What kpop songs are on your “no skip” list?

Hello everyone! We are excited to take a trip back in time to revisit some K-Pop classics once again, continuing with this rate, the "Early Gen 3" Girl Groups Rate! (If you haven't already, make sure to join r/kpoprates to ensure that you stay updated on future rate-related posts!) Quick Links: Ballot submission: Link to Reddit Chat to message a ballot // Ballot template (Google Docs ver.) // Ballot template (Pastebin) Playlists: Spotify // Youtube (Audio ver.) // Youtube (Lyrics ver.) // Youtube (MV ver.) Deadline: July 7th (Monday), 11:59 Pacific (Link to a timezone converter) How the songs were selected: We used the /r/kpop Top Ten Tuesdays results to grab the most adored songs from each of the artists on Reddit, and we also had a songlist feedback survey on /r/kpoprates to help decide the songlist! Now, without further ado, let's introduce the 55 songs (& 7 bonus songs) that were selected for this rate, ordered chronologically for each artist (artists were also ordered by debut date): . Spica: Russian Roulette You Don’t Love Me EXID: Every Night Up & Down Ah Yeah Hot Pink Night Rather Than Day DDD I Love You HelloVenus: Wiggle Wiggle I’m ill Mysterious Crayon Pop: Bar Bar Bar AOA: Miniskirt Short Hair Like a Cat Heart Attack Good Luck 10 Seconds Excuse Me FIESTAR: One More You’re Pitiful Ladies’ Code: Pretty Pretty Galaxy The Rain BESTie: Love Options Excuse me Mamamoo: Piano Man You’re the Best Décalcomanie Starry Night Egotistic Wind Flower Gogobebe HIP Laboum: Journey to Atlantis Hwi Hwi Lovelyz: Ah-Choo Destiny WoW! Now, We That Day Sonamoo: Friday Night GFriend: Me Gustas Tu Rough Navillera Fingertip Time For The Moon Night Apple Mago Brave Girls: Deepened Rollin’ We Ride Chi Mat Ba Ram After We Ride . Bonus Rate: The bonus rate is basically an extension of the main rate! There were several songs that received high praise during the songlist feedback survey that still were barely not able to make the main rate, so we have put them into the bonus rate here to give them a chance to be rated. . EXID - Lady HelloVenus - Venus Crayon Pop - FM Fiestar - Mirror Ladies’ Code - Bad Girl Laboum - Between Us GFriend - Labyrinth . The Bonus Rate is optional and you do not have to submit a score for every song in the bonus list if you do it: you can score none of them, all of them, or any number in between. You cannot give a 0 or 11 to any song in the bonus, as they are not part of the main rate. While it is optional, we hope you consider participating. Spotify playlist YouTube playlist (MV version) YouTube playlist (Audio version) YouTube playlist (Lyrics version) Rules: You must listen to and assign a score to EVERY song listed. If your ballot is missing any scores it will not be eligible and you'll be sent a message asking you to fill in the missing scores. Each song should be assigned a score between 1 to 10. Decimals up to one point are allowed but any further is a no-no – 6.9 is fine, but 6.99 is not. You can use ONE 0 and ONE 11 for the entirety of the rate, for your least favorite and most favorite song respectively - they are optional but HIGHLY encouraged if you feel some type of way about any given song! Comments are also encouraged but not required for such scores (except if you give a song a 0). Comments are encouraged and much appreciated (but not required, except for if you give a 0) and can be added to any song by simply typing after the numerical score, like so: Hip: 2.4 Ofc the title track that utilizes Mamamoo's vocal power the least ends up becoming the most popular (yells angrily at cloud) This is the ONLY correct way to format a comment. Please do not include colons (ex. 9: I stan!), dashes (ex. 3.3 - This song sucks), or any other symbol after your score/before your comment as it breaks the program. You can also give comments for individual artists! Just write your comment after the :, such as the following: EXID: Are they pronounced like "exit" or are you supposed to say every letter separately? I'll never know For this rate and most future rates, we have a ballot average minimum of 4.00. In addition, if your ballot average is between 4.00-5.50, you must leave comments on your lower scores (which we define as any score that's a 3 or lower). {Do not worry about having to calculate your ballot average, once you submit your ballot, we will tell you if you need to make changes to your ballot for it to be accepted.} SUBMITTING A BALLOT: * Link to Reddit Chat to message a ballot As Reddit is (unfortunately) moving away from the private messaging system in favor of utilizing the Reddit chat system, we are forced to also adopt the Reddit chat system for messaging. You can make a copy of either the Google Docs or Pastebin ballot templates below, add your scores on your local copy/file, and send the link to your local copy/file in your Reddit Chat message to u/KpopRates_Ghost. * Google Docs ballot template * Pastebin ballot template Google spreadsheet template that you can use to calculate averages, record scores, and make predictions Alternatively, if you have Discord, you can message the link to your ballot to both the rate hosts, @Zypker124 and @aidshha. You can also submit the top/bottom 5 prediction form at any time. DUE DATE: Monday, July 7th, by 11:59 PM Pacific - This will be the FINAL deadline, no extensions will be given this time! (Here is a link to a time zone converter for the deadline.) REVEAL DATES (Reveals will take place on /r/kpoprates as well as the KpopRates Discord: https://discord.gg/4YY2ksBbT6) Day 1 - July 12th (Saturday), 8 AM Pacific (Time zone converter here) Day 2 - July 13th (Sunday), 8 AM Pacific (Time zone converter here) submitted by /u/kpoprates_ghost [link] [comments]

