New Release | 틀에 금이 하나도 없어

If anyone has any news articles in English can you link them please. submitted by /u/No_Relation_9921 [link] [comments]

I was expecting to like it tbh but it's actually pretty good, I love the instrumentals and also the vocals are literally heavenly. As much as I love their darker concepts I would this suits them more. Also I can't help but think of RV when I listen to this,like their times when I'm like "yea Wendy would have this part"😭😭 I hope this does well in Korea cause they really do deserve it. submitted by /u/okuneedtochill [link] [comments]

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[장수 한우랑 사과랑 축제 개막공연 가수 섭외.. : 네이버블로그 [Exclusive] Jangsu-gun Festival Management Agency "I apologized to Kim Tae-yeon... I hope the controversy doesn't spread" - Star Today As far as I can tell, the management agency hired 13-year-old trot singer Kim Taeyeon to perform at the 19th Jangsu Hanwoorang Saguarang Festival because she sounds like this: 김태연(キムテヨン) - 망부석 (マンブソク)｜한일톱텐쇼 23회 But then the agency was thinking about maybe trying to hire SNSD Taeyeon to perform at the festival and somehow her photo ended up on the festival's poster and then the poster got leaked and then all heck broke loose: "13세 소녀 가수에게 큰 상처"…동명이인 섭외 해프닝에 당혹스러운 김태연 - 김명준의 뉴스파이터 Hopefully it's over now. Trot singer Kim Taeyeon is still planning to hold her solo concert on August 2nd: K-Tigers' 'Trot Prodigy' Kim Tae-yeon to hold a solo concert in August < < nationwide Article Text - Korea Report submitted by /u/Potential-Mine2069 [link] [comments]

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The mid-week Hot 100 predictions has just dropped, and ATEEZ are predicted to debut on the top 80, this will mark their second entry after their entry a few months ago with Lemon Drop. Big4 stans are losing it, they call this undeserved and fraudulent, because Atiny did this with both digital sales and streaming (physical sales are not counted for the predictions, which means they would have still charted even without the physical CDs) And it got me thinking why so many big4 groups getting into charts through play-listing and radio plays that are obviously paid by companies is considered fair and square, while ATEEZ getting into charts with their fandom’s love and hard-work (a fandom that consists of so many paying adults at that) is considered cheating. Hot 100 know that people can use digital sales to enter, if they didn’t, it wouldn’t have been one of the metrics/ criteria, so acting like ATEEZ are finding loopholes in the system is kinda funny. Add to that the fact that Hot 100 is a US focused chart, and US atinys has always shown ATEEZ so much love, they charted on US spotify, they sold out stadiums there, and they’ve been steady in entering their charts for years now! This is not the first time this happens, after Coachella especially, ATEEZ has been getting so much hate and I can’t help but notice how it’s always been fuelled by jealousy. As a kpop stan since 2014, it breaks my heart to see how monopolised the kpop scene is becoming, and how non big4 artists seem to be questioned about everything, and how it seems like big4 stans can’t stand to see a non big4 group succeed more than their fav! I’m well aware that hate trains (unfortunately) happens to any successful group, but the way ATEEZ have not had a rest since Coachella is so bizarre and weird. Tl;dr: ATEEZ got into a chart fair and square, kpop stans need to accept that ATEEZ are successful in the US. submitted by /u/Key_Daikon_6609 [link] [comments]

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For people who are unfamiliar their concept is genderless so their concept does get a little hate from homophobic people. I've seen comments on their tiktoks saying they should disband because they look like girls or anything along those lines. Their debut song imma be was definitely more masc so it wasn't as controversial for other idols to associate with them. They still only did dance challenges with zb1 though (three of the members were on BP). 1&only is way more fem and in an interview Wumuti said they didn't want to ask any idol to do a dance challenge so they didn't feel pressured. It just makes me sad to see them be isolated when they're all so talented and the concept is so authentic to who they are. I think there's still a lot of homophobia in kpop even from international fans. submitted by /u/PlentyCow8258 [link] [comments]

According to the dictionary, triple threat refer to performer who is proficient in singing, dancing and acting. Example of triple threat would be Hugh Jackman and Neil Patrick Harris. What are examples for kpop idols? So far I can think of Do Kyungsoo. A main vocal of Exo, he's not considered as among weak dancer in Exo and his acting is critically acclaimed and won a lot of acting awards. submitted by /u/Personal_Damage6616 [link] [comments]

https://youtu.be/VnBslPG2Qsc?si=GojdAEUA0k9oivS3 Her story makes me so sad, she only wanted to make her dreams come true! She was such a hard working person. She did not deserve all the hate she received, she deserved to stay alive and continue to grow her career. She had so much potential! Her song GO is such a great song. Hopefully you all fan give her music some love. submitted by /u/MapacheRob [link] [comments]

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Literally fighting own friends and relatives who talk shit like Oh they look like girls, Oh they are gay( saying it in an abusive and disrespectful tone) submitted by /u/Relevant_Engine_1555 [link] [comments]

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Just in terms of EVERYTHING – promo, sound, concept; Twice is the only group who has pulled it off this year (for a wide audience range). I’d argue idle is second with “Good Thing” but even that felt minor in comparison to usual releases. It’s great for Twice, they’ve had on and off “good releases” for a little while now and I’m glad they’re getting as much recognition as they used to. But it just begs the question: why? There have been some hits this year, don’t get me wrong, but they’ve all been confined in fandom spaces. Like, I’m an atiny so I’m out here screaming “Lemon Drop song of the summer”, and all the other atiny are agreeing with it. Other fans of other groups, even if they’re open to listening to other music, probably haven’t even heard it. It’s so jarring to see such a massive shift in the community. I don’t hear nearly as much about other groups’ comebacks as I used to, and I can literally see that the groups I do stan are struggling with a wider audience way more than they used to. It’s like, even if the group is popular, they’re no longer really cared about by everyone. Whenever something “big” happens in kpop recently that grabs everyone’s attention, it’s some scandal. I’ve got a lot to say about this because it’s all been throwing me off recently, especially this year LOL. I think that variety shows going down in popularity (or being almost only run by nugu groups, which isn’t bad, they deserve the recognition, but no one knows them already) definitely adds to it. Variety shows that I do see are often just interviews, which I guess wouldn’t be counted as variety shows at all. I think my main issue is originality though. Reused sound/concept, 2 minute song formula, it’s all the same shit nowadays. I usually count on aespa for my blessings but when a song is bad it’s just bad (sorry Dirty Work x). People get used to that formula and find it very listenable which makes experimental songs, which define kpop in my opinion, less likely to be successful. Even SM groups have been exuding less hype recently, or they’ve just been following a listenable format that doesn’t really excite anyone. I am just. So bored. New releases will always get me excited, but I’ll always miss crazy shit like when Sticker and Zimzalabim first released or when everyone got enthralled by Maniac (VIVIZ) and Queencard. It’s fantastic while focusing on one or two groups, but I want to hear noise everywhere and hear other people’s opinions. Community barely exists anymore. The loudest stantwt has been this year is from Katseye’s controversial ass “Gnarly” (I’m obsessed with this song), and that’s not even kpop. submitted by /u/baller696969balls [link] [comments]