes to tour. submitted by /u/StonDelRey [link] [comments]
Wtf is kpop even about now. Why would you do that to someone just because you dont like a kpop group. Stan culture is getting crazy nowadays. 😭. Apparently TXT were in USA for a tour and that gave that person a chance to report Soobin as an "Illegal immigrant" submitted by /u/eyesonaeri [link] [comments]
submitted by /u/SapphireHeaven [link] [comments]
The girls have never had a criticised performance before and as a person who's had the priviledge of going to many girl group tours, Itzy's Born To Be tour was, by far, the best. Their energy, chemistry, fanservice was off the charts. And the production!!! The live band, the stage set up, the props were just... Amazing. The girls danced like crazy, it was mesmirising seeing them in real life 😭😭😭 They also all made sure to speak a bit of the language of the countries they were in, and their english was amazing. The solo stages were gorgeous, too (although they didn't perform all of the solo songs live), and they somehow made the stage feel full even at times when there were no backup dancers there. Despite their success "wavering" for the past 3 years, they've kept up the energy they've had since rookies. And their personality on camera and in fanmeets, fansigns ect are just so, so lovely and funny. They are one of the big 3/4 groups that have the least amount of scandals and the "scandals" they do have are rarely anything serious. Their consistency is amazing and they never seem to slack off. I think this should be the bare minimum, but in reality, the industry's bare minimum is literally in hell. Just wanted to praise the girls since they've been at a lot of events recently and they're performing like they're fighting to debut lol Itzy ❤️❤️❤️ submitted by /u/Gold_Meaning3688 [link] [comments]
submitted by /u/SapphireHeaven [link] [comments]