This megathread is about the ongoing dispute within HYBE and the management of sub-label ADOR. Substantial news developments may be posted to the subreddit (outside of the Megathreads). Moderators will only approve posts that focus on statements by relevant parties, official representatives, or legal authorities. Unofficial commentary, fandom activities, speculation, or blind items will not be acceptable. Articles or translations should ideally be presented as neutrally as possible. Titles or content that are obviously sensationalized or intended to persuade readers to one perspective will be removed. English-speaking news outlets that have relatively more neutral reporting include Soompi, Yonhap News, and Korea JoongAng Daily. THIS POST MAY BE LOCKED OR UNLOCKED AT VARYING TIMES based on what the moderators are able to manage during their shifts. Please be patient with us while we work to balance keeping up with the queue and our own lives. DISCLAIMER ABOUT SOURCES: We prefer to focus on official statements from companies or other vetted sources. There will be widespread speculation and rumor-heavy articles, but until presented in an official capacity we consider them unsubstantiated. As Mods, all we can do is compile and summarize, but we are not investigators or journalists. Summary of Previous Megathreads ONE and TWO and THREE contains HYBE's audit of ADOR and Min Hee Jin's 1st press conference. FOUR summarized all events up to April 30th, 2024. FIVE and SIX contains potential ADOR embezzlement, MHJ's injunction and hearing, and a letter from the parents of NewJeans. SEVEN and EIGHT and NINE contains MHJ's injunction granted May 30th and remaining ADOR CEO, HYBE replacing ADOR board members, BELIFT LAB's video regarding plagiarism and lawsuit against MHJ. TEN and ELEVEN and TWELVE contains ex-ADOR employee's sexual harassment case, band Shakatak's plagiarism claim, HYBE 2.0 and ADOR restructuring with new CEO Kim Joo Young, MV director drama, the NewJeans livestream, MHJ's 2nd injunction filing and public events/interviews. THIRTEEN and FOURTEEN and FIFTEEN contains an interview with NewJeans' parents, Hanni and CEO Kim Joo Young at the National Assembly, MHJ's reappointment as director, Kim Taeho at the National Assembly, HYBE's Weekly Industry Report leak, the court's dismissal of MHJ's 2nd Injunction, ADOR board's vote against making MHJ's CEO again, NewJeans' certified letter of ultimatum to ADOR, rejection of Hanni's workplace bullying claim by labor ministry, MHJ's resignation from ADOR, and NewJeans' contract termination press conference. SIXTEEN and SEVENTEEN and EIGHTEEN contains ADOR's 26-page response to NewJeans' certified letter, Dispatch's exposé on MHJ's alleged strategy to leave HYBE, ADOR seeking validity of NewJeans member contracts, KMCA/KOSPO statements concerning tampering, the creation of the 'jeanzforfree' Instagram account, visa concerns, Employee B's MHJ defamation mediation failing, Davolink Chairman details, first hearings for Belift Lab and Source Music vs MHJ damages cases, dismissal of former ADOR VP's workplace harassment case against HYBE/ADOR, ADOR's injunction to halt NewJeans ad deals, and NewJeans rebranding to NJZ. MEGATHREAD NINETEEN covered mid-February to early March. Contains: Reports around Hanni's visa concerns and political involvement of National Assembly member Park Ji Won, NJZ parents establishing and posting to their PR Instagram account, the conclusion of three related allegations of 'workplace harassment' with no charges against HYBE/ADOR or ADOR CEO Kim Jooyoung, the joint press conference of 5 major industry organizations regarding tampering and contractual integrity, and the provisional injunction hearing for ADOR's complaint to restrict NJZ's music activities along with new ad deals until contract validity is determined. MEGATHREAD TWENTY covered the rest of March. Contains: The provisional injunction hearing and results two weeks later granting the injunction in ADOR's favor, NewJeans' activities at ComplexCon, NewJeans' filed objection to the injunction ruling and hearing set for early April, progress for Employee B, and general media/articles around the injunction results. MEGATHREAD TWENTY ONE covered all of April. Contains: HYBE's annual shareholders' meeting, the 1st hearing for confirmation of ADOR's contract validity with NewJeans, the hearing for NewJeans' objection to the injunction ruling and subsequent rejection of their objection by the judge one week later, and the 2nd hearing regarding shareholder agreement termination validity between HYBE and MHJ was designated to run jointly along with the case around exercising put/call options. Articles / Timeline 250422 This day marks one year since HYBE launched their audit of Min Hee Jin and ADOR's management. Happy(?) 