I think I might quit being a K-pop stan…

I know about other groups, been knowing about kpop for a decade now but I dont like male groups and I dont care for other groups other than Twice and IVE- because I like to focus on one group only instead of having too many on my plate and not knowing every group as well as i can/ not focusing on them? I find many of the male kpop idols repulsive and childlike to me btw? but girl groups are cool, but as I've said, I only actually like Twice and IVE? I don't care/ I honest dont like the bigger ones like BTS/ EXO/ Blackpink etc??? TXT is also not my taste... submitted by /u/aerona_angel [link] [comments]

honestly I miss "We Got Married" and just idol interactions in general. everything gets blown up into rumors nowadays so theyre too scared to interact 💔 also I love that whenever this clip of minhyuk and nayeon resurfaces all the new fans are like "what was nayeon doing with soobin?" 😭😭 submitted by /u/0x1trinity [link] [comments]

I'm curious and trying to understand better whether she's stronger/as strong as dancers like Julie/Natty (kiof), or such. I haven't been able to find a lot on it and i was wondering if anyone could help, possibly with reasoning. thank you so so much! submitted by /u/my_shroom [link] [comments]

The dancers: Chaeryeong, Yeji, Ryujin (ITZY) Hikaru (Kep1er) Kazuha, Kim Chaewon (LE SSERAFIM) Karina (aespa) Jiwoo, Kyujin (NMIXX) Even if you can only rank 1 or 2, I would really appreciate it! i find it so hard to differentiate and I'm trying to understand better :)). Thank you so much submitted by /u/my_shroom [link] [comments]

I feel like every idol has that comeback where the stylist just doesn't miss, for me that was Yena's comeback "Being a good girl hurts" every performance was just such a look! I also loved the styling during Aespas "Supernova" all the looks were so fun and fresh! What comebacks stick out to you the most in terms of styling? submitted by /u/0x1trinity [link] [comments]

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às vezes eu sinto que o kpop perdeu a alma. antes tinha dor, caos, identidade — cada grupo tinha um universo, uma história, um som que só eles faziam. hoje tudo parece bonito demais, limpo demais, previsível demais. sinto falta dos conceitos sombrios, dos raps pesados, da energia crua que fazia a gente arrepiar vendo um mv. agora todo mundo é “boy next door”, todo mundo sorri igual, canta igual, se veste igual. não tô dizendo que tá ruim… só que tá vazio. eu quero de volta o estranho, o diferente, o intenso. o kpop que fazia a gente sentir, não só assistir. Agora tudo virou “clean boy”: música leve, conceito colegial, sorriso ensaiado, estética de comercial. Não é ruim, mas é tudo igual. Sinto falta daquela sensação de “caramba, isso é diferente”, daquele peso emocional, da ousadia. Parece que o K-pop ficou com medo de ser estranho — e ser estranho era o que o tornava especial. Será que um dia o dark, o alternativo, o experimental vão voltar? Ou será que o K-pop virou de vez um produto de vitrine? submitted by /u/strawberry867m [link] [comments]

bsides and smaller groups encouraged but it can be any song. submitted by /u/SnooOranges829 [link] [comments]

I flipped Katseye’s latest track M.I.A. into a heavy-hitting dubstep remix — packed with energy, drops that shake the floor, and a whole new vibe. If you loved the original, MAYBE you'll love this remix the same way. DOWNLOAD: hypeddit.com/blr0rm submitted by /u/Numerous_Prompt7878 [link] [comments]

I don't mean conspiracies that you think could be real. I mean takes that are so out there, they make you wonder if that person has any connection to reality. Doesn't matter if it's a weirdly popular one or just a single post that made you go wtf. I want the truly wild stuff you've seen. submitted by /u/azureleaf [link] [comments]

