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The level of happiness this brings to my 3rd gen stan ass 😭

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  • 2025-08-04 08:45 event
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The level of happiness this brings to my 3rd gen stan ass 😭
I'm neither a Monbebe nor an Ahgase, yet this wholesome interaction just fills my heart ❤️ submitted by /u/beelzebub2099 [link] [comments]

2.561. PURPLE KISS will end group activities in November

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submitted by /u/psshdjndofnsjdkan [link] [comments]

2.562. What does global Kpop artist management actually look like? Jennie and Odd Atelier as a case study

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I've been thinking about Kpop from a more business/industry perspective lately and Jennie from blackpink seems to be a great case study especially now that she’s launched her own label, Odd Atelier. It's pretty cool to see a Korea based artist expand into global activities at this scale while maintaining full creative control. So I'm curious how the management structure behind someone like Jennie actually works. Here’s what I’ve been thinking: 1. Domestic Team Structure Around Jennie (Tentative Picture) From what I can tell, even though OA is technically a one artist label, Jennie still seems to rely on the Kpop support network. schedule managers, personal assistants, hair/makeup teams and long time stylists who’ve worked with her since the blackpink days. OA’s based in Seoul so that crew likely handles most Korea side logistics from TV appearances to brand deal coordination and the paperwork that goes with them. The music side feels less set in stone. I haven’t come across any clear signs of a fixed in house production team like the big agencies' A&R departments. But I may be missing a few things so happy to be corrected if I’m wrong. It looks more like she taps a rotating group of producers and topliners, keeping one or two familiar names for continuity while bringing in fresh collaborators each project. That flexible setup would make sense for a soloist at her level but I can’t say for sure without insider confirmation. 2. Dancers, Choreographers, and Touring Crew We know Jennie does her choreo with IG@silvergunnnn but the performance side is bigger than just the choreographer. She seems to travel with a fairly steady pool of backup dancers so there has to be some structure behind them. What I’m not clear on is who actually manages those dancers once a project kicks off. Do they have a separate tour crew coordinator handling dancers, rehearsal spaces, visas, and day to day schedules? If anyone has insight on how soloists usually staff out their live crew especially the dance side, I’d love to hear it. Maybe I’m lumping things together but it feels like choreography, dancers and touring logistics could each be its own lane. Happy to be corrected if I’m off. 3. Her Global Management Then there’s ALTA Music Group, which recently signed on to manage Jennie’s overseas activities. That arrangement really has me curious. How exactly do ALTA and Odd Atelier split the workload? OA looks to be scaling up fast and has already brought in staff with solid international experience but Jennie’s kind of global reach is huge. Partnering with ALTA seems like a smart play, my guess is ALTA handles things like international booking, western media outreach and industry networking while OA focuses on creative direction and core brand decisions. Does alta take the lead on all activities outside korea, or do you think it’s more of a case by case setup? 4. The Future of Odd Atelier as a Company Looking at OA’s website, I get the feeling they might plan to sign other artists someday. if that’s the case, the company will need a more structured, scalable system like artist development, in house production, A&R, PR, touring staff and so many things. Fast forward 10 or 15 years, OA could look very different once their roster and global footprint start to grow. Anyone here know how global management really works for kpop idols doing their own thing like Jennie? Kinda dying to hear the inside scoop submitted by /u/Total_Raccoon7667 [link] [comments]

2.563. Which Is Your Favorite K-pop Group That Debuted In The Year 2017

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2025 - XLOV 🏆 2024 - ILLIT 🏆 2023 - ZB1 ( ZeroBaseOne) 🏆 2022 - Lesserafim 🏆 2021 - IVE 🏆 2020 - Aespa 🏆 2019 - ITZY 🏆 2018 - I-DLE 🏆 2017 - ???? submitted by /u/Mystic_bhumiverse [link] [comments]

2.564. Who's The Most Talented Vocalist In K-pop Starting With The Letter L

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Ailee 🏆 Baek-Hyun 🏆 Chen 🏆 D.O 🏆 Eunkwang 🏆 Fei 🏆 Goeun 🏆 Hyolyn 🏆 IU 🏆 Jonghyun 🏆 Kyunhyun 🏆 submitted by /u/Mystic_bhumiverse [link] [comments]

2.565. Given the success of Katseye with the K-pop methodology, could this possibly be something that could or would have worked with groups who aren’t/weren’t K-pop?