1st anniversary of the Megathreads! 250502 The 3rd hearing for Min Hee Jin vs. Belift Lab was set to take place but postponed to July 18th at Belift Lab's request. Each side is due to present their arguments/documents regarding plagiarism issues at the next meeting. (Source: Maeil Kyungjae) 250530 We learned that ADOR had filed for 'indirect enforcement' after their injunction was granted and NewJeans performed at ComplexCon back in March (Filed on April 4th according to the statement from NewJeans' representatives linked below). On the 30th, the 52nd Division of the Seoul Central District court further granted this request. The 'indirect enforcement' ruling means that each individual member of NewJeans will be fined 1 billion won (approx. $725,000) if they continue with entertainment activities independent of ADOR, which would be in violation of the injunction. This enforcement with potential fines does NOT apply to any of NewJeans' independent activities between the granting of the injunction and the granting of this 'indirect enforcement'. These fines will only apply to future activities going forward, or at least until rulings with NewJeans' appeal or the main contract validity case changes anything (next hearing on June 5th). (Source: Chosun Biz, MK Sports) The Korea Herald: Court orders NewJeans to pay Ador 1 billion won for each unauthorized activity Discussion Post Korea JoongAng Daily: Court orders NewJeans members to pay ADOR $725,600 for every independent entertainment activity A statement by NewJeans' representatives was made later in the day primarily acknowledging the indirect enforcement ruling, but reiterating that it is temporary and will no longer have an effect if NewJeans win their appeal of the injunction. (Source: Ilgan Sports) The 2nd hearing for Source Music's damages lawsuit against Min Hee Jin took place at the 12th Civil Affairs Division of the Seoul Western District Court. (Quick recap: 1st was January 10th, 2nd was previously scheduled for March 14th, postponed per Source Music's request). Legal representatives were present. Source Music had a 20-minute presentation prepared, but Min Hee Jin's representatives objected to the inclusion of KakaoTalk messages in the presentation. They claimed the messages were illegally obtained and requested the hearing to be closed/private. Source Music denied the messages were obtained illegally, claiming they were gained from company devices with consent. The court went with a temporary compromise to keep the hearing public, but not allow discussion/display of the messages until they were reviewed again. A special hearing to review the messages will take place June 27th. (Source: Sports Today) 250605 The Seoul Central District Court Division 41 held the second hearing for ADOR seeking confirmation of validity for their exclusive contract with NewJeans. Only legal representatives were in attendance. NewJeans' side primarily argued that ADOR had not met their obligations and that their evidence they were preparing to support NewJeans' activities, like finding a new producer, was inadequate. ADOR's side argued that NewJeans' reasons for allegedly terminating their contract continually changed, indicating they are arbitrary and being made up with retroactive hindsight. The issue of some evidence being collected illegally also came up again from NewJeans' side. Judge Jung Hoe-Il specifically inquired if both/either sides were willing to come to an agreement, encouraging them to do so. NewJeans' representatives strongly indicated this was unlikely as the trust in ADOR had completely collapsed. ADOR's representatives indicated they could see negotiating an agreement once the court comes to a final decision. The 3rd hearing was set for July 24th. (Sources: X Sport News, Maeil Kyungjae) 250612 The next hearing regarding the Shareholder Agreement termination and exercising put/call options lawsuits between HYBE and Min Hee Jin was held at the Seoul Central District Court's 31st Division. Arguments from each side mostly re-tread what we've already covered. HYBE's side argued they were justified in ending the shareholder agreement due to the threat Min Hee Jin posed to the company. Min Hee Hin's side argued the timing of the audit/termination did not align purely with that concern and that some KakaoTalk messages and emails were obtained illegally and not admissable as evidence. HYBE also indicated they had a witness to give testimony at the next meeting, which the court accepted. The next hearing with closing arguments, was set for September 11th for both lawsuits. (Sources: Maeil Kyungjae, TV Daily, Sports Today) 250617 Following up from April 16th when NewJeans appealed the court's decision to