Why are many K-Pop fans so obsessed with western validation and westernization?

submitted by /u/songbyeonghee [link] [comments]

I’ve been thinking a lot lately about how common it is to see certain idols being constantly busy, and how fans (and companies) treat that like something admirable. But when you actually look at the amount of work some of them are doing, it starts to feel more like overexploitation than “dedication.” Take Jaehyun from BOYNEXTDOOR, for example. He debuted less than a year ago and has already been booked non-stop: music shows, brand events, magazine shoots, variety, and more. He’s done work for Musinsa, Beanpole, multiple editorial covers (GQ, Arena, etc.), and solo appearances, all while still being an active rookie. He’s only 21. At what point do we admit that it’s just too much? Then there’s Mark from NCT. He’s probably the clearest case of overwork in K-Pop. NCT 127, NCT Dream, NCT U, SuperM, solo content, features, tours... it never stops. He’s been on a near-constant loop of comebacks and promotions since like 2016. There was a point where he had multiple back-to-back world tours in a single year. It’s impressive, but also concerning. Other examples come to mind easily: Heeseung (ENHYPEN) coming back from injury without proper rest. Karina (aespa) with endless schedules in Korea, the U.S., and China. Even mentioning sleep deprivation in livestreams. Hoshi and Woozi (SEVENTEEN) working as performers, choreographers, producers, often at the same time. Bang Chan (Stray Kids) constantly juggling production, tours, and weekly livestreams, even when he looks completely drained. We’ve kind of normalized this. Fans often praise how “hardworking” these idols are, or joke about how they “don’t sleep” but none of this should be normal. It’s not just hard work, it’s a system that pushes people until they burn out, and then replaces them when they do. I’m not saying idols shouldn’t be ambitious or take opportunities, but there should be a line. And a lot of companies, and honestly, fandoms, seem to ignore that line entirely. Maybe it’s time we stop glorifying non-stop hustle and start asking whether this level of output is actually sustainable. Because if idols are constantly tired, injured, or mentally worn out, what are we really supporting? submitted by /u/Seesawey [link] [comments]

I’m already familiar with some old BTS songs and I’m currently really into BOYNEXTDOOR, but I’d love to be able to follow some more groups!!! Open to both boy and girl groups 🥰 submitted by /u/goodmorningduck [link] [comments]

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Image CTTO. looking forward on your debut tomorrow AHOF 🦝🦊🐱 submitted by /u/JrlookingforHappy [link] [comments]

Of course it may never compare to the feeling of finally seeing your favorite group in person, but I feel like the experience is still just as amazing in a very different way. I recently went to a stray kids concert without knowing anything about their songs besides that one part in gods menu where they go DU-DU-DU-DU. I also went with my cousin who knew just as much as I did (maybe a little more because she also knew the dance to that part of gods menu). It was so fun!!! I didn’t feel the need to bring my phone out (except for that one gods menu part lol) and truly got to enjoy the performances. I joked that this was like a premium album listening experience in person since this was the first time we were hearing these songs. I listened to the songs after the concert and I feel like the studio versions don’t truly capture the essence of the music the way a concert did. A lot of people critique non fans for taking concert tickets from real fans but I feel like as long as you stay respectful and try your best to match the energy the group wants, then you should totally go!! submitted by /u/docideit [link] [comments]

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Please only one submitted by /u/Adventurous-Dog5560 [link] [comments]

They look incredible—that much is undeniable and frankly, shocking. But the concept is painfully unoriginal. It’s an indistinguishable look that every other group has already run into the ground for the past two years. This isn't fresh; it’s Twice copying what's popular and showing up late to the trend. It's a lame, follower vibe from a group that never needed to follow anyone. Coming off the strength of Between 1&2, Ready to Be, and With YOU-th, this feels cheap and tastes sour. It’s infuriating because while the execution is flawless, the idea itself is a tired rehash. submitted by /u/Beginning-Bad2979 [link] [comments]

submitted by /u/CherryBlossomEnding [link] [comments]

submitted by /u/CherryBlossomEnding [link] [comments]

I dunno how this will be taken so please don't take this the wrong way but I've been following wonho for a long time now but it feels like he's not as popular as before. I don't keep up with everything but I just wanted to ask if wonho was still as popular or is he losing relevance. Also if there's any news of more content coming from him or monsta x pls share. submitted by /u/otakus_theory [link] [comments]

submitted by /u/SapphireHeaven [link] [comments]

Lately, I feel like a lot of new K-Pop groups are starting to blend together. The visuals are polished, the performances are sharp, but the concepts often feel like variations of the same formula. It’s rare to see a debut that genuinely surprises me anymore. So here’s a thought experiment: if you could build a group from scratch, no limits: what kind of group or concept would you create? submitted by /u/Seesawey [link] [comments]

I just watched ALLDAY PROJECT debut staged for their song 'FAMOUS' and as I was watching I thought about the concept and members and the fact that they had 3:2 girl to boy ratio reminded me of the Kdrama 'Part-time Idol' as they also had like three girls and two boys and the like plot reminds me of allday project cuz one of the members had like debuted previously like how one of the members is a well known choreographer. Their debut stage also reminded me a bit of the stage in the show as it was also of a similar layout. *MAYBE SPOILER* The plot is like some producer who disappeared for a long time to like discover himself came back and wanted to create a group and he finds trainees etc and like they face lots of challenges to debut. And the debut was similarish to allday projects debut stage. Btw akmu suhyun is in it Idk if this is just me but its some really random connection I made since i like watched the show in 2021 or smth submitted by /u/moca_zzzin [link] [comments]

im betting this is gonna get cancelled too y'all don't get satires, y'all don't get appreciation😔 what do a girl gotta do to not get cancelled around here😔 submitted by /u/DissapointedCreature [link] [comments]

I mean, it has been six years since TWICE dropped cute and sweet concept but people are unaware of their ability to pull versatile themes except bubbly sweet one. It is not that the concepts are too edgy or bold but since FANCY, they have tried many different ones. What people (incl. opponents) tend to say is their music quality declined because of the change of concept. submitted by /u/leonardreignn [link] [comments]

Idk if it's just me, but I don't like that it's becoming trendy these days for professional dancers to debut as idols. I'm not talking about like backup dancers becoming idols, I'm talking about like straight up choreographers who already have a large following and social media presence, like Emma and Bailey and I heard that Yumeki might debut??? I'm really into dance so I know they're all famous dancers, and they're all awesome - I'm a big fan.. but sometimes I think about how well can they sing???? I'd just hate to see if the vocal quality also goes down if they start prioritizing super difficult dances. Like to an extent I feel like choreo for singers shouldn't be too hard so they can sing live, so isn't it overkill to have those super powerful dancers if they can't really sing or rap, it just doesn't make sense in my head. But oh well, I don't work in the industry so who am I to judge? submitted by /u/Character_Quiet1393 [link] [comments]