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I am tired of seeing the same bass boosted tiktok focused songs. Like it is hard to explain but nowadays when you try listening to a new song you can just tell it was meant to go viral on tiktok. (This issue got worse after covid when idol groups shifted to english songs and many people seem to have lost the passion they had before.) Soft songs like this or the ones that IU used to make, now need to be digged for. (I would appreciate any similar recommendations you have) And when you complain about this all you get to hear is "Old sons still exist" likes yes girl but I want new ones too? Don't you also feel bad for the musicians who don't get to make the music THEY like? submitted by /u/ProcedureMinute6644 [link] [comments]
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Party by HyunA / wooseok. You’ll know what i mean if you listen to it 😩 What song is this for you?? submitted by /u/Lilac-Soul [link] [comments]
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If you did singing-along to Golden or You Are My Sodapop in KPop Demon Hunters, you might have noticed something fun: the Korean verses slide right in, cleverly rhyming with the English lines as if they were always meant to be there. It’s part of what makes K-Pop songs so addictive—you don’t just listen, you feel the words bounce back and forth across languages. At first, you might think, “Oh, it’s just cool to mix Korean in.” And sure, that’s true—Korean adds style and flavor that make a song sparkle. But practically speaking, there’s another reason: some Korean words and expressions are simply untranslatable. They carry emotions, cultural humor, and sound effects (think onomatopoeia!) that English just can’t capture. Leave them out, and the song loses its heartbeat. That’s why K-Pop composers let Korean verses shine. They’re not just filler—they’re the secret sauce that makes you want to hit repeat. I dive deeper into this in my full article: The Language That Jumps: How Korean Onomatopoeia Makes K-Pop Feel Bigger, Brighter, and Closer Because sometimes, only Korean can say it right. https://preview.redd.it/j8k7dzwlb8pf1.jpg?width=1080&format=pjpg&auto=webp&s=fa35affdae405a4a57d96c4ae085b3e1c63595db #Kpop #KpopSongs #KpopLyrics #KpopFans #KpopAddict #KoreanLanguage #KpopVerses #KpopTranslation #KoreanWords #KpopCulture #KpopRhymes #Golden #Sodapop #KpopDemonHunters submitted by /u/Nicklee0345 [link] [comments]
I was wondering if anyone attending NYC day 1 for TXT VIP1 on October 1st would be willing on top of their own stuff try to secure a signed album for me. I unfortunately missed the chance to get the VIP 1 tickets and really want a group signed if not majority signed TXT album as my ult group 😔. If able or willing please DM and conditions( if you have any) can be discussed as well as the logistics. submitted by /u/Intelligent_Tap2137 [link] [comments]
For context, I’m a fan of aespa, and this whole rant came to me while watching their Good Morning America performance. ※Not even gonna get into the performance itself—it was rough, and that’s all I’ll say. aespa blew up in 2024 and pulled in a huge wave of casual fans. 2025 should’ve been the year to keep those people engaged and grow them into core fans. This was the time for steady steps, not risky detours. So why suddenly chase the overseas market? At this rate, they might end up in no man’s land—failing to win new international fans while frustrating the Korean fans they already have. Overseas popularity isn’t something you can just “go grab.” It usually happens when domestic hype overflows and naturally spreads outwards. Trying to engineer it with strategy? That’s insanely difficult. And songs like Dirty Work or Rich Man—just making them “kinda international” with more English lyrics—doesn’t guarantee global success. Unless the quality is absolutely top-tier, it just risks coming off as a cheap knockoff. And honestly, I don’t think aespa has the kind of overwhelming charisma to bulldoze through that impression (which isn’t even their main strength as a group—I might make another post about that). If they’re serious about going global, the first step should be focusing on the people already into K-pop. That crowd isn’t asking for watered-down Western pop—they’re here for K-pop. So I’m left wondering: is SM genuinely trying to take aespa into the overseas market, or are they just testing the waters to see how people react? I’m still relatively new to K-pop, so if anyone more experienced can break this down, I’d love to hear your thoughts. submitted by /u/tokum_236 [link] [comments]
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