uphold the injunction and halt on their independent activities, the Seoul High Court reaffirmed the earlier decision. The court rejected NewJeans' appeal. They determined there was no significant change in the material/arguments presented for the appeal and the original decision to grant ADOR's injunction was justified. There was further clarification that the management conflict between HYBE and Min Hee Jin, and her no longer being NewJeans' producer, did not constitute a valid argument for the alleged collapse of trust between ADOR and NewJeans. The group's withdrawal from ADOR is considered arbitrary, that their artistic freedom or activity is not impeded since they are able to do so within their exclusive contract, and that any damages resulting from attempting independent activities are self-inflicted. (Sources: Yonhap News, NewsPim, News 1) The Korea Herald: K-pop High Court rejects NewJeans appeal, upholding ban on independent activities Post Soompi: Seoul High Court Denies NewJeans' Appeal Of Injunction Decision Looking Ahead: June 27: Special hearing for Source Music vs. MHJ to review KakaoTalk messages as evidence July 18: 3rd hearing for Belift Lab vs. MHJ (postponed from May 2nd) July 24: 3rd hearing for ADOR seeking confirmation of validity for their exclusive contract with NewJeans September 11: Next hearing regarding the Shareholder Agreement termination and exercising put/call options lawsuits between HYBE and Min Hee Jin Ongoing Legal Complaints/Investigations: HYBE's report to the Financial Supervisory Service (FSS) regarding potential insider trading by ADOR management (Korea JoongAng) HYBE's complaint against Min Hee Jin for 'breach of trust' (Yonhap) Belift Lab's complaint against Min Hee Jin for defamation (Soompi) and additionally for business interference (The Korea Herald) SOURCE MUSIC's lawsuit against Min Hee Jin for damages in regards to the disruption of business/defamation of LE SSERAFIM (Korea JoongAng) and additionally regarding alleged false claims by MHJ for the launch strategy of N Team/NewJeans (Soompi) British band Shakatak's plagiarism claim against NewJeans' 'Bubble Gum' (Yonhap) Min Hee Jin and HYBE executives filed reports against each other back-to-back (Soompi and Korea JoongAng) Former ADOR Employee 'B' filed complaint against MHJ in relation to sexual harassment cover-up and workplace mistreatment. (JTBC) MV Director Shin Woo Seok filed a lawsuit against ADOR CEO Kim Joo Young and ADOR VP Lee Do Kyung for defamation. (Korea JoongAng) MHJ's lawsuits against Belift Lab's Kim Tae Ho for defamation (Yonhap), HYBE CCO Park Tae Hee and PR Director Cho for breach of duty (Yonhap), and HYBE executives and Dispatch reporters for defamation. (Soompi) (One or both of these might be re-statements of earlier suits.) ADOR's lawsuit to determine validity of their contracts with NewJeans (Soompi) Link back to MEGATHREADS 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10 - 11 - 12 - 13 - 14 - 15 - 16 - 17 - 18 - 19 - 20 - 21 GROUND RULES IN COMMENTS If you have come to this subreddit to discuss anything, you are choosing to participate in a moderated space with rules of conduct enforced by human beings. All users are subject to the discretion of moderators to manage this space even if it's in ways you don't agree with. Do not Insult users, fans, or artists. Don't denigrate a certain demographic of people (age, gender, nationality, etc). NO harassing, threatening, or wishing harm on anyone. Do not incite fanwars, reference old tribal resentments between different fandoms, or assume the worst of fellow users. Do not bring wild conspiracies from somewhere else on social media that have no clear or substantiated sources. Do not accuse other users of being a bot or paid shill. Do not abuse the report button. We report any form of report abuse directly to Reddit Admin. Refrain from linking to or discussing other subreddits. Do not encourage brigading in any way. Allow other subreddits and their mods to run their communities how they see fit. DO mention your sources and any use of AI/machine translation tools for quoting Korean articles. DO take care to link sources responsibly. Seek information sources which are reasonably neutral and are not affiliated with accounts known to insult or hate artists. Keep in mind that Allkpop, TheQoo, PannChoa and similar sites are banned in this subreddit. THE MODS KNOW there will be bots, trolls, bad actors, and oblivious new users coming to the subreddit. We will do what we can to mitigate the impact of them. But you alone are responsible for your own behavior. Express your opinion or arguments without breaking our conduct rules or we will be obligated to remove your comments. submitted by /u/KPOP_MOD [link] [comments]