​Me encanta cómo las animaciones están empezando a usar el K-Pop como tema central, ¡pero "Las Guerreras del K-pop" lleva las referencias a otro nivel! ​Estuve investigando a fondo el video, y hay muchos detalles y datos escondidos sobre la moda, la jerarquía de los grupos y las dinámicas de las agencias que solo un fan de la música coreana notaría. Por ejemplo: ​El Diseño de Vestuario: Cada equipo es una referencia directa a las tendencias de segunda o tercera generación del K-Pop (una lleva el estilo hip-hop old-school, otra el concepto girl crush). ​Los Rangos: Los rangos dentro de los grupos son una alegoría a las posiciones (Líder, Maknae, Main Dancer) y cómo estas definen el peso narrativo de cada personaje. ​¡Abrimos el debate! ¿Qué otra referencia de la cultura K-Pop o de idols han encontrado en la animación? ¿Cuál es su bias (personaje favorito) y por qué? ​--- ​Si les interesa una inmersión completa en todos estos datos y el resumen de la trama (en español), pueden verlo aquí: https://youtu.be/wtZadK6aomU?si=FkOiRbKRN-wyUux9 submitted by /u/AffectionateMix9073 [link] [comments]

It's well known that kpop takes a lot from the West, but this time it feels especially shameless. In Soyeon's recently solo song MV, multiple scenes, shot for shot, are copied from Yseult's music video. This isnt her first rodeo either, as she has plagiarized music before, as well. Western artists, but more specifically, black artists need to be given more credit and treated with more respect from the kpop sphere. But that doesnt look to change any time soon, unfortunately, seeing what we have here. submitted by /u/Lost-Investigator266 [link] [comments]

For me I have an inexplicable love of ‘Jump’ by NXD (please check it out you’ll see why). submitted by /u/ARG_obesessed [link] [comments]

Groups like LE SSERAFIM, aespa, BLACKPINK, etc. are performing on American TV shows, doing interviews, late night appearances, even award show stages. But when you look back at 2nd gen legends like SNSD, Wonder Girls, KARA, T-ARA, it feels like they never got that same level of U.S. attention. They were very talented and I would say, pretty much to up to par as the popular groups today. Other than Wonder Girls briefly promoting in the U.S., you never saw 2nd gen idols on big American talk shows or mainstream interviews. No Jennifer Hudson, no Fallon, no GMA. It kind of feels unfair considering how much groundwork they laid for K-pop’s global popularity. Seems to be that the U.S. simply did not care back then, unless there's a better reason that I may not know about. Curious to hear your thoughts, submitted by /u/savingrace0262 [link] [comments]

I’ve been thinking about how often this pattern repeats in K-Pop fandoms: a Black person points out a valid issue, racism, plagiarism, or cultural insensitivity, and somehow they become the villain. Take the recent case with Yseult, a French Black artist. Her work was clearly plagiarized by a Korean artist. Naturally, she tagged the producers and the people involved — including Soyeon, who happened to appear in the MV. Instead of focusing on the plagiarism itself, K-Pop stans (especially Soyeon’s fans) turned against Yseult. She ended up being harassed and flooded with racist DMs, even though she’s literally the victim. We’ve seen this before: ENHYPEN — when fans thought a member said the N-word, Black fans who spoke up got told “unstan then we don’t need Black people in this fandom anyway.” NCT (Jaehyun) — when he allegedly mouthed the N-word, the fans expressing disappointment were bullied and silenced. Crush — he was accused of ignoring Black fans during a concert. Whether or not it was a misunderstanding, the fan who shared her feelings ended up getting mass-reported and told to apologize. It’s such a consistent pattern: whenever anti-Blackness in K-Pop surfaces, the Black victims or fans are punished for speaking up. It’s exhausting. submitted by /u/chrisomi9 [link] [comments]

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Seriously tho, why are people still surprised by how nasty these two fandoms can get every single day? I’ve been seeing a bunch of posts lately sharing small bits from the daily fights between these two fandoms on Twitter/X — and honestly, why are people acting like this is something new? Are we really new to this fact? Because from what I’ve seen (and I’ve seen a lot), this isn’t anything shocking. Both sides have had their fair share of messy moments, and it’s been going on for years. It’s literally an everyday thing across multiple platforms, with Twitter/X being the main battlefield. People there love to hate-farm for likes and retweets — it’s ridiculously easy to get engagement if you say something out of pocket. Even some Korean web media outlets jump in just to ride the wave and boost their numbers. That’s why it’s so hard to tell what’s actually true on X anymore. Unless something’s verified by multiple reliable sources outside of the fandom bubble, you really can’t trust anything that comes out of those fights. submitted by /u/Daddy1007a [link] [comments]

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