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(Disclaimer: this is under the impression that we’re not considering Katseye as K-pop, because to me they’re not but some people still call them that 💀). We’ve seen the success of groups One Direction, Little Mix, Fifth Harmony (questionable? I wasn’t that much into them so I’m not sure). They had their own ways of getting to where got, so that’s just for reference’s sake. We’ve seen not much success from groups like PrettyMuch, Boys World, In Real Life (or if you don’t know them, you probably didn’t see it and won’t because they’re all disbanded now anyway). The K-pop methodology seems to be working for Katseye, among other factors. Is it possible for it to work with groups in the future? Maybe it could’ve worked in the past with certain groups? Maybe even current groups? Now, I’m not an expert on the music industry at all, so this is just based on what I’ve seen. I feel like it COULD work, but of course it’s all about how the labels and companies see fit. Also, some may say it would take away the uniqueness of K-pop, although I think that’s more about stuff like PCs, lightsticks, variety shows, etc. (which personally, I wouldn’t mind 👀). This question probably needs more depth to it but that’s the best way I can word what I mean. 😅 submitted by /u/CeCeAlexus [link] [comments]

2.566. TXT (TOMORROW X TOGETHER) - Beautiful Strangers (Japanese ver.)

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submitted by /u/impeccabletim [link] [comments]

2.567. Vote your favorite male idols based on their birth year - 2005

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🥇Haru (Xlov) - 14 votes 🥈 Woonhak (Boynextdoor) - 7 votes 🥉Keiju (KickFlip) - 6 votes Past winners: 2007: Han Yujin (Zerobaseone) Rules: Duplicates are allowed, but only a comment with the most upvotes will be counted. For example if there are multiple comments for A but only have 1 upvote each, while there is a comment for B with more upvotes than any of the A comments, then B will win the vote. Comment with more than one idol is automatically disqualified There will be honorable mentions for the runner up and third place on each post submitted by /u/EmanuelTheodorus [link] [comments]

2.568. We just had one of the craziest weekends for k-pop girl group live shows in YEARS, let's look back at it

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Pretty much all the top active girl groups in K-pop performed this weekend. I've tried to watch as much as I can and so here's a quick review! Let's do this in order of the groups' debut date. For some balance, I will add a small criticism of each show: TWICE at Lollapalooza. I don't know that I can add any more to all the posts people have been making. There's a case to be made that this show was even better than their career-defining show at Nissan Stadium in Japan last year. The full set was 19 songs, and included a couple of nice surprises, like ICON, which they haven't performed live in years. They spoke English throughout, too, which you love to see. Complaints? The official broadcast is not available online anymore!! BLACKPINK in Paris (2 nights). These are for sure the best shows of the tour so far, the crowd was electric and loud, and the girls are in their groove. Rose in particular sounds amazing. She's found an extra gear in her performance skills since the Born Pink tour and is getting awfully good at commanding an audience rather than simply perform to them. She's got a bright future ahead. My main complaint about their show is that it's too short and the interludes are too long. ITZY at the Taipei Dome. Yoooo, this one is a whole other type of nuts. Seven song set on a baseball diamond n a packed stadium and a massive light show and great camera work -- but no fans on the floor. The whole show is here, you kinda have to see it to believe it. The Taiwan crowd was popping for them as always. Complaint? Not a lot of live vocals this time, which is pretty strange for Itzy these days. AESPA at KCON LA. This is a shorter set with 4 songs. Whiplash and Supernova are badass songs in live format, and mixing in Flights Not Feelings was a nice mix-in. The crowd was with them all the way. Sometimes people get on their case for not being a top group in stage performance, but you'd never know it watching this perforance. I thought this was a good side of them. Complaints? The vocal audio mix was way out of whack. SM is never going to figure out that they can just let our girls sing and everything will be fine, are they? IVE at KCON LA. Years of touring has turned IVE into a well-oiled performance machine. Rebel Heart and Attitude went down great with the local crowd. This show produced a meme that will be riffed on for years: Liz lost grip of her mic and it went flying. Complaint? Song selection. I think the new album is great, it's probably my most listened to k-pop album in 2025, but they only performed one of their classics. 😑 LE SSERAFIM in Manila. Everybody is absolutely RAVING about this show on social media and here on Reddit. The members themselves have said that they felt like it was the best show of their tour. Maybe I should be upset about that because I saw them in Tokyo a couple of months ago (and that show was outstanding).... but after seeing the footage of the crowds singing Antifragile, I've gotta agree. Le Sserafim blew the house off the place. How they manage to put on a 2+ hour show full of tough choreography and live vocals is a modern miracle of K-pop. Plus the crowd sang Happy Birthday to Chaewon. Complaint? No live band! They're using new & different mixes of many of their songs but nothing beats real musicians. KATSEYE at Lollapalooza. They've been preparing hard for this concert and it really shows. They added a fabulous minute-long dance break into Gabriella which is one of the best I've seen in any K-pop* performance this decade. Another cool thing they've done is adjusted Debut's choreography to feature Manon more, which was one of those fair complaints that Eyekons have been making for a while now. Even the camera work was good. Complaints? Same as TWICE... can't easily watch it again. Also performing at KCON this weekend: i-dle, NMIXX, Kep1er, izna, Meovv, Hwasa, and more. On top of that, Fifty Fifty, Hearts2Hearts, Close Your Eyes, and Baby VOX (!!!) all played a festival in Yeosu, SK. All of this in the space of a couple of days. INSANE. submitted by /u/daltorak [link] [comments]