Ew trump. I do not support any misogynistic, white nationalist, incel, hitler-like (esp. Musk), racists at all and neither does this sub and apparently neither does reddit as a site as a whole. He stands against everything Kpop stands for which is an art form from a formerly colonized people from a country that is rising up against colonialism and hatred. Anyone who comments anything negative to this, or tries to defend that orange guy will be banned permanently. Go somewhere else, we don't want your lower kind here. This is why American women everywhere are going 4b EDIT!!!: 4B 4B4B4B4B4B!! 4B IN THE SOUTH, 4B IN THE NORTH, 4B FROM TEXAS TO ALABAMA, FROM BYU TO COLOMBIA! 4B ALL FIFTY STATES! A CONVICTED PEDO AND FELON IS NOW PRESIDENT SO IF YOU'RE A WOMAN WITH ANY SELF RESPECT 4B, 4B, 4b (ESPCIALLY THE CONSERVATIVES!!!!) submitted by /u/Kpop_Love_Forever [link] [comments]

Hey folks! Over in r/kpop we just posted a new special Town Hall that is focused only on the Flairs we use to help organize our posts based on content categories. Link to r/kpop's 'All About Flairs' Town Hall We included announcements for new flairs here on r/kpoppers and also on r/kpophelp. The following is the section relevant for this subreddit. NEW FLAIRS! Connect - This flair will be used for anything where fans are trying to socially connect with each other. Announcing new K-Pop subreddits or Discords, looking for mutual fans on social media, wanting to meet up at a concert, seeking fans in a region to form a dance group, networking for a fan project, announcing a K-Pop night at a club, etc. Research - Academic surveys related to K-Pop or fandom topics. We'll keep an eye on these new flairs to see if they create any confusion or need adjustments. Let us know if you have any thoughts, concerns, or questions! submitted by /u/alleybetwixt [link] [comments]

The subreddit is mostly uncensored as long as people follow the rules. Generalizing statement about Korea, Korean society, etc or most other countries are not acceptable except under the following standards: The only claims that are acceptable when generalizing Korean society in this sub are those that bring up generalizable stastical claims by the standards of the international statistics institute. Not only do the vast majority of stastistics you can find on the internet about Korea not up to this minimum, basic standard but this requirement includes having ample sample size, blocking by relevant demographics and sometimes even double blind tests. So if you make a generalizing claim, your wording must be properly formatted and links to the relevant studies provided. In other words, the standard for making a generalization is very high in this sub. Not to mention the wording for your claim has to be properly made. Anyone who has taken a college level statistics class will know what I am talking about and we may even require you to provide the confidence level interval if it's relevant for your study. If you cannot meet these standards, I would just avoid doing it in general. submitted by /u/Kpop_Love_Forever [link] [comments]

First of all I want to clarify what I mean by the tittle when I say "bad" contestants, no I do not mean people whose scandals come to light when a show is running, no I do not mean people who are evil edited to seem like the bad guy to other contestants. When I say "bad" contestants I mean those who throughout the show have had terrible, or mediocre, performances. I mean those who even get famous for their lack of skill. Now with that out of the way I will get on with the post. I feel like when talking about of a survival, no matter the group that came out of it, no matter the survival, people tend to focus a lot on the "iconic" performances when looking back to it. What do you remember about Boys Planet? I don't know maybe the performance of "Zoom", or the Global Group performance of "Kill this Love", maybe even one of the performances of "Love Me Right"? There's also a possibility some people remember those who performed so bad that it became a meme, for example, the red and blue houses. Maybe the guys who performed Seventeen's Hot are also remembered, though they are not talked about as real auditions and are rather mostly discussed as, well, memes. But there's a side to great presentations, and terrible ones, that isn't talked about a lot, those who are in the limbo, those that weren't the best but weren't bad either, those who just were. There are also many factors that lead to a performance that was actually nice not getting that much recognition, not only does it depend on the popularity of the participants of the group but some times whether or not the show itself pushes a narrative can also affect the recognition a performance gets. And I could get on and on about how some performances are overlooked, but this post isn't about "underrated" performances, it's about the people who throughout the show improve, of those who are clearly honing their skills so that when you get to their performance you are pleasantly surprised by what they've become, even if they get to a level that most contestants had at the beginning. In my opinion, and at least to me, that's even more special than the best performance of the show. One example I can think of, and because Boys Planet is the survival I got the most involved with, is "Not Spring, or Love or Cherry Blossoms" by the aforementioned survival. I would be the first to agree that no it wasn't the best and no, the trainees that performed probably didn't deserve to debut, but when I first saw it I was blown away by how much they had grown and while I loved "Zoom" and consider it the best performance of the round, "Not Spring, or Love or Cherry Blossoms" made me feel the same if not more excited. I know people may disagree with me, but to put it in perspective up to that moment Ichan, Daeul and Doha were infamous in the show. Both Daeul and Doha had zero stars, Doha was the blue house, one of the most "notorious" contestants, Daeul had become the "public enemy" of many people who watched Boys Planet because of his lack of skill. And Ichan? After committing a mistake in a previous round he had dropped many places in the rankings. They likely knew it was their last performance and looking back at it, it was good, better than good, better than everyone would expect of something coming from those contestants. It of course wasn't the best because none of the trainees had ever been the greatest of any category, but it wasn't half bad, it was clear they gave their all, they had their heart on the performance and they had grown as idols. That's the same reason why, for me, "Supercharger" was the performance that got me the most excited the next round. It was the song no one wanted, with the people that had been rejected in other groups. And even Takuto, who hadn't been the best performer did his best, he grew as the show progressed and I just think no perfect presentation can beat the emotion of seeing someone grow. Does that mean that participants who grow throughout the show should be in the final line up? Again, in most cases, no, absolutely not. Many of them fail to keep up with more seasoned trainees, and unless they're given more time to train, which isn't the case with most of the survival groups, it isn't in the best interest of the group for them to debut, but even then I can't help but hold their performances in a higher regard than that of the "best" performance. submitted by /u/Ch_ch_chewing_gum [link] [comments]

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No way people were upset at someone for making a rant about the pdf women in kpop spaces? and even worse they were lowk blaming cortis? saying its creepier for teens to like older women then older women to obsess over teen boys as if that isn’t a usually teen boy behaviour… maybe that wasn’t commentors intention but it’s weird too call it creepier. But if it was a post about creepy full grown men obsessing over teengirls, then i bet the replies to that post would be completely different 🤦‍♀️ Female pedophiles are just as big of an issue, stop acting as if it’s not. You just expose yourself as a major creep. submitted by /u/URWAAAA [link] [comments]

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I wanted to write up a 'small' little post sharing my love for the South Korean Boy Group Cravity and generally just shining some light on the group as I hit five years of being with them (I was originally a pre debut/debut era fan thanks to my love of MONSTA X and being introduced to the group through Jooheon) and for being a long time supporter of X1/ Produce X 101 (Who fellow members Wonjin, Hyeongjun, Minhee and Jungmo) were on the show. To me, the 9 members (Serim, Allen, Jungmo, Woobin, Wonjin, Minhee, Hyeongjun, Taeyoung and Seongmin) are attractive, talented dancers and have expressed that they eventually want to become a group that writes/produces all their music. The members are smart, outgoing and genuinely seem to be good people who enjoy what they do for a living. While although concepts like 'Dare to Crave' my not fit my personal tastes, I still think songs and b sides like; Believer, Oooh Ahh, Realize, Stay, while performances like Love or Die (Road to Kingdom) and Sugar Rush Ride (Road to Kingdom) can show off some of their talents, express the lyricism while also doing darker concepts/showing what they are capable of. In my eyes, they really stepped out of that 'MONSTA X little brother role' or frame, making a new for themselves with each release, Hyeongjun's appearance on D'Live TV and JFriends. While Seongmin really stands out not only for being the maknae of the group but also for some of my favourite fancams; Adrenaline, the ghost white hair look for 'My Turn', this dark blue look for Gas Pedal or the much needed pink hair (that needs to make a comeback of its own) for Party Rock. He is someone that has many charms, yes his voice might be higher then the rest, or his style could sometimes be considered feminine at times but he is honestly so talented outside the youngest role and I wish he got more credit, his vocals have always been improving. Even if these days I am more disconnected from the 'fandom' spaces, I can still see the improvement within the group and setting new records for themselves. They may not be the most popular internationally or 'trendy' but I do hope you consider looking into their music and their art. :-) submitted by /u/Responsible-Box2876 [link] [comments]