2.569. Cases where an agency had a long-term plan for their artist, only for something to happen that gets the entire project scrapped?

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Last night, TREASURE released a teaser poster for their upcoming album which made me think what could've happened with them if Mashiho and Yedam didn't leave the group. Back when the two of them were still in Treasure, YG heavily promoted them as twelve diamonds: all of their albums had 12 diamonds on it, their logo, the mics, and even their in-ears. On the sleeve of their first full album, Treasure Effect, there are twelve diamonds that appears to be how they planned Treasure's releases. The first three diamonds huddled together— TREASURE's first three single albums were released within their first four months— and one of the inclusions of that same album was a file holder that had symbols. The first five symbols were: a diamond, a heart, a lightning, a circle, and a flower-like shape. Which were all in their albums. After they left the group, the entire "The First/Second Step" was scrapped and they released REBOOT instead. An earlier example from the same agency would be with WINNER. Their album after a hiatus was EXIT: E, the album was supposed to be the first album among the four (spelling EXIT) but one of the main producers of the album was the member, Nam Taehyun who was heavily involved in the entire album. He later left the group and the entire series was dropped. The album was heavily based on Taehyun's own music taste, and since he left, it appears that WINNER has never performed Baby Baby and Sentimental ever again (cmiiw). Are there any more cases like this? submitted by /u/ivtokkimsh [link] [comments]

2.570. The level of happiness this brings to my 3rd gen stan ass 😭

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I'm neither a Monbebe nor an Ahgase, yet this wholesome interaction just fills my heart ❤️ submitted by /u/beelzebub2099 [link] [comments]

2.571. MDL it's Live - NEXT Line-Up Spoiler (250804)

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submitted by /u/smileshima [link] [comments]

2.572. Hongjoong is the leader, now choose your visual! *COED AND FORTH GEN ONLY* only 1-2 members from the same group can be chosen in this fake coed forth gen group so choose wisely!

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* submitted by /u/Additional-Love-9323 [link] [comments]

2.573. LE SSERAFIM - Special Vinyl: EASY-CRAZY-HOT (Vinyl LP Album Packaging Preview)

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submitted by /u/impeccabletim [link] [comments]

2.574. Pick a number between 1 and 32 and I’ll send you YENA songs to listen to!

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Some of you may know her from IZ*ONE. She is now a soloist! And has been since 2022. One of my favorite soloists, and has released a new mini album last week! Called “Blooming Wings”. Her older songs are also very good, imo. Having 32 songs in total, there must be something for you! Quite a few of her songs also give J-Pop vibes hehe. She of course has a couple of Japanese songs. Pick your numbers! 🩷 submitted by /u/AngelWithAPencil [link] [comments]

2.575. Can we stop using “real-world morality” as a tool to cancel idols or win fanwars?

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I’ve been noticing more fans using serious real-world issues to cancel idols or to make their faves look more morally right than others. Instead of focusing on the actual issue, it often turns into a way to win arguments or push a certain group as the “better” one. This isn’t about awareness anymore. It’s just another form of fanwar. Another thing to think about is that idols — whether it’s BTS, BLACKPINK, or others — are part of the entertainment business. A lot of what they do or don’t do is influenced by business decisions, brand deals, and public image. That doesn’t mean they don’t have a say, but it does mean we shouldn’t expect them to speak up about everything, all the time, or be perfect moral examples. And realistically, no idol has always made the right call. That’s not a personal attack, it’s just the truth. Instead of using these issues to cancel or uplift idols, maybe it’s time we focus more on our own values and beliefs, and not rely on idols to shape them for us. You can support your fave and still care about real issues but using those issues just to cancel others or win fandom fights? That’s not it. Let’s be more thoughtful about how we talk about serious topics in fan spaces. submitted by /u/excitingstable53 [link] [comments]

2.576. which male idol has the best yellow hair?

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jimin has the best orange hair!👑 2nd place: hongjoong 3rd place: jiung • post your submission with a link to a picture of the idol! • split dyed hair and a few colored strands also count! • Gen 3, Gen 4, Gen 5 • male idols only • to make it more fun for everyone: 3 members max from the same group • time to comment/vote: 24 hours submitted by /u/hyun_chuu [link] [comments]

2.577. which female idol has the best yellow hair?

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yunjin has the best orange hair!👑 2nd place: yeji 3rd place: seulgi • post your submission with a link to a picture of the idol! • split dyed hair and a few colored strands also count! • Gen 3, Gen 4, Gen 5 • female idols only • to make it more fun for everyone: 3 members max from the same group • time to comment/vote: 24 hours submitted by /u/hyun_chuu [link] [comments]

2.578. I've finally calmed down enough to talk about Twice's performance at Lollapalooza

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So last night I was AT Lollapalooza to see Twice. After 6 and a half grueling hours of waiting and fighting the crowd for a decent spot, Twice finally came on. Simply put it was so extremely surreal. I've seen them twice (lol) previously for Ready to Be in Metlife and the encore in Las Vegas. Both times were insane unforgettable treats. However this Lollapalooza performance was on another level. Each of the girls were absolutely on the peak of their game. Jihyo may be my ult but with Twice, any of the other members are absolutely ready to wreck you. First of easily they all looked so beautiful. Give their stylist a raise to the moon. I remember trying to take pictures of a member then one passes by and immediately steals my attention. The wreckers of the night were Jeongyeon, Momo, and Dahyun. Jihyo though absolutely brought ever ounce of her godly mother being and left absolutely nothing on that stage. Iirc, she said in Bubble that she almost collapse and after seeing her on stage, I wouldn't blame her for doing so. The show was just insane. The crazy part was how relentless the pace was. Song after song after song gave you just no break. I guess it had to be that way since the show was only 1:30 long. I may have been at the park for a whole afternoon leaving me kind of gassed but as soon as they came on I had fo return the energy they had. That NaMo dance break though 👀. The main highlight of the show wss the setlist. I know for a while people were saying Twice's music wasng ecsctly suited for festivals. However I scoffed at it because there's such a wide variety of genres that everything has a place. Twice did do most of their titles with some b-sides. Chaeyoung gave a hint that they'd be doing a song they havent done in a while and I was wondering which was it. I'm guessing it was ICON since it's the biggest gap since they performed it back for their III Tour. That song is special to me because it was one of the first songs I listened to when I first got into them. I also have to talk about that amazing band. They really enhanced the show and every single song. I've been saying how I wanted a live concert for Twice's shows and their bands are a serious reason why. The big surprise of the setlist though was JeongJiChae finally getting a stage for Takedown. The way the crowd exploded when that song came on... I know I did lol. Then they did a drone show for the first real break of the show to highlight the soundtrack for KPop Demon Hunters which also got a huge reaction! Twice are in the midst of a Renaissance right now. They're in their 10th year right now but haven't taken their foot of the gas. If anything they've floored it even more! I'm just grateful to have been in their presence for a 3rd time! THE HONMOON IS SEALED! submitted by /u/Saucy_Totchie [link] [comments]

2.579. Maybe I am not into kpop as much as I thought…?

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I’m currently at Kcon and had the opportunity of doing a meet and greet. I’ve realized some people might GENUINELY be mentally unwell. Based off of the conversations (not eavesdropping but in passing) I’ve heard…it seems some people might be obsessed (in a bad way). Is this a common thing in kpop or am I just not into as much as I thought? submitted by /u/averagewhiteyolk [link] [comments]

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